Sanat Rao (@sanatvc) of Monarq Asset Management (@monarq_mgmt) places accountability with the curator: assessing the collateral, the markets it lends into, and the smart contract dependencies behind them. Watch our panel to hear from our speakers: Jessica Cao of Huma Finance (@humafinance), Jerome Oei of @bitgo, Lewis Phey (@OuroborosCap8) of Yuzu Money (@YuzuMoneyX), and Yanis De Busschere of @chain_security.

First came Puccini. Then Mozart. Now Missy Mazzoli is premiering her newest opera “Lincoln in the Bardo” at @MetOpera and she’s the first woman to do it! She sat down with @davidgura and @EenaRuffini on Bloomberg This Weekend about her opera’s origin story.

🇸🇬 CONNECT: Tokenization is opening new opportunities for crypto hedge funds. @monarq_mgmt CEO @ShiliangTang said traditional assets are increasingly moving onto crypto trading venues, allowing funds to deploy strategies across a broader range of markets.

Aave and Morpho pay around 2–4% on USDC, and managing that position is your job. Zircuit Finance starts with Morpho, then adds a tokenized money market fund from @WisdomTreePrime and strategies from @monarq_mgmt and @FalconXGlobal to target 8–11% APR 👇

You hit deposit and your balance goes up, but most people never ask where the money went in between. On Zircuit Finance, it goes to strategies from @monarq_mgmt, Forteus and @FalconXGlobal, lending on @aave and @Morpho, and tokenized funds from @Fidelity and @WisdomTreePrime 👇

"I started to create what I thought would be the extension of the interpolation of the original." @JonBatiste unpacks his new album, Black Mozart, with @oldmanebro. Watch their full interview now on YouTube and Apple Music. 🎼

Boston Symphony CEO Chad Smith said the orchestra, which recently parted ways with its brilliant and popular conductor Andris Nelsons, must serve communities “more expansively and inclusively” and think differently about “whose voices get to be heard, whose stories get to be told.” In her latest essay, @HMDatMI rejects that woke conceit with characteristic ferocity. “If a listener needs to see himself ‘reflected,’ it would be more efficient to take a selfie than to attend a performance of a Mozart piano concerto,” she writes. One listens to Mozart “to lose oneself in a bygone world of grandeur and beauty.” Down with phony inclusivity, she argues—and up with transcendent art.