Today is the last day of our summer exhibition #NightAndDay# @SaltburnGallery. Catch it for the final time between 12-4pm, entry FREE! A huge thank you as always to everyone who has visited and supported us throughout the show. 🙏🏼 #exhibition# #PaperArt# #art# #SaltburnStudios#

How it's done: This is TEPCO’s Kashiwazaki-Kariwa nuclear power station in Niigata. The seven-unit site has 8.2GW of capacity, making it the world's largest power plant. Unit 6 entered commercial operation on 16 April 2026, returning a 1.36GW Advanced Boiling Water Reactor to service and marking TEPCO’s first commercial nuclear operation since Fukushima. Expect a SoftBank/Oracle/OpenAI data center in its vicinity in the next few months.

My coworker Morimoto's father is 86. A rice farmer in a small village in Niigata. For 62 years, he has been doing things nobody in that village understands. Every Saturday morning, he bakes an apple pie. And eats it for breakfast. With black coffee. At 5 a.m. His wife fought him on this until 1971. Then she gave up and started eating it too. He says "You bet" to everyone. It's the only English he uses. He said it to the mayor. He said it to the Buddhist priest at his own mother's funeral. The priest has learned to say "You bet" back. When a child is introduced to him, he stands up, puts out his hand, and shakes it like they're a grown man closing a deal. "Pleased to meet you." Village kids have been lining up for this since 1965. Some of them are grandparents now. They still line up. When a woman walks into a room, he stands. Every time. Every woman. The old ladies in the village giggled about it for sixty years. Now they wait in the doorway until he gets up. If something is broken at a neighbor's house, it gets fixed. A gate. A gutter. A tractor. He doesn't ask. He doesn't mention it. He's already walking home. Every Sunday at 7 p.m., he calls each of his three children. In English. He says three words. "Just checkin' in." Then he hangs up. Morimoto is 58. He has received that phone call every Sunday for forty years. He has never once been able to say anything back in time. And every night at supper, in a Buddhist farmhouse in rural Japan, the old man bows his head and says grace. In English. He closes his eyes. He thanks God for the rice and the rain and the family at the table. And he always ends the same way. "And thank you for Leonard and Ruth. Amen." Then he claps his hands twice. The way we do at a Shinto shrine. Nobody in the village knows who Leonard and Ruth are. They've been hearing their names every night since 1965. In 1964, Morimoto's father was 24, and the poorest young man in his village. A program was sending young Japanese farmers to live on American farms for a year. He went with one suitcase and almost no English. It was only nineteen years after the war. His own uncle had died in it. He'd grown up hearing what Americans were. He spent the whole flight across the Pacific sure he was going to be hated. He had decided he would bear it quietly. Work hard. Bow. Disappear. The farm was in Iowa. Corn and hogs. Flat to the edge of the world. Leonard met him at the bus station. Six-foot-three, forty years old, hands like shovels. A Marine Corps tattoo on his forearm, faded green. He had fought on Okinawa. He looked at the frightened young man for a long time. Then he put out his hand and shook it like he was a grown man. Like they were equals. "Pleased to meet you, son." That night, at the first supper, Leonard bowed his head and said grace. Tsutomu didn't understand most of it. But he understood the last line, because Ruth leaned over and said it again for him, slowly. "And thank you, Lord, for bringing us Tsutomu." He cried into his mashed potatoes. Nobody said a word about it. Ruth just passed him more gravy. For a year, he was their son. Ruth taught him pie. Leonard taught him to drive a tractor, then a truck, then to back a trailer, which took four months and a lot of yelling, which Leonard later apologized for by fixing Tsutomu's bicycle without being asked. Leonard drove three hours to Des Moines every month to buy a bag of rice so the boy wouldn't get homesick. Every Sunday night, Leonard called his own grown daughter in Omaha. "Just checkin' in." Then hung up. On his last day, at the bus station, Leonard shook his hand like a grown man. And then, for the first and only time, he hugged him. Hard. The way a man hugs when he's not used to it. "You come home anytime, son." Tsutomu never could. He went back to Japan and became a farmer and a father and a grandfather. He wrote every Christmas. Leonard wrote back every Christmas until he died in 1993. Ruth wrote until 2001. And for sixty-two years, the old man in Niigata kept doing exactly what Leonard did. The pie. The handshake. The standing up. The fixing. The phone call. The grace. All of it. Like a man carrying a lantern across an ocean, very carefully, so it wouldn't go out. Last spring, Morimoto found Leonard's granddaughter on Facebook. Her name is Jenny. She's 46. She still lives in that county. He sent her a video. His father at the supper table, eyes closed, saying grace. In English. "And thank you for Leonard and Ruth. Amen." Clap. Clap. Jenny answered two days later. She said she'd watched it thirty times. She said she had to sit down on her kitchen floor. Then she sent a photo. The refrigerator in the old farmhouse. Jenny's mother lives there now. Nobody has ever changed that refrigerator door. Two photos are taped to it. Yellow. Curling at the edges. Held on with tape that has been replaced many times. One is a young Japanese man in overalls, squinting into the sun, standing next to a tractor. 1964. The other is a young Marine in uniform. Nineteen years old. Smiling. His name was Eddie. He was Leonard's little brother. He was killed on Okinawa in 1945. Leonard was there. He came home without him. And then Jenny told him the part that nobody in Japan had ever known. In 1963, when the letter came saying a young Japanese man would be living with them for a year, Leonard didn't say anything. He went out to the barn after supper. He didn't come back in. Ruth found him there at dawn. Sitting on a hay bale. Holding Eddie's picture. She didn't know what he would say. She was afraid of what he would say. He stood up. He put the picture in his shirt pocket. And he said: "Well. He's somebody's son too." Then he walked into the house, got out a can of paint, and started painting the spare room. It was Eddie's room. That's where Tsutomu slept. For a whole year. In the bed of the brother Leonard lost. He never knew. Jenny said her grandpa never once talked about the war. Not to anyone. Not ever. But he talked about Tsutomu all the time. Morimoto drove to Niigata that weekend and read the message to his father at the kitchen table. Slowly. Translating every line. The old man didn't say anything for a long time. Then he got up, walked out the back door, and stood in the rice field until it was dark. At supper that night, his whole family was at the table. His children. His grandchildren. His great-grandchildren. Fourteen people. He bowed his head. He closed his eyes. He thanked God for the rice and the rain and the family at the table. "And thank you for Leonard and Ruth." Then he stopped. The whole table waited. When he spoke again, his voice was very quiet. In the English he had learned in Iowa, sixty-two years ago. "And thank you for Eddie. I slept in his room. I tried to take good care of it." Amen. Clap. Clap.

My wife's parents have been abroad exactly once. Twenty years ago, my father-in-law, a rice farmer from a small village in Niigata, and my mother-in-law joined a bus tour of the American West. Thirty-six Japanese tourists. Average age 68. Total English between them: "Thank you" and "Excuse me." A few days before Christmas, somewhere on the plains of eastern Colorado, a blizzard shut down the highway. The bus pulled off at the only lights they could see. A town of about 400 people. The tour guide was 26 and terrified. She walked into the gas station to ask where thirty-six old people could sleep. The man at the register made one phone call. Forty minutes later, the Methodist church was open. Lights on. Heat on. Coffee on. Then the town showed up. Women in snow boots carrying casseroles. A farmer on a tractor, plowing the church parking lot at midnight. The high school wrestling team, carrying suitcases for people who bowed to them every single time. Kids dragging sleeping bags. A nurse who went down the rows checking blood pressures. Nobody asked her to. My mother-in-law still talks about the food. A green bean casserole with crunchy onions on top. And a salad that was not a salad. It was Jell-O, with marshmallows inside. She had three helpings of the one she did not understand. My father-in-law sat with a wheat farmer named Harold. Neither knew a word of the other's language. They talked for two hours anyway. On napkins. Harold drew wheat. My father-in-law drew rice. Harold pointed at the snow and shook his head. My father-in-law pointed at the sky and shook his. Two farmers, complaining about the weather. They understood everything. Around one in the morning, families started taking people home. Nobody organized it. A couple would stand up, walk over to two of the oldest Japanese, and say, "You're with us." My in-laws went home with a young family. The parents gave up their own bed. Their daughter, Abby, who was ten, handed my mother-in-law her stuffed horse. "So you won't be scared of the snow." The next night was Christmas Eve. The road was still closed. So thirty-six Japanese went to church with the whole town. At the end of the service, they turned off the lights and lit candles. The organ began "Silent Night." Every Japanese person knows that song. We learn it as children. We just know it in Japanese. So the town sang it in English. And thirty-six Japanese voices sang it in Japanese. Same melody. Same candles. Same moment. My mother-in-law says she couldn't read the hymnal. She says nobody in that church could see anything by the second verse. On Christmas morning, the road opened. The whole town came out to the bus. Hugs. Bows. More hugs. Abby cried. Harold handed my father-in-law his work gloves. Through the guide, my father-in-law asked him one question: "Why would you do all this for strangers?" Harold looked confused, like it was a strange question. "Out here, when the road closes, whoever's on it is ours." That was twenty years ago. My father-in-law is 84 now. Every December, he mails a bag of Niigata rice to a little church in Colorado. Every December, a box comes back, full of Christmas cards. First from the people he met. Now from their children. Harold's gloves hang by his front door. He has never worn them. He says they are not for work. When the news shows America angry, shouting, coming apart, my father-in-law turns off the TV. "That's not America," he says. "America is a town of 400 that opened its church at midnight for 36 strangers. I was there." He has been to America exactly once. Two nights, in a snowstorm. He says that was long enough to know who you really are.