3YE(써드아이) - YESSIR | CHOREOGRAPHY ver. ⠀ 3YE 1st Mini Album [TRIANGLE] ‘YESSIR’ CHOREOGRAPHY ver. 👉 ⠀ #3YE# #YESSIR# #CHOREOGRAPHY# #써드아이# #1st# #MiniAlbum# #TRIANGLE# #YUJI# #YURIM# #HAEUN# #CHOREOGRAPHYver# #유지# #유림# #하은# #안무버전#

【AS_JPNTOUR2014】 Reharsal Day#3# And in practice the new choreography today. #スッピンにつき顔面非公開# #昨日と変わり映えしない写真でごめんなさい#

Made with GPT Image 2 + Seedance 2.0 on @SocialSight Generate a 16-move choreography sheet in GPT Image ↓↓↓↓↓↓ Upload it to Seedance 2.0 as the "brain" of your dance ↓↓↓↓↓↓ Your character performs the full routine instantly ↓↓↓↓↓↓ A complete K-pop dance video. Done in minutes. GPT Image 2 prompt: A colored pencil sketch style choreography sheet infographic for a K-pop solo dance. Layout: 16 steps arranged in a clean 4x4 grid, each panel showing a different dance move. Subject: A teenage Asian girl with short blunt-cut hair and bold bangs, wearing a monochrome outfit — fitted black turtleneck, wide-leg tailored trousers, chunky white platform boots, with silver chain accessories and fingerless gloves. Style: Hand-drawn colored pencil illustration, bold outlines with sharp shading, slightly angular and graphic, monochrome base with pops of electric red and silver as accent tones. Confident, editorial energy. Movement: Each frame captures sharp, punchy dance motions — arm isolations, sharp head snaps, shoulder locks, chest contractions, low lunges, toe-point poses, dramatic wrist flicks, and a signature ending freeze — with bold red arrows showing force direction and snap timing. Design: High-contrast K-pop girl crush aesthetic, grid with thin black borders, step numbers (1–16) in bold sans-serif, short captions under each frame describing the motion. Text: Title at the top — "K-POP GIRL CRUSH – 16 COUNTS – 10 SECONDS – SHARP LOCK & POP" Environment: White studio background, dramatic downlight suggestion, minimal clean shadows. Quality: High detail, crisp composition, balanced layout, editorial dance tutorial poster. Negative prompt: blurry, low quality, extra limbs, distorted anatomy, bad proportions, messy layout, overcrowded design, text errors, watermark, soft or pastel tones.

유지(YUJI) Calm Down Choreo with GUNMIN Snapshot Behind 📸 #3YE# #GUNMIN# #YUJI# #유지# #건민# #GUNMIN# #CalmDown# #choreography# #choreo# #Rema# #SelenaGomez# #dance# #collaboration# #레마# #셀레나고메즈# #아프로비트# #댄스# #코레오그라피# #콜라보# GUNMIN INSTAGRAM :

What a truly mind blowing thing you’ve turned The Eras Tour Concert Film into. I’ve been watching videos of you guys in the theaters dancing and prancing and recreating choreography, creating inside jokes, casting spells, getting engaged, and just generally creating the exact type of joyful chaos we’re known for 😇 One of my favorite things you’ve done was when you supported Cruel Summer SO much, I ended up starting The Eras Tour show with it. For old times sake, I’m releasing the live audio from the tour so we can all shriek it in the comfort of our homes and cars PLUS a brand new remix by @LPGiobbi 😜 Thank you, so much, forever, wow, just thank you!!!

Elon Musk says weekly skip-level meetings expose the 'glazed' lieutenants every CEO trusts. A typical Fortune 500 CEO held a meeting once a month. Their direct reports presented prepared slides. Their direct reports' reports never made the room. The CEO heard the version of reality their VPs wanted them to hear. "I have these very detailed engineering reviews weekly." Skip-level. No agenda. No prep. Everyone in the room. All reports flow up at once. The format was designed to make pre-meeting choreography impossible. Run the meeting before it runs you. Then Musk named what choreography produces. "Otherwise you're going to get glazed, as I say these days." Musk named the corporate disease: **glazed**. Polished. Predictable. Almost useless. Musk, who ran weekly engineering reviews across Tesla, SpaceX, and xAI, knew the glaze on sight. A direct report with 48 hours to prepare an answer would deliver the version of reality that protected their team, their roadmap, and their compensation — while the engineer two levels below them, asked the same question cold, would say what was actually happening on the floor. "I just go around the room. Everyone provides an update." No slides. No deck. No script. Question and answer, traded live. After Musk standardized the format, corporate truth started matching shop-floor truth. Bad news arrived earlier. Course corrections happened faster. Compensation arguments shortened. Musk, on what the weekly cadence buys: "It's a lot of information to keep in your head." What in your weekly meetings is already a rehearsal nobody admits to? P.S. I made a playbook breaking down 100+ most powerful decision making mental models used by history's greatest thinkers. 5,000+ downloads. 113 five-star reviews. Grab a free copy here: If you're new here, @GeniusGTX is a gallery for the greatest minds in economics, psychology, and history. Follow along for more similar content. — Elon Musk ( @elonmusk ), CEO of Tesla and SpaceX, on Dwarkesh Patel's ( @dwarkesh_sp ) podcast

I feel so completely grateful to have been asked to open the Paris @Olympics 2024 this year. I am also humbled to be asked by the Olympics organizing committee to sing such a special French song—a song to honor the French people and their tremendous history of art, music, and theatre. This song was sung by Zizi Jeanmaire, born in Paris a French ballerina, she famously sang “Mon Truc en Plumes” in 1961. The title means “My Thing with Feathers.” And this is not the first time we’ve crossed paths. Zizi starred in Cole Porter’s musical “Anything Goes” which was my first jazz release. Although I am not a French artist, I have always felt a very special connection with French people and singing French music—I wanted nothing more than to create a performance that would warm the heart of France, celebrate French art and music, and on such a momentous occasion remind everyone of one of the most magical cities on earth—Paris. We rented pom poms from Le Lido archive—a real French cabaret theater. We collaborated with Dior to create custom costumes, using naturally molted feathers. I studied French choreography that put a modern twist on a French classic. I rehearsed tirelessly to study a joyful French dance, brushing up on some old skills—I bet you didn’t know I used to dance at a 60’s French party on the lower east side when I was first starting out! I hope you love this performance as much as I do. And to everyone in France, thank you so much for welcoming me to your country to sing in honor of you—it’s a gift I’ll never forget! Congratulations to all the athletes who are competing in this year’s Olympic Games! It is my supreme honor to sing for you and cheer you on!! Watching the Olympic Games always makes me cry! Your talent is unimaginable. Let the games begin!

I’m so excited that we can finally share The Chromatica Ball film with the world. This film chronicles a time of immense creativity…the fashion, the dance, the music. Revisiting the tour leaves me speechless the way we had each other—you all showed up for music and art in a big way, and with a level of excitement and freedom that I will never forget. Stadium after stadium. Sold out crowds. The deafening singalongs. Chromatica was colorful revenge. The chaos of it all became pure energy and life. With a texture best experienced live. "STRUT IT OUT, WALK A MILE SERVE IT ANCIENT CITY STYLE" Self-acceptance is a theme that cuts through all my songs. I believe it is always possible to dig deep and find your greatness. Self-discovery is an art. Self-love is a practice. I love you monsters more than I can say. See yourself in every vocal, every fabric choice, the choreography, every image… Here’s the truth—no matter where life or my career has taken me, my time with you always is a path back to a very powerful part of myself. In a stadium filled with YOU it came to life. Thank you for that feeling 🙏 🖤 I hope you will feel seen when you watch this film. And know that I edited it carefully to honor you.