@piezoglyph About #FF0921# 囚われない意識を持つことで、もしかしたら錠前やフェンスが見えてくるのかもしれない。でも本来そんなものはなく、あまり気にしない私たちは自然とこの作品集に向かっていたように思う。カードゲームで真剣になってしまうように、美味しいものを食べて労をねぎらうように。日々生きていく中で、どこからともなく湧いてくる遊び心を形にするには、仕事でもプライベートでもない場所を作るしかない。ということで、そんな想いに共感してくれた各スペシャリストたちと共に一冊にまとめることにしました。それ以上でも以下でもないのですが、これ以上に贅沢な時間はないように思います。そんな予定を決めてない旅のような１ページ１ページをどうか気ままに、手ぶらで、共に、冒険してもらえると幸いです。 An out-of-the-box mindset might make us see barriers and obstacles. But there’s actually nothing in front of us and we don’t really care. So it was, we think, a natural thing for us to begin working on this book. Like getting serious about a card game, or like treating ourselves with good food after hard work. In our day-to-day lives, we’ve got to make our own place away from work and home to bring playful ideas coming from out of nowhere into shape. That is why we decided to make this book with specialists who go along with us. It’s nothing more and nothing less, but the most luxurious way of spending time, we believe. Each page of this book feels like an unplanned journey, so we would be grateful if you casually join our adventure with empty hands.

The partner for Dragami Games’ new Lollipop Chainsaw　project has been announced, and I've received a wave of messages from fans and media alike. Over the years, many fans have told me they hoped the　original dev team would make the sequel. So I understand that some fans may have mixed　feelings. At the same time, I think they might understand how　difficult it is to bring the original team back together. I just hope the new team will aim to create a game that　earns the same kind of love and support as the original　team. Dragami Gamesのロリポップチェーンソー新プロジェクトのパートナーが発表され沢山のファンやゲームメディアより問い合わせがありました! 私はこれまで沢山のファンよりオリジナル開発スタッフに続編を作って欲しいとの要望を受けてきました。本件について複雑な気持ちを抱くファンも多いようです!! 一方でオリジナルスタッフを集結させることが難しいことを理解してくれるファンもいると思います!! 新プロジェクトの開発スタッフにはオリジナルスタッフに負けないくらいファンに愛されるゲームを作ってくれることを期待したい!!! #LollipopChainsawRePOP# #ロリポップチェーンソーRePOP#

🎉LOLLIPOP CHAINSAW RePOP celebrates its 1st anniversary today, Sept 12! A huge thank you to all our fans for your amazing support 🙌 We have released the free update adding the new costume “American Police” ✨ Plus, enjoy up to 45% OFF across all platforms right now‼ Don’t miss out 🔥 🎉本日9月12日、LOLLIPOP CHAINSAW RePOPは発売1周年を迎えました！ 皆様の応援、本当にありがとうございます🙌 新コスチューム「アメリカンポリス」を追加するアップデートを本日配信開始しました✨ さらに今なら全プラットフォーム45％OFFセールも開催中‼お見逃しなく🔥

72H Fire Debut Sale starts now Address to send SOL: Mikamismig6oeeQJJR2ix3b6Nm2jQB4MtixQEb4vtw5 There is no fixed price per token. The price will be determined by the amount of money raised during the firesale debut divided by the available token supply. You will receive a % of $Mikami tokens based on the amount of SOL you contributed. Official CA will be announced after the Firesale Debut ends. $Mikami is intended to function as an expression of love on the blockchain. It is a meme coin with no intrinsic value or expectation of financial return. The coin is completely useless and for fun purposes only. 72時間限定！待望の $MiKami Fire Debut Sale、ついにスタート！ 【SOL送付先アドレス】 Mikamismig6oeeQJJR2ix3b6Nm2jQB4MtixQEb4vtw5 1トークンあたりの価格は、販売期間中に集まったSOL総額をトークン総供給量で割ることで決まります。 ご提供いただいたSOL量に応じて、$MiKamiトークンを配布いたします。 どのような金額でも、皆さまのご参加が力になります！ 正式なスマートコントラクトアドレス（CA）は、Fire Debut Sale終了後に発表いたします。 $Mikamiは、純粋な「愛」をブロックチェーンに刻む、究極のミーム。 経済的価値や投資リターンは一切期待できませんが、そのミーム性と楽しさの可能性は無限大。あくまでエンターテインメント目的で設計されております。 *ミームコインとは、コミュニティ主導で発行され、特定のユーティリティを持たないことが特徴のコインです。 現在、クリプト業界で最先端トレンドとして話題を集めております。 #Mikami#

May 17th (Wed) Third digital single "SING YOUR DREAM" released! Released on the day of the showcase event! A song with English lyrics that expresses a strong bond, strength and tenderness! Available for pre-order on Itunes now! Please support our song to be ranked in at the top of the itunes. ↓↓↓↓ You can listen to the song starting from 24:00 JST on the 16th. ＜デジタルリリース決定！！＞ 5/17(Wed) 3rd Digital Single「SING YOUR DREAM」Release!! ショーケースイベント当日に配信！ 全編英語詞による固い絆、強さや優しさを感じる一曲！ Itunesプレオーダー受付中！！ ランクインの為にぜひオーダーよろしくお願い申し上げます🙇‍♀️ ※16日24時より聴くことができます。 <數字歌曲將被發布>的消息 5月17日(星期三) 第三首數字單曲《SING YOUR DREAM》發布! 在展示會活動當天發布! 一首英文歌詞的歌曲，表達了強大的紐帶、力量和溫柔! 現在可以在Itunes上進行預購! 請支持我們的歌曲，使其在itunes上排名靠前。 ↓↓↓↓ 你可以從日本時間16日24:00開始聽這首歌。 #BD# #SINGYOURDREAM#

A #SolanaOG# who staked $SOL for over 5 years sold another 30,000 $SOL ($2.56M) 8 hours ago. This OG staked 991,079 $SOL 5 years ago and started selling a year ago. So far, he has sold 965,274 $SOL($137.66M) at an average price of $143, and still has 381,140 $SOL($32.4M) staked.

A German teenager posted a frustrated tweet cursing out Olaf Scholz while his 37.9 GB Fortnite update crawled along at 173 KB/s, a download that would have taken over 60 hours to complete. The tweet had just 503 views. German police later opened criminal proceedings against him for insulting a politician. The case was dropped after he deleted the post. A year later he posted the official letter.

A Trip to the Planets: Willy Ley Narrates the Solar System in a 1963 Educational Film In 1963, as the Space Race gained momentum, a short educational film brought the solar system into American classrooms. A Trip to the Planets, a 15-minute production from Encyclopedia Britannica Films, was narrated by Willy Ley. I was in an AV department at my school when I first discovered this film and watched it frequently. It helped cement my love for educational films and emotional guidance films. Today I own one of the largest private collections with 100s of films, many never digitized. This film used animation and model photography to guide students on an imaginative journey through the planets, their sizes, distances, and the forces that govern the solar system. Willy Ley was already a leading voice in popular science by this time. A pioneer from Germany’s early rocketry movement and consultant on the 1929 film Woman in the Moon, he had written influential books such as The Conquest of Space with Chesley Bonestell. Ley in more recent history is labeled a collaborative part of the German government during World War II, he was not. He appeared in Disney’s “Man in Space” television specials and wrote regularly for science fiction magazines. His calm, knowledgeable style made complex topics accessible, which is why the film makers chose him to narrate this classroom short. The film presented basic astronomy concepts in an engaging way. It explained planetary orbits, relative sizes and distances from the Sun, and the role of asteroids and meteors. Animation illustrated gravitational forces and motion, while models helped viewers picture the planets themselves. The “trip” framing turned a science lesson into a visual adventure suitable for elementary and middle school students. It served both as an introduction for beginners and a refresher for those who had studied the topic before. This production arrived at a key moment. After Sputnik and President Kennedy’s Moon goal, schools needed materials that built scientific literacy and excitement. A Trip to the Planets fit perfectly into astronomy units. Ley’s narration added warmth and authority, making the solar system feel real and reachable rather than abstract. Today the film is largely forgotten. Physical copies are rare, and online versions have mostly disappeared. Yet it played a quiet but real role in science education. Before spacecraft sent back detailed images of other worlds, films like this helped students visualize the planets through careful models and clear explanation. It carried forward the same spirit Ley had promoted for decades: that understanding the solar system was the first step toward exploring it. A Trip to the Planets captures a specific era in science communication. It helped an entire generation look upward with curiosity and confidence. In an age of high-resolution mission imagery, the film remains a reminder of how far we have come and how we first learned to see the planets clearly. It also shows how far we have drifted from teaching wonderment and curiosity. Nothing has replaced these films and this path has been abandoned.