GPT-Image 2.5 looks way stronger than previous models in action. Prompt below: Create a single square 1:1 artwork, 2048 × 2048. "SCENE AND COMPOSITION A giant Japanese dragon confronting a lone samurai in a vast windswept grassland. Wide view, fixed low camera, both subjects clearly situated in the same landscape. The dragon dominates the left side; the full-body samurai stands on the right, facing left toward the dragon. Leave a clear gap between them. A low, gently rolling horizon divides the open sky from the dense grassy field. DRAGON An unmistakably reptilian Japanese serpentine dragon with a long coiled body and an elegant S-curving neck. Large overlapping scale plates, broad segmented belly scutes, hard triangular dorsal spines, swept-back antler-like horns and a few long, smooth whiskers. An elongated reptilian skull with visible nostrils, an armored brow and a slightly open jaw showing sharp conical teeth. Powerful clawed forelimbs planted in the grass. Its head angles downward toward the samurai. Completely hairless: no fur, mane, beard, feathers, wolf ears or mammalian muzzle. No wings. Define the body with individual scale plates, never hair-like strokes. SAMURAI A full-body warrior seen from a three-quarter back/profile angle. Traditional kabuto helmet with a crescent crest, menpo mask, layered shoulder guards, intricately laced lamellar armor, divided armored skirt and shin guards. Knees slightly bent, feet firmly planted, torso leaning into a defensive stance. Both hands hold one katana diagonally upward-left between him and the dragon. Long cloth ties stream sideways in the wind. FIELD Dense tall grass fills the foreground and stretches far into the distance. Large bent blades and seed heads near the camera, progressively finer grass toward the horizon. Broad curved bands of leaning grass suggest wind rippling across the entire field. Rich, irregular white scratches describe individual stems against deep black masses. PALETTE AND RENDERING A strictly limited palette of cool dark cherry red, approximately #901C35#, absolute black and near-white. Flat cherry-red sky; the same red appears between grass blades and in the samurai’s cloth ties. Realistic dimensional forms translated into an aggressively thresholded black-and-white xerox print. Crushed black shadows, fractured white highlights, dense stippled dithering, scratched engraving, irregular ink coverage and crunchy, slightly pixelated edges. A gritty photocopied dark-fantasy image, not polished digital painting. Preserve fine detail in scales, armor and grass. No smooth gradients, glossy CGI, clean anime shading, soft lighting, orange-red sky, buildings, trees, mountains, sun, moon, extra characters, duplicate swords, text, logos, borders, panels or watermarks. One complete full-bleed image."

『Sakura Rain🌸』 Please give it a try! ↓↓ A cinematic ultra-realistic portrait of the exact woman from the reference image, perfectly reproducing her facial features, bone structure, skin tone, eyes, and presence with absolute realism. Wardrobe: a luxurious couture gown inspired by cherry blossoms, combining ivory silk, soft blush chiffon and sakura petal textures, decorated with three-dimensional embroidered blossoms and translucent flowing fabric. Scene: a magical sakura petal storm, where thousands of cherry blossom petals cascade from above like soft pink rain. Petals swirl dynamically around her in layered depth from foreground to background. Pose: captured in a graceful upward gaze, one hand raised toward the sky touching drifting petals, hair and dress moving softly as if in slow motion. Lens effect: dramatic circular cinematic lens flare, rainbow flare rings and warm glowing flare orbs produced by shooting toward a hidden sun behind the falling petals. Lighting: bright golden sunlight filtering through petals creating sparkling highlights, volumetric beams and shimmering pollen particles floating in the air. Atmosphere: romantic fantasy spring scene, cinematic motion energy, shallow depth of field, dreamy soft focus foreground petals. Ultra photorealistic, cinematic dynamic range, extremely detailed textures, masterpiece photography, vertical 9:16.

I'm done with Bonsai 2 27B. This model has taken enough of my time and patience. After the whole argument, I ran 12 OMP sessions on my 4x RTX 3090 rig using PrismML's launcher settings and the reasoning budget nisten asked for. 1 session per GPU, 128K context, no follow-up prompts. Same ternary model, 2 weight packings, 3 KV caches, 2 prompts. Here are the results, the exact prompts, the memory guide and the settings. Do whatever you want with them. Big thread 🧵 First, the extended prompt. 3 of the 6 runs produced usable scenes. PQ2_0 with Q8 KV made the garden I liked most: 42.0 minutes, 69,240 output tokens. PQ2_0 with Q4 KV + bias spent 4h54m and 418,141 output tokens producing an empty sky. I stopped it myself. FP16 KV also failed to produce a usable scene after 151.7 minutes and 210,512 output tokens. The videos show every configuration, including the failures. Output tokens include reasoning; time is the full agent session. Exact extended prompt: Design and create a very creative, elaborate, and detailed voxel art scene of a pagoda in a beautiful garden with trees, including some cherry blossoms. Make the scene impressive and varied and use colorful voxels. Use whatever libraries to get this done but make sure I can paste it all into a single HTML file and open it in Chrome. I'd call the model tolerable for its size. PrismML's marketing still pisses me off. Simple results and the memory guide below.

Not a real vlog. Not a real morning. Just Seedance 2.5 making AI look a little too real. Prompt: Create a 30-second, 1080p ultra-realistic personal home-video showing an ordinary Sunday morning in the life of a young Korean woman. No reference image. MAIN SUBJECT Young Korean woman in her early 20s, natural and approachable look, realistic skin texture with visible pores, bare-faced or barely-there makeup, warm and slightly playful expression. Shoulder-length wavy black hair left down, side-swept bangs, small mole near her left eye. Wearing an oversized pastel-yellow hoodie, loose gray jogger pants, fuzzy slide sandals, and a small crossbody pouch bag. Maintain the same face, hairstyle, clothing, body proportions, and appearance throughout the entire video. SETTING A small countryside town on a bright, breezy Sunday morning. A traditional outdoor market with striped awnings, crates of vegetables, a fishmonger's stall, an old bus stop with a rusted bench, a narrow road running alongside rice paddies, a local bakery with a hand-painted sign, a grandmother's front yard with drying red peppers on a mat, chickens wandering nearby, and mountains faintly visible in the background. Everything sun-bleached, dusty, and authentically rural. CAMERA / VISUAL AESTHETIC Raw personal footage casually recorded by a friend, strong handheld vlog feel throughout. Constant natural hand shake and micro-jitters, footsteps visibly bouncing the frame, imperfect and often off-center framing, occasional partial crops of her face or shoulder, autofocus visibly hunting between her and the background, exposure flaring when the camera swings toward the sun, mild motion blur on quick turns, soft image detail, subtle digital noise, slightly warm and faded color grading like an old phone camera. The camera operator walks and jogs to keep up with her, breathing audible at times, camera dipping and swaying with each step. No stabilization, no gimbal smoothness, no cinematic camera movements, no dramatic lighting, no slow motion, no polished commercial appearance. The footage should feel like a real, unplanned phone recording — accidentally beautiful rather than deliberately cinematic. --- 00:00–00:05 — MARKET ENTRANCE She weaves through the outdoor market stalls, the camera bouncing behind her as it struggles to keep pace. She stops briefly to pick up a small bag of cherry tomatoes, holding them up toward the camera with a grin. The frame jolts as the operator steps over a crate in the path. **00:05–00:10 — FISH STALL DETOUR** She wanders to the fishmonger's stall, wrinkling her nose playfully at the smell and laughing. The camera whip-pans slightly too fast trying to follow her hand gesture, briefly blurring before catching focus again. She waves the camera away, still laughing: *"Ugh, don't film that, film me!"* **00:10–00:15 — BUS STOP WAIT** She jogs to catch the local bus stop bench just as an old bus pulls away without her, the camera shaking hard from the sudden running motion. She throws her hands up in mock frustration, plops down on the rusted bench, and sighs dramatically, laughing at herself. The frame settles slightly off-center as she rests her chin on her palm. **00:15–00:20 — RICE PADDY ROAD** She walks along the narrow road beside the rice paddies, wind blowing loose strands across her face. The camera drifts low near her feet as she kicks a small pebble, then swings back up to her face, slightly overexposed from the open sky. She spins around once with her arms out, the frame swaying and overshooting past her before correcting. **00:20–00:25 — GRANDMOTHER'S YARD** She ducks into a yard where red peppers dry on a mat, crouching to gently shoo away a curious chicken pecking near her sandals. The camera jerks back suddenly as the chicken flaps its wings, both of them startled and laughing. She picks up a dried pepper, sniffs it, makes a face, and tosses it back down. **00:25–00:30 — FINAL MOMENT** She grabs a warm bag of fresh bread from the nearby bakery counter, takes a big bite, and turns straight to the camera mid-chew. The frame shakes as she leans in too close, filling half the screen with her grinning face. She says, muffled and amused: *"Okay, stop filming me eating!"* She swats the camera lens with her hand, and the footage cuts abruptly to black, mid-laugh. --- **AUDIO** Natural location sound only: Market chatter, footsteps crunching on gravel, a bus engine pulling away, wind, chickens clucking, rustling plastic bags, distant rooster crow, bread bag crinkling, the operator's breathing and quiet laughter, and audible handheld camera noise. No music. No narration. No artificial sound effects. Only the spoken lines: *"Ugh, don't film that, film me!"* and *"Okay, stop filming me eating!"* **FINAL FEEL** The entire video should feel like a chaotic, cheerful, completely unplanned Sunday morning caught on a friend's phone — bright, breezy, playful, and warmly nostalgic. No dramatic events. No exaggerated acting. No model poses. No cinematic hero shots. The realism should come from constant handheld imperfection, sun glare, dust, uneven pacing, real laughter, and moments that feel genuinely caught rather than staged.

Cherry tomatoes yield a bumper harvest inside smart greenhouses in Baiyun District of Guiyang, southwest China's Guizhou Province, where integrated water and fertilizer irrigation systems are equipped to realize precise regulation of water and nutrient supply.