Happy 61st, Singapore! 🇸🇬 🦁 ˗ˏˋ ✸ ˎˊ˗ A nation that turned vision into infrastructure, and is now building one of the world's leading AI ecosystems. 🌱 Proud to be headquartered here, powering AI from SG to the world. 🚀 Majulah Singapura, Go Beyond! 🇸🇬🎉 #SG61# #GoBeyond# #BitdeerAI#

Go beyond market data with token reports from the Ownership Token Framework. Each report examines whether tokenholders have meaningful control, how value accrues to the token, and whether those claims are verifiable.

Some investments go beyond the markets. BWT Alpine Formula One Team Driver, @FranColapinto opens up about the people who invested in him from day one. Who would you thank for investing in you?

GLP-1's benefits go beyond weight loss, Novonordisk CEO Mike Doustdar says. From alcohol addiction, fertility, premenopausal symptoms, inflammation, and heart improvement, "People take these products, and they say my skin feels better," Doustdar tells @BrianSozzi. Watch the full interview now.

Coding agents can now go beyond writing code on Render. 🔐 Connect via MCP OAuth 🚀 Trigger deploys & change service plans 🧠 Tap into 20+ Render Skills ⌨️ Manage services, Postgres & Key Value with the CLI Build, deploy, and operate - read the announcement →

Livestream Alert: Using Comfy to Go Beyond the Models: Custom Workflows for Commercial and Film Production Join us for a conversation with @eyefyah (Creative Director) and Ariel Klevecz (Tech Lead/Content Automation) from Tool, on using ComfyUI as a flexible production tool rather than a single model or plugin. Instead of centering on any one model, Ezra and Ariel will walk through how Tool builds custom Comfy workflows around what a specific project actually needs, and how those workflows get integrated into traditional filmmaking, VFX, and post-production pipelines. What we'll cover: Building custom Comfy workflows around what a production actually needs, not what a model does by default Precise first-person hand/performance control and extreme-resolution outpainting with Wan 2.1 (AMD CES film) Audio-reactive generation and letting a song's loudness constrain what Wan paints, frame-chained (Flower) Comfy in a commercial pipeline generating a different world per execution (Starburst) Comfy-generated compositing layers, stop-motion, and title sequences moving between Comfy, After Effects, and Flame (Everywhere/Nowhere)

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The federal government shouldn’t provide “security” grants to cities and police departments that have decided to go beyond the pale and turn their communities into a version of 1984.