📢Ticket lottery applications are now open!!!🤩 THE ARGUMENT -Beginning to see the light- 🗓️Date: 2026/10/25 (Sun) 📍Venue: Spotify O-EAST/O-WEST （Tokyo） 🎟️eplus #theargument#

S/o to everyone holding it down at home inside of @RocketArena! ICYMI, we're hosting watch parties for every away game during Eastern Conference Finals. Head to for more info! #LetEmKnow#

MiniMax H3 Fashion Lookbook | Anime Character Reveal + Editorial MV Prompt🔥 Made this high-saturation anime PV with 13 fast visual beats in 15 seconds. A few years ago, this would’ve been days of AE work. Now? Prompt → generate → refine. Prompt 👇 Create a **15s, 16:9, 24fps anime character reveal trailer** with **13 fast visual beats**. Style: **Japanese anime opening × premium AAA motion graphics × fashion campaign**. The video should feel **explosive, sexy, stylish, bold and high-impact**, with **80% motion graphics and 20% character action**. ## CHARACTER LOCK — HIGHEST PRIORITY AO is a **young adult East Asian anime woman** with a sexy, confident Japanese anime aesthetic. She has: * small refined face * sharp expressive crimson eyes * glossy lips * confident, teasing gaze * slim feminine curvy figure * long elegant legs * stylish, cool, alluring presence Keep her identical throughout: * chin-length vivid red bob with messy bangs * crimson-red eyes * black choker * fitted red cropped top * short white cropped jacket, worn open * black mini skirt or fitted shorts * red belt detail * black thigh strap * white-and-red platform sneakers * subtle silver accessories Preserve the same face, body proportions, hairstyle, outfit, materials and colors in every shot. **Never redesign AO. Never change her face or outfit. If a shot becomes too complex, simplify the action first.** ## VISUAL STYLE Palette: **vivid red, crimson, white, black, silver**. Use: giant kinetic typography, red circles, diagonal slashes, manga speed lines, split screens, halftone dots, barcode strips, UI ticks, freeze frames, RGB flashes, impact shakes, poster layouts and graphic wipes. Every beat should feel: **fast, sharp, sexy, explosive, graphic and iconic**. Keep typography bold and readable. Editing: hard cuts, aggressive snap zooms, whip pans, speed ramps, freeze frames, impact shakes and foreground wipes. ## 13 VISUAL BEATS **01 | 0.0–1.0s** White field. Massive red circle slams into frame. Black bars slash across. UI ticks flicker. Giant **A**, then **O**, hit with heavy impact shake. **02 | 1.0–2.0s** The O becomes a circular frame showing an extreme close-up of AO’s crimson eye and glossy lips. She gives a teasing side glance. RGB flash. Circle bursts into red-and-white fragments. **03 | 2.0–3.1s** Black background, huge white **AO**. AO enters fast, turns sharply and power-slides beneath the typography. Red speed streaks trail behind her. Whip-pan out. **04 | 3.1–4.0s** Three red/white/black vertical panels. AO appears in three poses: hip turn, hair touch, over-shoulder stare. Huge vertical **FULL SPEED** moves behind her. **05 | 4.0–5.1s** AO jumps through a rotating typography ring reading **NO BRAKES / ALL EYES ON ME**. One clean mid-air spin. Snap zoom into her confident face. **06 | 5.1–6.0s** White editorial frame. Huge black **HOT** with a red slash. AO crosses the frame with a runway-like step, one hand at her waist. Typography compresses and rebounds. **07 | 6.0–7.0s** Bright red field with black diagonal stripe. AO performs one smooth fast turn. Three ghosted freeze positions trace the movement. Giant outlined **TURN** rotates behind her. **08 | 7.0–8.0s** Words hit one per beat: **HOT / FAST / WILD / RED** AO changes pose with each word: direct stare, hair toss, hip shift, confident forward lean. **09 | 8.0–9.0s** Black frame with manga perspective lines and a graphic grid. AO steps forward and freezes in a strong hero pose. Red circular target graphics lock around her. **10 | 9.0–10.1s** AO moves toward camera through three red-and-white graphic panels. Each panel shatters as she passes. Large **A O** fragments appear behind her. Finish with a hair or leg foreground wipe. **11 | 10.1–11.1s** Rapid poster montage: four frames of the same AO — close-up stare, walking, side pose, hands at waist. Add **01–04**, barcodes, halftone dots and sharp Japanese poster graphics. **12 | 11.1–13.0s** Hero moment on a clean white background. AO lands in a powerful fashion pose: one leg forward, one hand at her waist, chin lifted, direct eye contact. Huge red shockwave rings explode behind her. Typography fragments and speed lines burst outward. Hold an iconic confident freeze. **13 | 13.0–15.0s** Final identity card. Huge black **AO** on a bright white field. AO stands relaxed and alluring in front of the letters. Red circles, halftone, technical arcs and sharp speed accents surround her. Final red pulse flashes through the frame and ends on a hard stinger. ## ANIME STYLE Premium modern Japanese anime rendering: * clean cel shading * sharp linework * polished highlights * cinematic close-ups * dynamic perspective * fashion-editorial full-body framing * smooth hair and fabric motion AO must look like a **stylish adult anime heroine**, not chibi and not childish. ## AUDIO Hard-hitting **electro / future bass / anime-opening style music**. Use: heavy drums, bass hits, risers, glitch fills, synth stabs, typography slams, whooshes and shutter impacts. Build continuously. Peak at Beat 12. End with a sharp electronic stinger. ## PRIORITIES 1. AO identity consistency 2. sexy adult anime character design 3. red-black-white outfit consistency 4. maximum visual impact 5. readable typography 6. premium anime rendering 7. fast beat-synced editing Avoid: childlike proportions, chibi style, blue clothing, face changes, outfit changes, extra characters, unreadable typography, weak motion, dull compositions or generic schoolgirl styling. Final result: **explosive, sexy, red-hot, premium, graphic-driven and visually unforgettable.** Try MiniMax H3 on Ima Studio 👉 #MiniMaxH3# #MotionDesign# #Anime# #AIVideo# #ImaStudio#

What she did next defied all expectations. When Alice Walton stepped into her massive inheritance from Walmart, she became one of the wealthiest women on the planet, sitting atop a fortune that currently rivals the GDP of entire nations. Most people look at a number that large and see a score to be guarded—a hoard to be protected at all costs. But Alice looked at her billions and saw a powerful tool to change the world. Alice was born in 1949 and grew up watching her father, Sam Walton, transform a small, dusty five-and-dime store into a global retail empire. Her father was famously frugal, driving an old pickup truck even when he became one of the richest men in the world. When he passed away in 1992, he left his children a massive mountain of capital. While her brothers, Jim and Rob, stepped straight into the corporate boardrooms to keep the family business thriving, Alice chose a path that was much less predictable. Her heart was never under the bright fluorescent lights of a department store. Her eyes were always drawn to the walls instead of the balance sheets. "Art was always a lifeline for me, a way to see the world through a completely different lens," Alice once shared when reflecting on her childhood. She started collecting art at a young age, but she eventually realized that keeping beautiful things locked away in a private living room didn't do the world any good. In 2011, she shocked the global art community by opening the Crystal Bridges Museum of American Art in Bentonville, Arkansas. It was a massive 1.2 billion dollar gamble, and big-city critics in New York and London initially laughed at the idea. They couldn't understand why world-class masterpieces by iconic artists like Andy Warhol, Georgia O’Keeffe, and Jackson Pollock were being sent to a tiny town of 50,000 people in the rural Ozarks. They dismissed it as a billionaire’s expensive hobby. Alice ignored the critics completely. She had a vision that was radical in its simplicity. "Why shouldn't a kid from a rural trailer park have the same access to the soul of American culture as a socialite living on the Upper East Side?" she noted before the opening. To make sure that dream came true, she made a bold decision: admission to the museum would be completely free for everyone. The gamble paid off in a huge way. Since the doors opened, over six million people have walked through the halls of Crystal Bridges. It didn't become a playground for elite critics. Instead, it filled up with local school groups, working families, and travelers who finally had a reason to stop in rural Arkansas. By removing the price tag, Alice tore down the invisible wall that usually separates everyday people from high culture, proving that art belongs to everyone, not just the wealthiest zip codes. But her ambition didn't stop with art. Recently, she turned her attention from the spirit to the body, addressing a major crisis facing rural America: a desperate shortage of doctors. She founded the Alice L. Walton School of Medicine in her home state. To build a healthcare system that actually serves forgotten communities, she made another incredible announcement. For the first classes of the school's operation, the students would pay absolutely zero tuition. "We have to change how we think about medicine," she stated during the development of the school. "It is about teaching new doctors to focus on whole-health, treating the entire person rather than just the disease, and making sure they can afford to practice where they are needed most." Alice's story isn't a traditional rags-to-riches tale, and her philanthropy doesn't magically erase the deep public debates about wealth inequality or corporate labor practices. However, her choices provide a fascinating lesson in what it means to live with intention. For many ultra-wealthy individuals, money is an addiction where the hunger only grows the more you consume. They spend their entire lives trying to turn billions into even more billions, trapped in a loop of endless accumulation. Alice broke that cycle. She saw that while wealth can trap you in wanting more and more, it can also help free someone else. She knew that the real worth of money is not in keeping it, but in giving it away.

Everyone talks about AI enabling the "one-person Hollywood studio." I spent the last two months putting that to the test. The result? A full, 2+ hour feature film. Introducing "The Four Classics." Using @suno, @soraofficialapp , @grok Imagine 1.0, and Genie 3 by @GoogleLabs , I adapted China’s greatest literary epics into a sprawling, cyberpunk hip-hop opera. Grab some popcorn. Welcome to the future of AI film production. 🍿🎥 Timestamps: Water Margin 0:00:09 “The Tiger (十八婉)”- Wu Song rejects the law and engages in a drunken battle defeating the Tiger 0:03:20 “Forced to the Mountain (逼上梁山)”- Lin Chong seeks revenge on Gao Qiu for destroying his life and familial honor 0:09:24 “Black Whirlwind (黑俊峰)”- Introduction of the brute Li Kui and his love for violence 0:11:42 “The Gathering / 108 (大聚义)”- The Liangshan heroes formally assemble to announce their reign at the Hall of Loyalty and Righteousness 0:14:08 “The Amnesty (招安)”- Song Jiang, leader of the heroes, debates the pros of accepting an offer of Amnesty from the Emperor 0:18:05 “The Poison Wine (神聚蓼儿洼)”- Song Jiang encourages Li Kui to join him in drinking Poisoned Wine gifted by the Emperor Romance of the Three Kingdoms 0:22:20 “The Oath (桃园)”- Liu Bei is a small time hustler with ambition to take over the nation. He makes a blood oath with Guan Yu and Zhang Fei to do so. 0:25:57 “The Mastermind (卧龙)”- Liu Bei recruits the strategist Zhuge Liang to join his cause and take over the kingdom 0:30:49 “The Burden (​仁义)”- Caocao’s troops attack causing Liu Bei and Shu to flee south. Liu Bei burns the city of Xinye and uses common people as human shields to make his escape. 0:33:44 “The License (挟天子)”- Caocao plans his move to crush the growing nation of Shu from his penthouse 0:36:45 “No Regrets (​宁负)”- Flashback to Caocao’s betrayal of his ally Old Lu. He chooses to massacre a banquet after hearing the sound of knives sharpening. An examination of ruthless ambition. 0:39:59 “The Flex (​八十万)”- Caocao’s army of 800k soldiers races south to destroy Liu Bei’s Shu. 0:43:26 “The Estate (​江东)”- Sun Quan, leader of Wu, forms an unlikely alliance with Liu Bei to quell the approach of Caocao’s army 0:47:27 “The Shift (东风)”- Zhuge Liang summons the East Wind to change the fate of Caocao’s army at the Red Cliffs 0:51:15 “The Chains (​连环)”- Pang Tong of Shu deceives Caocao into chaining his fleet of ships together setting the perfect trap 0:54:37 “Symphony No.7 (​​第七交响曲)”- General Zhou Yu of Wu sparks the trap set by Shu strategists lighting Caocao’s entire fleet ablaze. The Epic Battle of the Red Cliffs concludes Caocao’s push south. 0:59:25 “The Split (​​三分)”- Opening Credits. Sima Yi reviews the status of the Three Kingdoms after The Red Cliffs result in an uneasy truce. 1:02:23 “Still G.U.A.N.”- Following the war, Guan Yu runs operations in Jingzhou. Sun Quan sends a formal message requesting Guan Yu’s daughter marry his son strengthening the alliance. Guan Yu promptly refuses insulting the leader of Wu. 1:05:58 “The Statue (刮骨)”- After an assassination attempt, Guan Yu is struck with poison that makes its way into his bone. He requires immediate, invasive surgery. He survives through his grit, maintaining his arrogance, but weakened from the procedure. 1:09:42 “The Funeral (白衣)”- Guan Yu is ambushed by Wu’s forces after retreating to the mountains of Maicheng. The Wu assassins approach as merchants, disguised in white clothing, catching Guan Yu by surprise. 1:13:19 “The Lie (桃园)”- Liu Bei receives news of Guan Yu’s death and sets out on a war path against Wu. He loses his composure leaning into pills to cope with the loss of his blood brothers. 1:17:08 “The O.D. (七百里)”- Liu Bei’s madness leads him to make a fatal strategic error. He stretches his army thin in a 700 mile long “snake” formation. 1:20:32 “The Boomarang (​回旋镖)”- Liu Bei’s army burns to ashes in a brutal defeat reminiscent of his triumph at the Red Cliffs. 1:23:46 “The Flop (​扶不起)”- Zhuge Liang tries to pick up the ashes of Shu nation by educating Liu Bei’s son Adou. Adou is too busy enjoying his life and inherited wealth to bother with the burden of leadership. 1:27:48 “The Frequency (​空城)”- Cornered by the army of Wei led by Sima Yi, Zhugeliang employes the empty city strategy to outsmart his rival. 1:31:12 “The Flatline (​五丈原)”- Zhuge Liang tries to outlive his corporeal form to ensure the longevity of the nation of Shu and prevail in the war. 1:34:33 “The Liquidation (​归晋)”- Sima Yi consolidates control of the Three Kingdoms and unifies China under Wei. Journey to the West 1:38:20 “Eight Trigrams Furnace (炼丹炉)”- A family flees the grind of life in China in search of “Freedom” offered by the American Dream 1:41:36 “White Bone Spirit (白骨精)”- The family experiences the demons and tribulations of modern American life in their struggle to assimilate 1:45:33 “Thunderclap Temple (雷音寺)”- The family realizes the truth of the Blank Scriptures. Dream of the Red Chamber 1:49:39 “顽石GENESIS BLOCK (Final Cut)” - Rejecting its status as a useless system glitch, the sentient Stone signs a smart contract to download its consciousness into the mortal avatar of Jia Baoyu. Trading the safety of eternal numbness for the sensory overload of a physical body, Baoyu logs into the simulation specifically to chase the lust, trauma, and "pain" of human existence. 1:54:17 “大观园THE GARDEN (HYPE HOUSE)” - Inside the simulation, Baoyu lives as the pampered admin of the Grand View Garden, a walled-off, hyper-capitalist echo chamber where the elite ignore the rotting code of the outside world. Surrounded by the Twelve Beauties, he gorges on digital excess and mindless consumption—literally "eating the rouge"—pushing the server to the absolute brink of failure. 1:57:45 “葬花DELETING ASSETS (THE CRASH)”- The manic party violently ends with a massive system crash, forcing Baoyu to watch the algorithmic destruction of his decadent world. Amidst the digital decay, his tragic soulmate Lin Daiyu desperately tries to save the pure, beautiful files of their love, burying her fragile memories to protect them from the corrupted stream before she is permanently deleted. 2:01:09 “白茫茫WHITE NOISE (LOGOUT)”- The corrupted simulation undergoes a complete format, wiping out the Jia family's vast digital empire and leaving nothing behind but a stark, quiet white wasteland.

Heather Cox Richardson Aug 1, 2026 Courtney Kube, Monica Alba, Peter Nicholas, Gordon Lubold, Katherine Doyle, and Andrea Mitchell of NBC News reported Wednesday that President Donald J. Trump is “exasperated” that the Iran war is dragging on and that his advisors can’t agree what to do next. Reportedly, he erupted last week during a meeting with his national security team, shouting expletives at the officials in the room. One of Trump’s allies told the reporters that Trump had not expected the war to last as long as it has. “There was not a real strategy for how long or what they should do to get to the endpoint.... He did not intend this to be a long, drawn-out war,” the person said. Yesterday the war began to widen as a drone hit a gas storage tanker owned by a U.S. company in Egypt near the Suez Canal—no one has claimed responsibility—and Iran struck at American installations in Jordan. U.S. and Saudi Arabian forces launched strikes against Iranian-backed militias in Iraq. At a Cabinet meeting at Camp David today, Trump told reporters he intends to hit Iran with heavy military strikes again to force Iranian negotiators to give in to his demands. “We will be hitting them very hard,” he said. “And you know at some point, they’re going to say, ‘We just can’t take it anymore.’” “We just want to win,” he said. “We’re doing very well.” Trump and Defense Secretary Pete Hegseth did not appear to have a strategy for their war on Iran. Instead, they had an ideology. That ideology elevates individualism over the idea behind the modern American state: that government should regulate business, maintain a basic social safety net, promote infrastructure, protect civil rights, and support an international order based in rules rather than in military might. Since the 1950s, opponents of that modern state have celebrated the American individual, especially the American cowboy, as the figure the American government should privilege and protect. In their mythology, the cowboy wanted nothing from the government but to be left alone to rise through his own hard work, protecting himself and his family from wrongdoers with his gun and his principles. The education, expertise, cooperation, and coalitions on which the modern U.S. stood before Trump were signs not of strength, but of weakness. That ideology seems to have been what was behind the attack on Iran. In 2015 the U.S., China, France, Germany, Russia, the United Kingdom, and Iran negotiated the Joint Comprehensive Plan of Action (JCPOA). Under the JCPOA, Iran agreed to reduce its stockpile of enriched uranium significantly and allow inspections, in exchange for relief from some sanctions. The Strait of Hormuz remained open. Although inspectors said Iran was honoring the deal, Trump maintained it was “[o]ne of the worst deals ever made by our Country.” He took the U.S. out of the JCPOA in 2018, and the following year, Iran resumed work on enriched uranium necessary for a nuclear weapon. Defense Secretary Pete Hegseth brought this ideology into the Defense Department, which he tried to rebrand the “Department of War.” In 2024, Hegseth published a book titled The War on Warriors: Behind the Betrayal of the Men Who Keep Us Free. In it, he claimed that the U.S. military was weak and “effeminate” because its leaders had embraced diversity, equity, and inclusion. His prescription for the country involved getting rid of the Geneva Conventions, which recognize human rights for noncombatants in war, claiming they forced the U.S. troops to fight “with one hand behind our back.” In his confirmation hearings, Hegseth refused to tell Senator Angus King (I-ME) that he would honor those agreements. On September 5, 2025, Hegseth said changing the name of the Defense Department to the Department of War was part of his campaign to spread a “warrior ethos” at the Pentagon. The rebranding, he said, was part of “restoring intentionality to the use of force…. We’re going to go on offense, not just on defense. Maximum lethality, not tepid legality, violent effect, not politically correct. We’re going to raise up warriors, not just defenders. So this War Department, Mr. President, just like America, is back.” But Trump’s war on Iran has illustrated the weakness of that vision. Trump reiterated yet again today that the U.S. has dominated Iran’s military. “They’re being decimated. They have no Navy, they have no Air Force, they have no anti-aircraft,” he said. But for all that, they retain their ability to choke world trade by controlling the Strait of Hormuz—the very condition previous presidents worked to avoid through negotiations. An article yesterday by Politico senior foreign affairs correspondent Nahal Toosi suggests that the “cowboy” approach to foreign policy has another downside. Toosi called out the extreme attacks of Trump and his aides on the International Criminal Court (ICC) and wrote that, although the U.S. is not a signatory to that court, former government officials and legal scholars suspect Trump and administration officials are worried about future prosecutions. On July 13, Secretary of State Marco Rubio wrote in the Wall Street Journal that the administration intends to “dismantle the ICC—brick by brick, if necessary.” A press release from the State Department on the same day said that the U.S. “will feature a whole-of-government response to systematically disable the ICC’s ability to operate, target American servicemen or officials, or otherwise threaten American sovereignty.” A Republican operative close to the White House, Bill Cortese, told Toosi that some administration officials are afraid that “if Democrats come into power…, an unchecked ICC and other international institutions are going to unleash a wave of litigation against this administration and anyone associated with it.” Toosi notes that during the administration, U.S. law enforcement and military officials have been accused of human rights violations that reach across borders. Notably, on September 2, 2025, three days before Hegseth’s “maximum lethality, not tepid legality” speech, the administration began strikes against small boats in the Caribbean and eastern Pacific. Those strikes have killed more than 220 people, but the administration has offered no evidence to prove its claims that those killed were “narcoterrorists” killed to stop the flow of cocaine to the U.S. Trump claims the strikes have virtually ended drug trafficking by sea, but on July 27, Alex Horton, Terrence McCoy, Samantha Schmidt, and Dylan Moriarty of the Washington Post reported that according to Pentagon officials and officials from the Drug Enforcement Agency, the strikes have not reduced the cocaine coming into the U.S. Indeed, the dropping price of the drug suggests there is more of it now than there was a year ago. Instead, the strikes have simply prompted criminal organizations to find new routes. The strikes have also disrupted the law enforcement system in which lower-level participants inform on higher-ups, as the lower-level sources are being pulled back. While the strikes appear to have done little to stop the flow of drugs, legal analysts say they look a lot like former Philippine president Rodrigo Duterte’s extrajudicial killings of suspected drug dealers and users. Law professor Charlie Trumbull reminded readers of Foreign Policy that in 2017, Trump called Duterte to congratulate him for doing “an unbelievable job on the drug problem.” Trumbull also noted that “Duterte is now behind bars in the Hague,” charged with crimes against humanity for trying to get rid of criminals by unlawful means, including murder. “The Trump administration should be concerned,” Trumbull warned. On July 25 the U.S. State Department cheered Venezuela’s withdrawal from the treaty that established the ICC and said it welcomed “the new Venezuelan government’s partnership on American-led efforts to dismantle the corrupt and worthless ICC.” It continued, “The ICC is neither credible, independent, nor legitimate,” and called on all members of the ICC to abandon it. Today Missy Ryan and Nancy A. Youssef of The Atlantic reported that in the wake of the U.S. strike on the Minab school that killed 168 people, mostly schoolchildren, in the first hours of the war, the Pentagon is considering reversing some of the deep cuts Hegseth made to the staff at the Defense Department. A report by the Pentagon inspector general found that cuts to the civilian-harm protections staff who work to protect noncombatants may have violated laws. Ryan and Youssef explain that the U.S. military had spent decades building its civilian protections. Leaders understood that battlefield victories were insufficient to win military operations and that protecting civilians is crucial to public support for those operations. Ryan and Youssef noted that to reflect this understanding, the Pentagon in 2006 “formally added legitimacy, restraint, and perseverance to its Principles of Joint Operations, defining legitimacy as ‘the legality, morality, and rightness of the actions undertaken.’” A U.S. official told Ryan and Youssef that the leadership of U.S. combat commands uniformly support the restoration of the personnel whose job it is to protect civilians. But Hegseth has not committed to the restoration of the old system, the journalists note, and even if he does, it will have little effect unless he changes his own rhetoric. For his part, Trump appears to be addressing concerns about future prosecutions, whether by the ICC or at U.S. courts, by keeping control of the government after the midterms. Today Trump disagreed with the assessment of investigators that a recent cyberattack on municipal water systems in Minnesota was likely the work of Iranian hackers. Instead, he blamed Democrats. “We heard in Minnesota there was a cyberattack and they blame it on Iran,” he told reporters. “I don’t think so. I think. I blame it on Minnesota because they’re grossly incompetent. There was a cyberattack of thirty water plants. And I would blame it on Minnesota and the governor, the corrupt governor of Minnesota.” There is another piece of evidence this week that the abandonment of education and expertise in favor of a “warrior ethos” has weakened the U.S. on the world stage. At an international conference on AIDS in Rio de Janeiro, an official of the U.S. State Department showed a map of Africa on which six fake countries were identified with the names of random real countries—including Nigeria, where several hundred U.S. soldiers are deployed. Reuters identified the image as AI. Attendees took screenshots and posted them online. “Whoever ⁠created and approved this slide did not know where countries in Africa are and did not care to check their work,” one wrote.

O’Neill may not have that much time to right the ship. Shares have already fallen 80% since their all-time high in 2023, and failure to show any quick progress could attract activist investors pushing for management changes quickly.