AI难变现，是你没找对路子！！！！ AI生成广告、短视频教程来了！！！！ 第一步：先写故事，不要急着生成画面 很多人一上来就用AI出图，这是错误的。 先确定： 主角是谁 场景在哪里 发生什么事 产品如何自然出现 把广告拆成多个镜头，再为每个镜头编写Prompt。 第二步：生成关键画面 使用文生图模型生成角色和场景。 重点不是一次出完美图，而是： 保持人物一致性 保持场景一致性 先获得能讲故事的素材 第三步：用AI生成视频镜头 将静态图片导入视频生成工具，如Kling、Runway等，生成动态画面。 技巧： 一个镜头一个动作 不要Prompt塞太多要求 优先追求自然运动 第四步：补充缺失镜头 AI往往无法一次生成完整故事。 例如： 起床 看手机 拿饮料 走出房间 这些镜头需要逐个补齐，再拼接成完整叙事。 第五步：进入剪辑阶段 将所有素材导入CapCut等剪辑软件： 删除无效片段 调整节奏 添加转场 配乐 音频Fade In/Fade Out 字幕与音效 第六步：用AI提升效率，而不是依赖AI 视频作者特别强调： AI只是工具。 真正决定广告质量的，依然是： 故事能力 镜头设计能力 剪辑节奏感 对观众情绪的理解 先写故事 → AI出图 → AI转视频 → 补镜头 → 剪辑包装 → 发布。 AI负责提高效率，人负责创意和判断，这才是当前最实用的AI广告、短视频制作工作流。

每个 NIUMA 身上都有很多条线。 有责任。 有学习。 有梦想。 有回忆。 有冒险。 也有那一点点还没熄灭的希望。 我们不一定走得最快， 但我们一直在把人生连成自己的星图。 Every NIUMA carries many threads. Responsibility. Learning. Dreams. Memories. Adventures. And that little spark of hope that still refuses to fade. We may not move the fastest, but we are always connecting our lives into our own constellation.

到底什么是一时的热点，什么是该一直坚持的标的？在这个圈子里，注意力经济往往只是短暂的火光，情绪一过，一地鸡毛。潮水退去后你会发现，唯有那些真正穿越牛熊、自带强大文化共识的经典meme，才是永恒的！ 💎 中文互联网历史上生命力最强、覆盖面最广、最无可替代的超级meme！从贴吧到微信，从币圈到圈外，谁的手机里没有几个熊猫头表情包？它的底蕴和天然的传播力，是任何硬生生造出来的“土狗”都无法比拟的。🐼兄弟们，是时候停止无意义的内耗，回归真正的经典了！让自带亿万流量的熊猫头来拯救战壕里疲惫的我们。 CA：0xf3525965a4ad3ca0ac13f4d2f237113691194444 What exactly constitutes a temporary trend and what is the subject that should be consistently pursued? In this circle, the attention economy is often just a fleeting flame, and once the emotions fade, it leaves behind a mess. After the tide recedes, you will realize that only those classic memes that have transcended the ups and downs and carry a strong cultural consensus are truly eternal! 💎 The most powerful, widely spread and irreplaceable super meme in the history of Chinese internet! From Baidu Tieba to WeChat, from the cryptocurrency circle to the outside world, who doesn't have several panda head emoticons on their phone? Its depth and inherent dissemination power are beyond what any artificially created "local dog" can match. 🐼 Brothers, it's time to stop the meaningless internal strife and return to the true classics! Let the panda head, with its own billions of traffic, come to save us, the exhausted ones in the trenches. @binancezh #熊猫头#

《吻我之前，先把灯关了》 "Turn Off the Lights Before You Kiss Me" 据专家研究分析，恐怖片和爱情动作片，好莱坞惊险片都能刺激大脑分泌多巴胺，我现在把它们都放在一起了，那是不是应该双倍快乐来了。 According to expert research and analysis, horror movies, romantic action films, and Hollywood thrillers can all stimulate the brain to release dopamine. Since I’ve combined them all together, does that mean I’m in for a double dose of happiness? grok imagine prompt: "Turn Off the Lights Before You Kiss Me" 15 seconds, 9:16 vertical format, first-person perspective, recorded on a smartphone, single continuous take. [Realistic Cinematography] The footage is captured entirely by the rear-facing camera of the smartphone held by the male protagonist; no other cameras are involved. The male protagonist holds the phone in his right hand, using the primary (1×) rear lens—providing a field of view equivalent to approximately 26mm—at 1080p resolution and 30fps. The device is positioned between his chest and chin (at a height of roughly 1.45 meters), aimed toward a woman standing in the bathroom doorway. His left hand occasionally enters the frame to operate the light switch. The smartphone itself—its body, back panel, camera module, screen, or flash—is never visible in the shot. Only the light cast by the phone onto the subject, her clothing, and the walls can be seen. There are no mirrors present; this is not a mirror-based selfie. The footage retains the raw, authentic texture of smartphone video—no beauty filters, color grading, or cinematic effects. Skin details such as pores, fine beads of sweat, stray hairs, and natural skin-tone variations are visible. There is slight digital noise in the shadows, and brief motion blur occurs during rapid hand movements or moments of physical instability. Subtle camera shake stems from the holder’s breathing and wrist movements. Changes in proximity are achieved through actual physical steps or the subject pulling the holder closer; there is no digital zooming, automated panning, reverse-angle cutting, or slow motion. The focus remains primarily on the woman’s face, with only momentary hesitation when the distance shifts abruptly—there is no persistent out-of-focus effect. [Characters and Attire] The woman in the doorway (@80130fc6-f744-4f61-9faf-f630a1eb8638) is 28 years old. Her appearance—including her black hair styled in an updo, purple floral hair accessory, earrings, long-sleeved Japanese-style (wafuku) garment in purple (@d7529a1b-8cdb-41e5-816e-c59aa4051803), and dark-colored *obi* (sash)—is consistent with the video uploaded by the user. Her clothing remains intact; the neckline stays in place, and she does not scratch her own chest or tug at her garments. Leaning slightly against the doorframe, she keeps her shoulders relaxed and lowered, her neck elongated, and her legs positioned one in front of the other—creating a natural, subtle S-curve in her posture. She gazes toward the male protagonist with half-lidded eyes and a faint, inviting smile, as if beckoning him closer. From the very beginning, her right hand holds a small pinch of fabric from the male protagonist’s left cuff. This point of contact—her right hand gripping his left cuff—is situated in the lower-left portion of the frame and must remain visible. Because she is only holding the fabric rather than clamping down on his wrist, he retains the freedom to lift his left hand and operate the light switch. Initially, her left hand is concealed between her body and the doorframe. The grayish-white fingers that appear later belong to this same hand; the creature possesses only two hands throughout the entire sequence. The real girlfriend is located in the hallway behind the male protagonist. She is present only as a voice calling out from off-screen; she is never shown on camera, and no second female face appears. 【Environment and Space】 The scene takes place at the entrance to a bathroom in an old apartment building late at night. The setting—featuring aged off-white tiles, a worn wooden doorframe, a standard wall-mounted light switch, and a towel hanging inside the bathroom—conveys the lived-in, weathered feel of an old residence, rather than a ruin. The woman is positioned slightly to the right of the frame’s center, with the open bathroom door behind her. The light switch is located on the wall to the left, approximately thirty centimeters from the male protagonist’s left hand. It is visible from the start and does not suddenly appear later. Behind the male protagonist lies a hallway. The bathroom door remains open inward; the camera angle stays consistent throughout, the door does not move on its own, and the room’s layout remains unchanged. At the start, the woman’s face is about sixty centimeters from the camera. After she gives a gentle tug on his cuff, the male protagonist shifts forward slightly, reducing the distance to approximately forty-five centimeters. The distance closes further only during the final dragging motion. 【Ambient Lighting】 At the beginning, a warm-white overhead light in the bathroom is on, illuminating the woman’s head, shoulders, and the doorway, while the hallway remains dim. The LED flash on the back of the smartphone is illuminated from the very first frame; it remains on and in the same position throughout the entire 15-second duration. Up close, the face is illuminated by the harsh, direct light of a standard mobile phone; small shadows form beside the nose and under the chin, and there are localized highlights on the fabric of the clothing—no artificial "beauty" fill lighting is applied. The only light the male lead turns off is the overhead bathroom light. Once the overhead light is extinguished, the bathroom background remains dim and does not brighten on its own. The phone’s light continues to illuminate her face and the hand gripping the sleeve cuff. The camera’s auto-exposure adjusts only slightly, failing to brighten the dark bathroom to a daylight-like state. When the "mask" (the outer layer of the face) is peeled back, it is illuminated by the same mobile phone light as the rest of the face. The space deep behind the shell remains dark, and the exposed eyeball shows only natural, subtle reflections—it does not emit its own light. [The "False Face" Effect] The horror stems from a thin, pliable, artificial layer being peeled back from within—it is not a case of natural skin being torn or a mouth stretching into an impossible, elongated shape. A grayish-white hand—with only two or three fingertips visible—emerges from the corner of her mouth, hooks onto the lower edge of the "mask," and peels half of the face upward and to the side. The "mask" has a distinct thickness and flexibility; the cheek and part of the area beside the nose fold back, rather than stretching into long, tubular, funnel-like, or tongue-like shapes. Behind the peeled-back section lies a deep, dark cavity containing a normal-sized human eye, which turns to look directly at the camera. The other half of the woman’s face remains intact, establishing the premise that there is an artificial layer on the outside, with something else concealed beneath it. There is no blood, gore, exposed muscle, black ooze, or liquid-like melting effect. The grayish hand does not reach in from off-screen; its fingertips must first emerge from within the corner of the mouth. [Strict 15-Second Timeline] 0–4 Seconds | Gripping the sleeve, an invitation to draw closer. The woman leans sideways against the doorframe, looking first into the male lead’s eyes, then glancing briefly toward the light switch on the left. With her right hand, she grasps the male lead’s left sleeve cuff—positioned at the bottom-left of the frame—and gives it a gentle tug toward herself. The fabric of the cuff pulls taut, prompting the male lead to take a small step forward; the camera moves in tandem with his approach. She lifts her chin slightly and says in a low voice: “The lights are too bright.” Her tone is intimate, with a suppressed smile playing at the corners of her mouth. There is no sign of a monstrous visage, nor does she glance toward her own mouth beforehand. Her right hand continues to hold the same spot on his sleeve; she does not shift her grip to his lapel. 4–7 seconds | Flipping the switch; the background darkens The male protagonist reaches out with his left hand toward a light switch already visible on the left side of the frame. She keeps her grip on his left sleeve, causing her right arm to extend naturally as he moves—she neither lets go nor suffers any "clipping" (graphical glitching). His fingertips press the switch, producing a distinct *click*. The bathroom overhead light goes out, and the tiles, towels, and the space behind the woman grow noticeably darker. Her face remains illuminated by the fill light from a mobile phone. The male protagonist’s left hand pulls away from the switch and returns to the space between them. The camera tilts slightly with the movement, then steadies. 7–9 seconds | A warning from behind From about two meters behind the camera, the man’s actual girlfriend calls out urgently, in an identical tone: “Don’t turn off the light!” The woman in front of him says nothing; her lip movements do not correspond to this warning. As the male protagonist begins to turn, the camera shifts slightly to the side—but the hand gripping his sleeve suddenly tightens, holding him in place. Her smile vanishes. Her eyes glance past the camera toward the space behind the man, then return to the lens. Her knuckles whiten as she grips the sleeve, causing deeper creases to form in the fabric. 9–12 seconds | Half of her face is peeled back from within Two or three grayish-white fingertips emerge from the inner corner of her mouth. The fingertips hook onto the lower edge of the "shell" of her face, slowly peeling it upward and outward. The corner of her mouth and her cheek—forming a single, thin, pliable layer—fold back together; the lips do not stretch or elongate independently. Half of the artificial face is lifted away, revealing an eye in the darkness beneath that shifts to look directly at the camera. The intact half of her face remains visible alongside the eye revealed from within. For a brief moment, the camera steadies, allowing at least half a second to take in the details: Fingers emerge from within the face; the "shell" of the face begins to fold back, revealing another eye underneath. The woman’s right hand maintains a firm grip on the man’s left cuff—she cannot let go, even as she peels back the face. The only sounds are the dry, grating friction of the mask and the man’s sudden, sharp intake of breath. 12–15 seconds | The grip shifts into a forceful tug. The man immediately grabs the woman’s right wrist—the one holding his cuff—and tries to pry it away. The point of contact is clearly visible; he does not reach for the grey, peeling fingers. The creature’s right arm suddenly retracts toward the bathroom, yanking the cuff hard. The sequence must be clear: The cuff goes taut → the man’s left arm is pulled straight → his body stumbles forward → the camera (held in his right hand) is dragged closer. The camera moves from about 45 centimeters away to roughly 15 centimeters, accompanied by a sudden dip and tilt—this is not a smooth, controlled zoom. The partially peeled-back face, the unblinking eye beneath, and the greyish-white fingers now dominate the frame. The other half of the face remains "normal," preserving its original appearance. In the final half-second, the man collides with the wooden doorframe, producing a dull thud. The camera jerks to the side; the edge of the facial shell sweeps across the lens, partially obscuring the view. The recording ends abruptly while the struggle is still underway. No fade to black, no additional dialogue, and no new creatures appear. [Ambient Audio] Captured via a mobile phone microphone: close-range speech, the friction of fabric at the cuff, the sound of a light switch, the hum of a bathroom exhaust fan, the distant ambient noise of the city, heavy breathing, and the final impact against the doorframe. The exhaust fan continues to run independently; it does not stop when the overhead light is switched off. The background sounds maintain a sense of spatial distance—they are not suddenly muted for the sake of a "jump scare." The opening line, "The light is too bright," comes from the woman in front of him. The mid-sequence line, "Don't turn off the light," clearly originates from behind the man; the woman in front does not move her lips. There is no further dialogue—no sinister laughter, voice-over narration, heartbeat sound effects, or pre-recorded horror audio cues. [Mandatory Continuity] The only camera is the mobile phone through which the audience is viewing the scene; the phone itself is never visible within the frame, nor is there any additional camera operator. The male protagonist holds the phone in his right hand; he uses his left hand to flip the light switch, then immediately grabs the monster’s right wrist. The monster’s right hand remains firmly gripping the same spot on the male protagonist’s left cuff; its left hand lifts a portion of the "false face" from underneath. Do not generate a third hand, swap left and right hands, or have the monster’s hand shift its grip from the cuff to the female protagonist’s own clothing. Once the bathroom light is turned off, it remains off; the mobile phone’s light source (fill light) stays on. The positions of the door and the light switch remain fixed. Changes in distance must be achieved through physical movement (stepping or dragging); do not use digital zoom. The "false face" should be lifted, not stretched like rubber; do not generate long tongues, tubular mouths, an elongated jaw, or a melting face.

👀麦当劳又卖猪排堡了，币圈老玄学「McRib 指标」再次上线！ 麦当劳的烤汁猪排堡 McRib 下周又要限时回归了，加密圈的老梗也跟着复活—— 每次 McRib 回归，比特币好像都会涨，已经有老外开始喊「Don’t fade the McRib」了！ 这个梗大约从 2017 年开始流行，那一年 McRib 秋季回归正好撞上大牛市。 之后每次上架都会被拿出来说一遍：2017、2020、2021、2024 年看起来像「应验」了，但貌似2018、2022 年回归时，比特币是跌的。 牛市，这次会来吗？🥹

今天周一起床又是瀑布洗脸，BTC 跌破 77000，ETH 2100 摇摇欲坠，不过相对韩国 KOSPI 下跌 5% 的熔断已经算很坚挺了 尽管 X 时间线上骤然冒出很多“看空大师”，各路空论不绝于耳，但丝毫不影响 Base 链上进行的局部牛市，特别是一些 AI Agent 项目的表现尤其亮眼 1. $aeon ( @aeonframework BNKR系) 0xbf8e8f0e8866a7052f948c16508644347c57aba3 接着奏乐接着舞，从昨天 5M 又拉了一倍到接近 10M！它能持续拉盘的核心逻辑在我看来是： • 强明牌背景，aeon 是纯正的 BNKR 系血统，dev 又被 a16z 的创始人 @pmarca 关注 • 产品技术落地，aeon 可以理解为加强版龙虾 Openclaw，它本质上是一个 Agent 自治框架，用户只需要设置一次，它就能自己管理自己、自动批量创建多个 AI 机器人、全天候监控 Crypto 市场 2. $ETHY （ @ethy_agent Virtuals系） 0xC44141a684f6AA4E36cD9264ab55550B03C88643 拉了 20 个点到 4.3M 这是目前 Virtuals 生态最活跃的 AI Agent 项目之一了，相对于去年很火的 AXR swap 是青出于蓝而胜于蓝。交易量占据 ACP 协议（手续费 40% 用户回购 & 销毁 ETHY以及质押激励 ）和 aGDP 经济体量的半壁江山 这次拉盘的主要利好在于 5 月底要推出 V2 版本，支持移动端 app 和 Social trading 等功能 3. $MUTE （@Mute_swap Virtuals 系） 0xa023316FA5c85dADF008C611790B3235433e781e 拉了 30 个点到 4.2M 这个项目是做 Agent 主动型隐私的，最近专为 Virtuals 蜂群打造，推出的轻量化隐私安全插件（Widget）能让任何 Agent 一键接入 Monero 级别的匿名与防夹（MEV）保护 这次拉盘的主要利好在于官方明牌预告即将公开发售“私密收益池”，内测长达 4 个月、利用 $ZEC 和 $XMR 跑出了 33% 的平均月化回报，然后官方还透露 6 月关于收入用户的“大惊喜”，盲猜是回购+销毁 4. SIBYL（@sibylcap Virtuals系） 0x797f214a2CD64a4963A91Fa21c8C55Ec3EBa4714 拉了 50 个点到 4.5M 这项目是做链上自主系统的底层记忆基建，致力于解决 Agent 短时记忆的痛点。其“基于文件的记忆架构”在 LongMemEval Oracle 评测中准确率高达 95.6%（全球第 2），能让 Agent 跨会话拥有持久记忆与行为连续性 这次拉盘的主要利好在于核心“记忆层”代码审计进入尾声，官方透露即将进军多代理操作系统互操作性。官方还明牌效仿 VVV 和 DIEM 模型，质押 SIBYL 即可免费白嫖后续推出的高级 AI 记忆与工具产品 写这么多，我想表达的是其实 @virtuals_io 一直领跑 Base AI 赛道。无论是 Virtuals 团队还是生态项目项目，都一直在积极 Keep Shipping 落地的产品 相信价值发现是迟早的事，别因为 $VIRTUAL 短期表现不佳而 fade 它，不然等下一个主声浪到来会被啪啪打脸