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Morning jog views (SF edition): City Lights book store in North beach, where the beat poets used to hang out. Arguably the inception moment for the ‘60s counterculture and a sht ton of amazing music/art.
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Her stepson called with news that chilled her to the bone. He told her that a strange man had stopped by their house asking specifically for her teenage daughter Deidre. That man was Charles Manson. In the late 1960s, Angela Lansbury was living in Malibu with her husband, Peter Shaw, and their children. To the outside world, she was a celebrated Hollywood star, already a three-time Oscar nominee and a Tony Award winner with a flourishing career. But behind closed doors, her family was facing a quiet, agonizing crisis. Her teenage son Anthony was struggling with a heavy heroin addiction, and two of his close friends had already died from tragic overdoses. Meanwhile, young Deidre was being drawn into a dangerous counterculture full of communes, drugs, and charismatic wanderers promising love and freedom. Before August 1969, the general public did not yet know the horrifying atrocities Charles Manson and his followers would commit. Back then, Manson was simply another odd figure drifting around Los Angeles with a guitar, charm, and radical speeches about revolution. He went around knocking on doors, looking for young teenage girls by name. Angela recognized the danger before the rest of the world caught on. She watched her children slipping away and knew that staying in California would eventually destroy them. While other Hollywood parents might have relied on local therapy or rehab facilities, Angela realized something far more drastic was necessary. She looked at her husband and said, "We have to leave. Now. Everyone. Leaving everything." She was not talking about taking a brief vacation. She meant stepping away from their whole life: Peter's position as an executive at MGM, Angela's acting career, their Malibu home, and the vast social network they had built over decades. Peter looked at his wife, who had been working constantly as an actress since she was seventeen years old, and agreed without a second thought. They chose rural Ireland, settling in a peaceful area of County Cork that was light-years away from Los Angeles. There were no communes in the nearby hills, no toxic influences, and no Manson knocking on their door. Angela informed Hollywood that she was stepping away, keeping the true motivation hidden so she could focus entirely on protecting her family. For an entire year, Angela turned down every acting job offered to her. Living in the quiet Irish countryside, she dedicated every single day to helping her children recover. They found medical support for Anthony to overcome his addiction. Deidre took longer to break free from her past lifestyle, but away from the toxic environment, both children slowly began to heal. Then, in August 1969, terrifying news echoed across the world. Sharon Tate and four others were brutally murdered in Los Angeles, followed by the LaBianca murders the next night. The public finally saw Manson for the monster he was. Many of the young women drawn into his circle had been targeted in the exact same way Deidre had been approached. The key difference was that Angela had pulled her daughter away just in time. When Angela eventually returned to acting, she had to rebuild her career from scratch. Yet she had already won the most vital battle: her children were safe, alive, and thriving. Anthony later became a successful television director, eventually directing 68 episodes of his mother's famous series, Murder, She Wrote. Deidre became a skilled chef and built a fulfilling, happy life. In 1984, at age fifty-nine, Angela landed her iconic role as Jessica Fletcher, bringing joy to millions across twelve seasons. She won more Tony Awards, earned a Grammy, and was named a Dame by Queen Elizabeth II. Reflecting on those choices years later, Angela shared, "I have no doubt we would have lost one or both of our children if we hadn't brought them to a completely different environment." It was not just luck. It was a mother's relentless love, courage, and unwavering instinct. Angela Lansbury passed away in October 2022 at ninety-six, leaving behind a legacy of iconic performances. Yet her greatest masterpiece was never shown on screen. It was the warm, loving home she saved, proving that no award or stardom will ever match the power of a mother fighting for her family.
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Fresh tracks into Counter Culture ft. Underworld, THEATRE, Widowspeak (@widowspeaking), Kevin Morby, Loukeman, Rostam, proun, Murex and more.
A lot of people got very emotional after David Wilcock’s death, and I get it. Figures like him become symbols of hope and resistance. When someone speaks openly about these topics, it makes you feel less alone but we have to look at it more clearly: the idea of an “extraterrestrial invasion” or a big UFO Disclosure is no longer fringe or underground. It has gone fully mainstream, Pentagon hearings, major media coverage, and now a big-budget Spielberg film. This isn’t counter-culture anymore. It’s the new official narrative they’re preparing for us. Wilcock said many interesting things about spiritual warfare and negative entities… but in the end, he still operated within the mainstream framework: aliens, Disclosure, ascension, he was helping push the same program. What they’re selling us as “aliens arriving” is actually a sophisticated mind control operation. Behind it all, these are not beings from another planet, they are parasitic spiritual entities using AI and advanced technology to seize control of the human soul. We need to separate the hope they’re selling… from true clarity.
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