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The New Yorker
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加入 May 2008
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In the new play “The Ford/Hill Project” the testimonies produced in two infamous Supreme Court confirmation hearings—those of the conservative Justices Clarence Thomas and Brett Kavanaugh, held 27 years apart—have been spliced, cut, and edited. “The result, somewhat amazingly, is the feeling of vertigo,” Doreen St. Felix writes. Read her review:
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