What do you get when you mix two pop stars and a legendary rock band? This week’s Countdown Chart new releases. Check out the full Top 10, with @thestrokes "Reality Waits," @charli_xcx's "Music, Fashion, Film," and @Tyllaaaaaaa's "A*POP" dropping this Friday 🖤

On their new albums, Charli XCX and the Strokes flirt with the idea of “rock music.” But it seems more like they’re inhabiting the machine than like they’re raging against it.

She promised her twelve-year-old daughter she would be back before the movie ended. Then she walked out of the Paris cinema to warn her Resistance cell, was caught by the Gestapo instead, and spent the next twenty months trying to stay alive in Ravensbrück. Her name was Odette Fabius. She was born in Paris on August 15, 1910, into a wealthy assimilated French-Jewish family that had been in France for generations. Her father Robert Schmidt was a respected lawyer. Her mother came from a prominent commercial dynasty. She grew up in comfortable Parisian bourgeois circles — good schools, cultured summers, the specific social world of the French Jewish upper class of the 1920s. She married a French banker named Roger Fabius in 1928, when she was eighteen. Their only child Marie-Claude was born in 1930. By 1940, when the Wehrmacht occupied France, she was thirty years old. The Fabius family had every reason to keep their heads down. Assimilated Jewish families in occupied France in 1940 faced an escalating series of decisions, each one worse than the last. Register with the authorities. Wear the yellow star. Comply with the specific institutional apparatus that the Vichy government and the German occupation were building against them. Or resist. Odette chose the second option almost immediately. In November 1941, at thirty-one, she was recruited into the Alliance network — a French intelligence-gathering operation led by Marie-Madeleine Fourcade that fed direct military intelligence from the Free Zone in southern France to British Intelligence in London. Alliance operated primarily in and around Marseille. Members were assigned animal codenames. Fourcade was Hérisson — Hedgehog. The specific institutional operating principle was that no one in the network knew the real name of anyone else, so that if any one member was captured, the network could survive. Odette moved to Marseille to work. She spent 1941 through 1943 collecting intelligence, running couriers, sheltering fellow agents, and — as the German security apparatus tightened its grip on southern France — coordinating with London on air-drop landings for downed Allied pilots. Her twelve-year-old daughter Marie-Claude went with her. On the afternoon in question, in the early spring of 1943, Odette had taken Marie-Claude to a Marseille cinema. Marie-Claude was twelve. Odette was thirty-two. Halfway through the film, she leaned over to her daughter and told her she needed to run a quick errand. She promised she would be back before the film ended. She left Marie-Claude in the seat. She walked out of the cinema, into the streets of occupied Marseille, and toward the safe house where members of her Alliance cell were meeting. She had received urgent intelligence that the Gestapo was closing in on the meeting. She was going to warn them. She did not get there in time. She was arrested on the street by German security agents before she reached the safe house. She was interrogated for weeks in a Marseille prison. She was labeled — in her own subsequent trial file — a dangerous terrorist. She was held in total isolation. She gave the Gestapo nothing. Marie-Claude waited in the darkened cinema until the film ended and the lights came up. Her mother did not appear. She eventually made her own way home. Her father Roger, warned by the network of what had happened, took her into hiding immediately. Marie-Claude spent the remainder of the war under a false identity in the French countryside. She would not see her mother again for over two years. In April 1943, after two months in Marseille, Odette was transferred to Fresnes prison outside Paris — the main German security prison for political detainees in the occupied zone. She spent another eight months there, still refusing to name a single member of the Alliance network. On January 31, 1944, she was loaded onto a deportation train. The convoy she was on carried approximately one thousand women. Every prisoner number began with the digits 27. Hers was 27393. The train arrived at Ravensbrück concentration camp in northern Germany before dawn on February 3, 1944. Ravensbrück was the specific Nazi camp system's principal concentration camp for women. Over the course of the war, approximately one hundred and thirty thousand women passed through it. Approximately forty thousand of them died there. The remainder were selected for forced labor in the camp's associated munitions plants, medical experimentation subunits, or transferred onward to Auschwitz. Odette did not intend to disappear into it quietly. Within her first days at the camp she attempted to escape. Three days later she was recaptured. The punishment was fifty lashes with a leather whip in the camp courtyard while other prisoners were forced to watch. The SS officer administering the beating counted the strokes out loud. He was, on the recorded testimony of several fellow prisoners who witnessed it and survived, expecting Odette to scream, to beg, to give some sign of breaking. She made no sound. Not one, across all fifty strokes. When it ended, the officer reportedly demanded to know how she had stayed silent. Her answer, on the recorded testimony passed down by the survivors of her block, was five words. Je suis française. C'est tout. I am French. That is all. Eight days in an isolation cell followed. Then transfer to the Strafblock — the punishment barracks — where the specific mortality rate exceeded that of the rest of the camp. A fellow prisoner named Dorothea Binz-Schneidenbach, a Belgian artist, sketched her by candlelight in the days after the beating — thin, shaved, wounded, upright. That drawing survived the war. It now hangs in the Museum of Jewish Art and History in Paris. By the winter of 1944-45 Odette was failing. A French physician imprisoned at the camp — Dr. Anne Spoerry, who would after the war become one of the most famous flying doctors in East Africa — quietly took her into the camp infirmary and hid her there from January through April 1945. Spoerry protected Odette from the daily selections that were sending failing prisoners to the gas chambers at the neighboring Uckermark subcamp. That single specific decision by Spoerry is why Odette lived. On April 23, 1945 — days before the German surrender — the Swedish Red Cross negotiated the White Buses evacuation that carried surviving female prisoners of Ravensbrück out of the camp system and into neutral Sweden. Odette was in one of the buses. She spent the following month unconscious in a school in a small Swedish town that had been converted into a hospital. She lived another forty-five years. She was reunited with Marie-Claude and Roger in Paris in the autumn of 1945. She wrote a memoir titled Un lever de soleil sur le Mecklenburg — A Sunrise over Mecklenburg — published in 1986. She was made a Commander of the Legion of Honour. She held five separate French wartime decorations, including the Medal of the Escaped — awarded, fittingly, to those who had attempted to escape from a concentration camp. She died in Paris on August 19, 1990, at eighty years old. Marie-Claude, the little girl from the Marseille cinema, lived into her nineties. When she was asked, decades later, whether her mother should have taken the specific risks she took, whether the specific afternoon in the cinema was a mistake, whether a mother should have chosen the Resistance over her own child, she never hesitated. She said her mother could not have been any other way. She said that was simply who her mother was. Some people are taken from this world. A rare few refuse to be erased from it. Odette Fabius was one of them. If her story stayed with you, drop one word in the comments — Odette, Marie-Claude, silence, anything that comes to mind. Tap the like button so more people find this story. The page is small. Every reaction helps us keep telling stories like this one.

#2001年リリースの中から最高の4枚を選ぶ# ・『The Glow Pt. 2』The Microphones ・『Is This It』The Strokes ・『Yankee Hotel Foxtrot』Wilco ・『Drukqs』Aphex Twin

This man travels the country teaching women how to cum and squirt, then he uses the footage to teach men how to do what he does! Follow: @thestrokegenius to get a sneak peek a what he teaches 👀