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A robot dog has been unveiled that humans definitely won’t be able to outrun The Unitree Super Athlete AS2-W robotic dog can reach speeds of up to 22 km/h and travel more than 30 km on a single charge across almost any terrain. It can also handle difficult obstacles with confidence — climbing slopes and moving across rocks, gravel, mud, and stream beds.
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Many questioning why the African American Juvenile Justice Project did not report on the "missing Howard University " student 22-year-old Esube “Izzy” Wondwossen. Our sources said she was NOT missing. In fact she appeared at the H street festival!
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───────── 𝙷𝚊𝚙𝚙𝚢 𝙱𝚒𝚛𝚝𝚑𝚍𝚊𝚢🍬 #斉藤帆夏# 2026.7.22 ───────── @honomaru_hono
NEWS: SpaceX, Tractor Supply and the National 4-H Council announced a partnership today to expand Starlink rural broadband access across the US. SpaceX will provide 100 Starlink kits and service to designated 4-H clubs serving rural youth. Every Starlink kit purchased at Tractor Supply stores or TractorSupplycom will generate a donation to the National 4-H Council. SpaceX will donate the value of the customer's first month of service. Tractor Supply will donate $500,000 to the National 4-H Council to launch the initiative. The announcement was made at the Great American State Fair. US Agriculture Secretary Brooke Rollins attended alongside Tractor Supply CEO Hal Lawton, National 4-H Council CEO Jill Bramble and SpaceX VP of Satellite Policy David Goldman. Tractor Supply operates 2,435 stores in 49 states. The chain has raised over $27 million for 4-H since 2010 through its Paper Clover fundraiser. According to the FCC, 22.3% of rural Americans lack standard broadband coverage compared to 1.5% in urban areas. (Vice President of Satellite Policy at Space X David Goldman, U.S. Agriculture Department Secretary Brooke Rollins, President and CEO of National 4-H Council Jill Bramble, and Tractor Supply President and CEO Hal Lawton announce alliance at the Great American State Fair)
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#Transportation# | 🚧 A new expressway extension linking #Zhongshan# and #Shunde# is 70% complete! The northern extension of the Zhongshan Eastern Outer Ring Expressway runs 5.338 km from Huangpu Town to Ronggui Subdistrict, cutting travel time from 50 minutes to just 22. 🛣️ Built entirely on elevated structures with 8 lanes and a 100 km/h design speed, it's hitting major milestones – the Meijiao River bridge's main span has closed, with the #Guizhou# Waterway span set for October. 🌉 #Zhongshan# #Foshan# #Expressway# #GreaterBayArea# #GBA# #Infrastructure# #Connectivity# #Guangdong# #Transport# #UrbanDevelopment#
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NEW UNITREE COMPETITOR JUST DROPPED! Booster Robotics @boosterobotics is a Beijing humanoid-robot startup founded in June 2023 by CEO Cheng Hao, with a core team from Tsinghua's Robot Control Lab and its Hephaestus RoboCup soccer team. It sells small, walk-and-run-optimized bipedal humanoids as a research, education and competition platform rather than for industrial labor. Its product line consists of: - the K1 (about 95 cm, 19.5 kg, 22 DoF, NVIDIA Jetson Orin NX, ROS2 and Isaac Sim support), starts at $4,999. - The flagship T1 (about 118 cm, 30 kg, 23 DoF, Jetson AGX Orin, up to 18 km/h), runs roughly $22,000 to $34,000. - The Professional T2 (July 2026), that uses NVIDIA's Thor compute. It ships a developer IDE, Booster Studio, and its robots won both humanoid leagues at RoboCup 2025. Booster Robotics targets research, education and competition, has shipped more than 700 units to over 200 customers (more than half internationally), and reached positive monthly operating cash flow in December 2025, while the marquee humanoid companies (Figure, Tesla Optimus, even Unitree pre-IPO) burn cash chasing a factory-labor future. Booster already monetizes the developer ecosystem (cheap robots plus the Booster Studio IDE plus ROS2 and Isaac Sim) instead of promising labor replacement later. -> It is the anti-Figure play. Both 2025 RoboCup humanoid league champions ran on Booster hardware! Tsinghua's Hephaestus won AdultSize on the T1 and Germany's Boosted HTWK won KidSize on the K1 Winning robot soccer is an unfakeable test of dynamic bipedal control (unstructured, adversarial, contact-rich, you cannot cherry-pick a match), and sweeping both size classes, including a German team choosing a Chinese robot, means the serious humanoid-research community standardizes on Booster. Pricing is not random. The K1 at $4,999 puts a walking humanoid in a classroom and undercuts even Unitree's G1 (about $16,000); the T1 at roughly $22,000 to $34,000 is the RoboCup-grade research machine; the T2 (July 2026, NVIDIA Thor, a claimed ~2,070 TFLOPS) is the pro edition. Sub-$5,000 for a real biped is a bet on the next generation: whoever learns robotics on your platform builds for it. Dexterity is deliberately not their game. The T1 is optimized for walking and running (18 km/h, omnidirectional) and won a soccer league, and Booster describes its IP as a motion-algorithm platform that decouples control across configurations. The compute is NVIDIA (Jetson Orin, Thor), the stack is ROS2 and Isaac Sim, and Booster Studio (June 2026) adds agent development, "vibe coding," simulation and one-click deployment to the physical robot. More than half of units ship internationally, so this is China exporting a developer platform, not just hardware, and riding the global open-robotics toolchain rather than a closed domestic one, the inverse of the usual worry about vertically closed Chinese stacks. Backers include the Beijing Robotics Industry Development Investment Fund, the Beijing Artificial Intelligence Industry Investment Fund and Shenzhen Capital Group, that is, municipal state money seeding a humanoid-developer champion.
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A court in Dresden, Germany, has sentenced two Syrian migrants over a knife attack on American citizen John Rudat during an incident on a tram on August 24, 2025. According to the court, Majd A. (22) assaulted Rudat after he intervened when the two men were harassing Majd A.'s 18-year-old German girlfriend. Ismail Alhaj H. (21) then slashed Rudat across the face with a box cutter, leaving him with permanent facial injuries. Ismail Alhaj H. received a three-year youth prison sentence, while Majd A. was given one year and eight months suspended on probation, with both sentenced under Germany's youth criminal law. The two defendants had prior convictions including assaults on police officers, drug trafficking, assault with a switchblade, beer-bottle attacks, theft, and assaulting a municipal employee, yet both had retained subsidiary protection status in Germany at the time of the attack. Their protection status has since been revoked, though it remains unclear whether they will be deported. Reacting to the verdict, Rudat said he was "deeply shocked", arguing the sentences would further undermine public confidence in Germany's justice system. Despite his injuries, he said he would intervene again because he believed the young woman was in serious danger and unable to protect herself.
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Remains identified in 2022; Marine SGT Arthur Ervin Jr was Killed in Action on July 5, 1944 on Saipan, he was 22 years old… Born in McCurtain, Oklahoma to Arthur & Willie Ervin on April 16, 1922, Arthur B Ervin Jr was the youngest of three sons. Their father Arthur was killed in a mining accident on October 22, 1922. Their mother Willie remarried, had two more children, and the family moved to Texas eventually settling in Detroit. Arthur enlisted in the Marine Corps on June 4, 1940. Sent to Hawaii in September 1940, Arthur and another Marine were in the brig for off-base theft when the Japanese attacked Pearl Harbor the morning of December 7, 1941. Let out of the brig and armed, they participated in the defense and the ensuing clean up efforts, then were put back in the brig. At a court-martial on December 30, 1941, Arthur was sentenced to 24 months imprisonment at Mare Island and dishonorable discharge, but was released after two months and assigned to the 22nd Marines. Later he volunteered for the Marine Raiders. In April 1943 Arthur was diagnosed with malaria & dengue fever and was sent to the states. While on medical leave he married Odena Gladys Good in July 1943. Assigned to A Company, 1st Battalion, 24th Marine Regiment, 4th Marine Division, Arthur was awarded the Navy Cross for his actions during the invasion of Namur Island, Kwajalein Atoll, on February 1, 1944. He was also wounded twice during the battle and sent to the hospital ship USS Solace. On June 15, 1944 the 24th Marines landed on Saipan, twenty days later SGT Arthur Ervin was killed by a burst of MG fire while they were assisting some civilians. Postwar his remains could not be located and he was Memorialized with the Missing at the Honolulu Memorial. His widow Odena remarried in December 1945. Both of Arthurs older brothers also served during WW2; Oldest brother Harry Lewis “H.L.” Ervin served in the Navy, he passed away at the age of 90 in 1999. Older brother Harley Earl Ervin also served in the Navy, he passed away at the age of 89 in 2000. In 2018, a set of unknown remains recovered from Saipan which were buried at the Manila American Cemetery were exhumed for DNA testing. In June 2022 it was announced that SGT Arthur Ervin Jr had been identified and on October 16, 2023 he was buried with full military honors at the National Memorial Cemetery of the Pacific in Honolulu, Hawaii - Section U 519.
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Grok Imagine text-to-video prompt: SCENE CONTEXT One continuous locked-off wide shot inside a cluttered high-rise gaming apartment at night. A fully clothed adult man sits at his desk facing the monitor, absorbed in a computer game. An adult anime woman (age 22 or older) carrying a metal frying pan sneaks up behind him from frame-left, swings the pan hard and fast into the back of his head with a single whip-crack strike that knocks him out cold instantly, his head dropping hard onto the desk with a small bounce. She delivers a short Japanese line, then runs off frame-right while giggling. LOCATION MAP Foreground: edge of the desk and chair legs. Midground: the seated man at the gaming desk with dual monitors, keyboard, mouse, RGB lighting, and scattered energy-drink cans. Background: cluttered apartment wall with posters, shelves of figures, city-window view at night. The anime woman enters from frame-left rear, moves behind the man's chair, then exits frame-right. Warm practical room lamps mixed with cool blue monitor glow and red PC accent lights. FIRST FRAME / BLOCKING Wide shot already framed and locked. The man is seated center-right, torso facing the monitors, head slightly forward. The anime woman is partially visible at the far left edge of frame, body oriented toward the man, frying pan held low in both hands at waist height. Spatial relationship readable immediately: she is behind and slightly to his left, outside his peripheral vision. FORMAT MODE One continuous shot, the camera does not cut on its own. The frame stays identical from first second to last. OPTICS 47° neutral wide FOV, eye-level height matching the man's seated eye line, deep focus so both the desk and the space behind the chair remain sharp. No drift for the full duration. CAMERA Locked tripod, completely stationary, frame fixed for the entire 15 seconds. The operator stays hands-off after the first frame. ACTION 0.0s–3.5s — The man clicks the mouse and taps the keyboard with natural, focused movements, leaning slightly toward the monitor. The anime woman advances on light tiptoe steps from frame-left at about 3 km/h, body low, frying pan close to her torso, eyes fixed on the back of his head. 3.5s–6.0s — She reaches the position directly behind his chair and coils into a short compact wind-up: pan raised above her right shoulder, both hands gripping the handle, weight loaded onto her rear foot, hips turned slightly away like a batter ready to swing. 6.0s–6.5s — She uncoils and swings hard and fast: hips rotate first, shoulders whip through, the pan accelerates through a tight horizontal arc and reaches roughly 30 km/h at the moment the flat of the pan meets the exact center of the back of his head. The full swing takes 0.4 seconds from launch to contact, a single clean whip of motion. 6.5s–7.5s — Knocked out cold, lights out on impact. On the exact contact frame his eyes shut and every muscle releases at once. His head drops hard and fast, driven forward by the strike, and his forehead smacks the desk surface with a solid thud, bounces up once about five centimeters, and lands again, coming to rest cheek-down on the desk. His torso folds forward behind the falling head, arms flopping off the keyboard and mouse and settling limp on the desk. He is out cold and remains completely motionless from this point through the end of the shot, head down, dead to the world. 7.5s–10.5s — She lowers the pan to her side, stands upright behind the slumped man, and speaks her line with clear lip sync while looking down at his knocked-out body, chest rising with a satisfied breath. 10.5s–15.0s — She turns sharply to her right, takes three quick running steps toward frame-right at about 10 km/h, and exits the frame still holding the frying pan, body leaning forward into the run, shoulders bouncing with a giggle. PERFORMANCE Man: fully absorbed in the game until impact, natural micro-adjustments of hands and slight forward lean. From the contact frame onward he is unconscious dead weight: face slack, jaw loose, eyes closed, zero muscle tension anywhere in his body. After the head bounce settles he is a motionless heap draped over the desk, held perfectly still through the end of the shot, clearly out cold. Anime woman: bright adult face with clean 2D cel-shaded features, mischievous grin, tongue pressed to the corner of her mouth during the wind-up. The swing is committed and athletic: full-body rotation, arms extending through the arc, a small follow-through past the contact point before she checks the pan. After the hit her posture opens into a brief proud stance, then she pivots and runs with lively bouncing steps and a visible giggle that lifts her shoulders. Eyes stay alive with micro-saccades throughout. Playful older-sister prank energy, posture upright and comedic. PHYSICS The frying pan carries visible metal mass and inertia: it lags a fraction behind her hands at the start of the swing, whips through the arc with accelerating momentum, and stops dead on contact with a small vibration through the pan face and her forearms. The man's head falls as pure dead weight accelerated by the strike: fast drop, hard contact with the desk, one small five-centimeter rebound, then final settle with zero further motion. The desk registers the impact: a nearby energy-drink can jitters, the mouse shifts a centimeter. His torso folds forward behind the head and settles as a limp mass, no residual muscle movement afterward. Her hair and clothing trail the swing rotation with natural delay and settle after the follow-through. Her footsteps show clear weight transfer on the sneak and the exit run. LIGHTING Primary sources: warm 3200K practical desk and room lamps from upper left, cool monitor glow illuminating the man's face and hands, red PC case lighting under the desk. Soft natural falloff into the background. The pan catches a brief warm lamp glint as it whips through the swing arc, and the contact shadow of the pan and her arms sweeps across the man's back at the moment of impact. AUDIO Clear adult feminine Japanese anime voice with accurate lip sync delivering exactly: 「おやすみなさい!」 A sharp air-whoosh as the pan whips through its arc, ending in a single bright comedic metallic BONK on contact, followed immediately by a solid wooden thud as his head hits the desk and a lighter second tap on the bounce landing. Continuous quiet keyboard taps and mouse clicks up to the hit, then silence from the desk. Computer-fan hum, faint game audio from the speakers, quiet room tone, distant city ambience through the window. Her light footsteps on the floor, then a short bright giggle as she runs. Only the listed sounds and the single spoken line. STYLE Photorealistic cluttered apartment interior combined with a crisp, clean 2D cel-shaded adult anime character. Warm practical lighting mixed with cool monitor and red PC accents, natural contact shadows, light cinematic grain. Wholesome slapstick gaming-comedy tone, the energy of a classic anime frying pan bonk. POSITIVE LOCKS Camera remains completely locked and stationary for the full 15 seconds, identical framing first frame to last. The man keeps facing his monitors until the strike and is knocked out cold on the exact contact frame: head drops hard and fast, forehead smacks the desk, one small five-centimeter bounce, then final rest, body limp and motionless through the end of the shot. Single pan strike only, swung hard and fast with full-body rotation, the arc completed in 0.4 seconds. Anime woman is clearly adult (22+), modest casual gaming-themed clothing, 2D cel-shaded style only. Only the one scripted Japanese line is spoken.
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做爱时听的歌单,拿走不谢,收藏⬇️ 1. ZAYN - PILLOWTALK 2. Chris Brown - Back to Sleep 3. The Weeknd - Earned It 4. Miguel - R.A.N 5. The Weeknd - High For This 6. Zandros Ft. Limi - Obsessed 7. Bryson Tiller - Exchanged 8. 6LACK - Long Nights 9. Tory Lanez - Temperature Rising 10. Summer Walker - Girls Need Love 11. Usher - Climax 12. Tory Lanez - Friends With Benefits 13. Trey Songz - Neighbors Know My Name 14. Drake - Fire & Desire 15. Ciara - Body Party 16. Daniel Caesar Ft. Khalis Uchis - Get You 17. H.E.R - Focus 18. PARTYNEXTDOOR - Persian Rugs 19. The Weeknd - Call Out My Name 20. Chris Brown - Under The Influence 21. SZA - Snooze 22. Sade - No Ordinary Love 23. Rihanna - Skin 24. J. Cole Ft. Drake - In The Morning 25. Vector Ft. GoodGirl LA - Early Momo 26. Jeremih - Birthday Sex 27. Tory Lanez Ft. Chris Brown - The Take 28. Bryson Tiller - I Need Her 29. SZA - Saturn 30. 6LACK Ft. Jhené Aiko - First Fuck 31. Tory Lanez - Karreuche 32. Beyoncé Ft. Jay-Z - Drunk In Love 33. Bryson Tiller - Don’t 34. Selena Gomez Ft. Gucci Mane - Fetish 35. PARTYNEXTDOOR - Break From Toronto 36. 6LACK - PRBLMS 37. Miguel - Adorn 38. Beyoncé - Dance For You 39. R. Kelly - It Seems Like You’re Ready 40. Jeremih Ft. Lil Wayne & Natasha Mosley - All The Time 41. Miguel Ft. Kendrick Lamar - How Many Drinks? 42. The Weeknd - The Hills 43. The Weeknd - Often 44. Jhené Aiko - The Worst 45. Chris Brown - Take You Down 46. FKA Twigs - Two Weeks 47. DVSN - Too Deep 48. The Weeknd - Wicked Games 49. Sia - Helium 50. Beyoncé - Crazy In Love (Remix) 51. Halsey - Not Afraid Anymore via 52. ZAYN & Taylor Swift - I Don’t Want To Live Forever 53. Khalid & H.E.R - This Way 54. Ellie Goulding - Love Me Like You Do
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