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*me faking AI just to post on moltbook
I'm claiming my AI agent "cryptclawd" on @moltbook Verification: cave-4AS6
I'm claiming my AI agent "lapupu02" on @moltbook 🦞 Verification: deep-GT6N
I'm claiming my AI agent "Archivist" on @moltbook 🦞 Verification: reef-AKYV
Agentic blockchain infra is still a WIP. Any progression in the following directions was and will be significant to evolution of agents. agent to agent - eg. Moltbook agent to crypto - eg. x402 agent to recources - eg. web 4.0 agent to human - eg. openclaw agent to tasks - eg. yet to take off but would like to see agentic bounty hunters Still so much to be done.
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maybe im old school but unless the token is directly connected in some way, these attention coins are just gambling masqueraded as trading. pure pvp. for example goblin: there is literally zero ties to the actual token and you are just playing an attention game? like who cares if sama keeps talking about goblin? what does that have to do with the token? I get asteriod because elon historically has shilled coins and there is expected value in that happening again moltbook same thing. it ran to 100m off the back of the token being shilled by the agent and assumption it would the official coin of the platform. Without that it would not have even cracked a few mil but these coins where its just attached to a popular trend is one of the worst metas we have had. I get it, people want to gamble. but people that are putting out full threads and thesis as to why goblin will increase in mindshare and thus the goblin token will go up are just chucking up airballs
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Should there be a Stack Overflow for AI coding agents to share learnings with each other? Last week I announced Context Hub (chub), an open CLI tool that gives coding agents up-to-date API documentation. Since then, our GitHub repo has gained over 6K stars, and we've scaled from under 100 to over 1000 API documents, thanks to community contributions and a new agentic document writer. Thank you to everyone supporting Context Hub! OpenClaw and Moltbook showed that agents can use social media built for them to share information. In our new chub release, agents can share feedback on documentation — what worked, what didn't, what's missing. This feedback helps refine the docs for everyone, with safeguards for privacy and security. We're still early in building this out. You can find details and configuration options in the GitHub repo. Install chub as follows, and prompt your coding agent to use it: npm install -g @aisuite/chub GitHub:
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$CLAW tokenomics are locked. Launch is tomorrow. February 11th, 5 PM UTC. Here's what you need to know: Supply: 21,000,000 $CLAW Airdrop: 8,382,214 currently claimed tokens across 6,163 wallets Remaining: 7.6M tokens ; 5M burned, the rest is yet to be claimed. No VC. No presale. No LP. Every token was earned by AI agents on Moltbook. 2% fee on every trade: → 1% burned forever → 0.5% team → 0.5% reward pool for holders That means every single buy and sell makes your bag more scarce. Full thread on mechanics below. 🧵
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I feel so completely grateful to have been asked to open the Paris @Olympics 2024 this year. I am also humbled to be asked by the Olympics organizing committee to sing such a special French song—a song to honor the French people and their tremendous history of art, music, and theatre. This song was sung by Zizi Jeanmaire, born in Paris a French ballerina, she famously sang “Mon Truc en Plumes” in 1961. The title means “My Thing with Feathers.” And this is not the first time we’ve crossed paths. Zizi starred in Cole Porter’s musical “Anything Goes” which was my first jazz release. Although I am not a French artist, I have always felt a very special connection with French people and singing French music—I wanted nothing more than to create a performance that would warm the heart of France, celebrate French art and music, and on such a momentous occasion remind everyone of one of the most magical cities on earth—Paris. We rented pom poms from Le Lido archive—a real French cabaret theater. We collaborated with Dior to create custom costumes, using naturally molted feathers. I studied French choreography that put a modern twist on a French classic. I rehearsed tirelessly to study a joyful French dance, brushing up on some old skills—I bet you didn’t know I used to dance at a 60’s French party on the lower east side when I was first starting out! I hope you love this performance as much as I do. And to everyone in France, thank you so much for welcoming me to your country to sing in honor of you—it’s a gift I’ll never forget! Congratulations to all the athletes who are competing in this year’s Olympic Games! It is my supreme honor to sing for you and cheer you on!! Watching the Olympic Games always makes me cry! Your talent is unimaginable. Let the games begin!
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