$2,500 prize pool Up to 35,000 Prisma Points 15 days left. 33.22K have joined the @Galxe Quest. The First 100 seats are won by scoring real robot data, and they're still open. Are you in?

Last week, Verify Quality opened to the public. Start scoring real robot data now, the top 100 scorers become Founding Data Quality Validators 🦾 This week, The First 100 Validators campaign will go live, powered by @Galxe. $2,500 prize pool + up to 35,000 Prisma Points

PrismaX is joining @decasonic's 5th Annual Web3 Investor Day on July 23 in Chicago. @castorhat is speaking, and PrismaX is one of nine companies in this year's Company Showcase. This year's theme is Investing in Adoption. That's the room we want to be in 🦾

A prism bends light. 🔷 Pico Prism bends the limits of proving: a full Ethereum block proven in 6.1 seconds on average, on consumer GPUs. Read how 👇

Odette · Swirling Snow Prima Ballerina of the Korolevskiy Troupe #GenshinImpact# #Odette# In Snezhnaya, the land of frost and ice, it often takes quite a bit of persuasion to get someone to go to the opera house or theater. On bitterly cold days, most would rather stay by the hearth than traipse across the snow just to catch a performance. Many, however, make an exception for Odette's ballet performances. Whenever her name appears on a show publicity poster, the lines start forming at the ticket window. Those standing patiently in line are not there because of her sweet smile, for she almost never smiles at the audience. Nor are they drawn by any warmth in her manner — once the curtain falls, she does not remain onstage for even a second longer. Instead, they have come for the dance performance itself. The instant Odette rises to the tips of her toes, even Snezhnaya's howling winds seem to fall still. Every step she takes is so precise, it takes the breath away from everyone in the theater. To her fans, that cold demeanor of hers only makes her more alluring. This young lady who has captivated so many onstage is also a member of the Fatui. Her days are divided between the troupe and the Fatui. Her dance practices begin in the early morning, while her training with the Fatui usually stretches late into the night. Her own practices and urgent missions fill whatever time that remains. In the practice room, she stretches to her limits before rising into dance. At the training grounds, she swiftly moves on to her next task after bringing down her opponents. Day after day, she continues like the dancer of a music box, turning without end, as though she never tires, as though she never needs rest. A friend once asked her, "Don't you ever get tired, going back and forth like that between ballet performances and the Fatui?" Odette cocked her head in response, seemingly in thought. Then she gave her answer, one that could not be any plainer: "But I'm already used to it."

Introducing the PrismaX Regional Ambassador Program. A select cohort of regional leaders building local PrismaX communities in their language, region, and time zone. Applications open today 👉