One of my favorite stories of the Woke Era is the sordid tale of Yi-Fen Chou, an obscure poet whose poem “The Bees, the Flowers, Jesus, Ancient Tigers, Poseidon, Adam and Eve,” was selected for the prestigious Best American Poetry collection in 2015. What the editors of Best American didn’t know was that the same poem had been rejected over 40 times by journals large and small and that Yi-Fen Chou was not a Chinese woman with a complicated immigration story, but a non-descript white guy from Fort Wayne Indiana named Michael Derek Hudson who after years of summary rejection by the literary establishment decided to submit his poems under a different name and was immediately vaulted to the heights of success in his field.