SKIMS’ $148 advent calendar has disappeared from its original product page after shoppers slammed it for being full of hair ties, scrunchies, and keychains. The company is now offering every buyer a full refund or store credit.

I never want to forget a single detail of this hysterical shoot, and now I don’t have to! Excited to share more of the Opalite Music Video with two extended versions full of dance lessoning, our phenomenal cameos, camcorder footage, gigantic scrunchies & fanny pack angles! Parts 1 & 2 are out now at

If this is AI slop, the slop is getting ridiculously realistic Made with seedance 2.5 Prompt: Create a 30-second, 1080p ultra-realistic personal home-video showing an ordinary summer evening in the life of a young Japanese woman. No reference image. MAIN SUBJECT Young Japanese woman in her early 20s, naturally pretty, realistic skin texture, minimal makeup, soft and cheerful personality. Shoulder-length dark brown hair worn down with a simple clip pinning back one side, a few loose strands framing her face. Wearing an oversized light-yellow short-sleeve shirt, denim shorts, white canvas sneakers and a thin gold anklet. Maintain the same face, hairstyle, clothing, body proportions and overall appearance throughout the entire video. SETTING A quiet older residential neighborhood in Kyoto during a warm summer evening. Narrow paved streets, low wooden houses, hanging laundry, vending machines, telephone poles, tangled overhead wires, a small corner convenience store, a shrine gate visible in the distance, cicadas humming in the trees, and long tree shadows stretching across the road. Everything should feel lived-in, ordinary and peaceful. No tourist attractions, advertisements, recognizable brands or commercial activity. CAMERA / VISUAL AESTHETIC Raw personal footage casually recorded by a friend on an early-2000s consumer DV camcorder. Strong handheld shake, imperfect framing, autofocus hunting, exposure shifts, occasional motion blur, faded colors, soft digital detail, mild noise, accidental zooms and natural camera imperfections. No stabilization, drone footage, gimbal movement, dramatic lighting or polished commercial cinematography. — OUTSIDE THE HOUSE She steps outside holding a small paper fan. She slides the door shut, glances at her reflection in a window, and looks toward the camera with a shy laugh. A warm evening breeze rustles the nearby wind chimes as she starts walking down the street. — CONVENIENCE STORE STOP She reaches the small corner store and buys a popsicle. She steps outside, unwraps it, takes her first bite and scrunches her face happily at the taste. She notices her friend filming and waves the popsicle toward the camera with a grin before taking another bite. — WALKING HOME She continues down the quiet street while eating. A small dog tied outside a shop barks softly and wags its tail. She kneels down and gently scratches behind its ears. The dog's owner calls it back and she stands, giggling as she walks on. — SMALL ACCIDENT She walks past a low hanging laundry line when a stray sheet brushes against her head. She stops, startled, then realizes what happened and bursts out laughing. She pats down her hair while her friend zooms clumsily toward her face. She looks directly into the camera and says: "Mou, yamete!" ("Come on, stop it!") — QUIET MOMENT She reaches a small stone step near a shrine gate and sits down for a moment. She finishes the popsicle while watching fireflies begin to flicker faintly near the bushes. A gentle breeze moves her hair. She tucks a loose strand behind her ear and looks around peacefully. — FINAL MOMENT She stands up and continues walking home. After a few steps, she turns back toward the camera with a soft playful smile and says: "Hayaku kite." ("Come on, hurry up.") She keeps walking down the dim lane as the streetlights flicker on, while the camera follows behind. She disappears around the corner and the recording abruptly cuts to black. AUDIO Natural location sound only: cicadas, wind chimes, footsteps, distant bicycle bells, a vending machine hum, sliding doors, rustling laundry, faint conversations and subtle camera-handling noise. No music. No narration. No artificial sound effects. Only the two spoken lines specified above. FINAL FEEL The entire video should feel like a forgotten summer recording from the early 2000s. Warm, gentle, casual, slightly playful, intimate and nostalgic. No dramatic events, no exaggerated acting, no model poses and no polished cinematic shots. The realism should come from ordinary surroundings, natural expressions, small accidents, realistic environmental movement and imperfect camcorder operation.

Made with Seedance 2.5 Prompt: FORMAT: 30 seconds | 16:9 | Ultra-photorealistic live-action | Continuous handheld vacation vlog Preserve the exact face, hairstyle, identity, skin tone, facial features, and body proportions from <<>> throughout the entire video. The same woman must appear consistently in every shot. VISUAL STYLE: Authentic late-2000s personal vacation vlog recorded on a cheap handheld flip camera. Extremely raw and imperfect footage. Heavy natural camera shake, awkward handheld framing, occasional partial face crops, sudden reframing, autofocus hunting, exposure fluctuations, blown highlights, slightly soft image quality, warm faded colors, mild digital noise, compression artifacts, and subtle motion blur. No cinematic camera movements, no gimbal stabilization, no polished composition, no modern color grading, no beauty filter, no artificial sharpness. Outfit: oversized cream knit cardigan over a plain black turtleneck, straight-leg dark denim jeans, white low-top sneakers, small silver hoop earrings, hair down straight with a loose scarf tied around the neck. The entire video must feel like one genuine recording captured by a friend while traveling through a real neighborhood in Busan, South Korea, not a staged commercial or cinematic recreation. 00:00–00:04 — EVENING ARRIVAL The woman walks down a narrow alley near Gwangjang Market, string lights and steam rising from nearby carts, camera bouncing slightly behind her. She glances back at the camera and says: "Okay, I heard this market has the best street food in Busan!" 00:04–00:08 — THE FOOD STALLS She arrives at a bustling street food stall lined with sizzling bindaetteok (mung bean pancakes) on a huge flat griddle. The camera zooms in shakily on the pancakes frying, focus hunting between the food and her face. She reacts with wide eyes and says: "Look at the size of that pancake!" 00:08–00:12 — FIRST BITE The vendor hands her a hot bindaetteok wrapped in paper. She blows on it quickly, takes a bite, chews, eyes light up. She turns to the camera and says: "Oh my gosh, that's so crispy and good!" A faint laugh comes from the camera operator behind her. 00:12–00:16 — CHATTING WITH LOCALS She sits on a small plastic stool at a crowded street counter beside two older local women. They chat animatedly, gesture at the food, and laugh together. She tries to repeat a Korean phrase they teach her, gets it slightly wrong, and everyone laughs warmly. 00:16–00:20 — TRYING TTEOKBOKKI A vendor stirs a huge vat of bright red tteokbokki nearby. She steps over, picks up a small paper cup sample with a wooden skewer, tastes it, and her face scrunches from the spice. She fans her mouth and says: "Wow, that's spicier than I expected!" The vendor and nearby customers laugh at her reaction. 00:20–00:24 — WALKING THE MARKET She strolls further through the market, passing glowing food carts, hanging lanterns, and busy shoppers. A few vendors call out greetings; she waves back, holding her half-eaten pancake. The camera swings briefly toward the lively stalls before swinging back to her. 00:24–00:27 — QUIET MOMENT She stops near a quieter corner of the market where steam drifts up from a soup cart. For a moment there's no dialogue — just distant chatter, clinking bowls, and sizzling oil. She smiles softly and says: "This is exactly the kind of night I was hoping for." 00:27–00:30 — NATURAL ENDING She starts walking away, then turns back toward the camera with a playful grin. "Okay, street food mission complete. See you next time!" She laughs, turns, and keeps walking into the market crowd. The camera lingers for a brief moment before the footage naturally ends with a slight shake and imperfect cut. AUDIO Natural location sound only: - sizzling griddles and frying oil - vendors calling out orders - market chatter and haggling - clinking bowls and utensils - distant K-pop or trot music faintly playing from a shop speaker (ambient only, not soundtrack) - footsteps on pavement - light evening breeze - distant traffic - natural human laughter - subtle camera handling sounds No intentional background music track — only naturally occurring ambient sound from the environment. STRICT NEGATIVE REQUIREMENTS No cinematic glamour. No studio lighting. No professional camera movement. No gimbal stabilization. No drone shots. No slow motion. No dramatic lens flares. No modern vlog aesthetic. No perfect framing. No artificial acting. No beauty retouching. No face changes. No identity drift. No hairstyle changes. No outfit changes. No subtitles. No captions. No logos. No watermarks. The final result should look like a real, slightly imperfect Korean vacation vlog recorded on a consumer flip camera around 2008–2009, with genuine human reactions, spontaneous interactions, imperfect framing, and the feeling that nothing was rehearsed.