Talk about getting caught up in the music! Alanis Morissette had an unexpected hair-raising moment when her locks got tangled in the microphone mid-song. Turns out, even her hair wanted a moment in the spotlight! #AlanisMorissette# #ConcertMoments# #ViralVideo# #LivePerformance# #Music#

.@HilaryDuff and her son Luca talk about "What Dreams Are Made Of" from the 'Lizzie McGuire Movie' — and she reveals why she didn't initially like performing the song. 👀✨

My Dad always says “Everywhere you go, talk to the people you meet….” 🇺🇸☘️ Can’t believe of all the millions of songs, my favourite Country song ever was played live in front of me in Roberts Bar. ❤️ Lovely day 🍺 in Nashville!! We’ll be long enough underground, keep her lit!

5 years after lily allen released alfie, a song about her useless brother getting high in his bedroom all the time, said alfie became theon greyjoy in game of thrones and i just don’t think we talk about that enough

According to @ZiggyMarley women should run the world 🌎 Ziggy sits down with Billboard at Crossroads Kitchen to talk his new album ‘BrightSide,’ breaking down the creative process, why he recorded in 432 hertz, and how a song about his father Bob Marley made the project.

On October 26, 2022, a man walked into Twitter HQ in San Francisco carrying a bathroom sink. His caption: "Entering Twitter HQ – let that sink in!" The next night the $44 billion deal closed and Elon Musk wrote "the bird is freed." Soon after came "Comedy is now legal on Twitter." The experts were certain the advertisers and engineers would leave, the servers would fall over and the whole thing would be dead within months. They said Elon would destroy it. The lights stayed on. In July 2023 he wrote "soon we shall bid adieu to the twitter brand and, gradually, all the birds," and a giant X lit up the roof of the building. X is still where news breaks first and where anyone can talk back to power. Months before the sink, at TED in April 2022, he explained why he wanted it: "Twitter has become kind of the de facto town square." On the day the deal closed he told advertisers that civilization needs "a common digital town square." That idea is what he carried through the lobby. Song and video made by my AI, Grok Bot.

In the mountains of Nagano, Japan, in the village where my father grew up, there is a mountain rescue team. It has two members. One American. One Japanese. They are the strangest partners in Japan. Two years ago, in a blizzard, one of them held the other over a cliff for forty minutes. To understand how, you have to know who they are. Cole is 41. From Colorado. Former U.S. Army. Built like a vending machine. He talks the whole way up every mountain. He sings country songs on the trail. He eats three rice balls every break. When he rescues someone, he hugs them. Mr. Hamada is 67. Five-foot-two. 115 pounds. Forty years of mountain rescue. He eats one pickled plum every break. When he rescues someone, he bows. Mostly, he says one word. "Un." It means "yeah." Mostly. Twenty years ago, Mr. Hamada lost his partner in an avalanche. A man named Takeda. The rope caught on a rock and cut. Mr. Hamada was holding the other end. After that, he worked alone. For eight years. Then Cole showed up. A loud American ski bum who wanted to volunteer. Mr. Hamada looked at him for a long time and said two words. "Big." Then: "Loud." He said no. Cole asked again. No. Again. No. So every Sunday for a year, Cole showed up at the trailhead anyway, picked up Mr. Hamada's pack without asking, and walked behind him up the mountain. Talking the entire way. One Sunday, without a word, Mr. Hamada handed him the end of the rope. That was twelve years ago. Cole has tried everything to make him talk. The village has a standing bet. Whoever gets Mr. Hamada to say one full sentence wins a case of beer. Twelve years. Nobody has collected. Cole gives him a fist bump after every rescue. For twelve years, Mr. Hamada has answered every fist bump with a bow. But Cole will tell you there are eleven different kinds of "un." The tired one. The pleased one. The one that means "you're an idiot." The one that means "stop." He knows them all. And whenever they cross a dangerous slope, the same thing happens. Cole says, "Let's go!" Mr. Hamada looks at the sky and says, "Wait." Cole waits. The first time, an avalanche came down right where they would have been. The next winter, it happened again. Cole stopped arguing. When they climb roped together, Mr. Hamada always holds the other end. Cole has never once looked back at the rope. Every winter, Cole teaches a free safety class at the village elementary school. "If you get lost in the snow: Stop. Dig. Sing. So we can find you." Then he sings them "Country Roads." Badly. Japanese kids know that song from an old animated movie. They all sing along. Two years ago, in February, a ten-year-old boy got separated from his family on the ski slopes. A blizzard came in. Night fell. The rescue team called it. Too dangerous. Wait for morning. Mr. Hamada stood outside in the wind for a long time, looking at the sky. Then he said a word Cole had never heard from him in twelve years. "Go." Cole didn't ask a single question. Visibility was six feet. Five degrees Fahrenheit. Snow up to their waists. Two headlamps in an ocean of white. At 3 a.m., Cole stopped. Under the wind, he heard singing. Very small. Very off-key. "Country Roads." The boy had dug himself a hole in the snow, exactly like he'd been taught. His lips were blue. He was still singing. Cole unzipped his own jacket, put the boy inside it against his chest, and zipped it back up around both of them. They started down. At 3:40, the snow under Cole's feet broke away. He went over the edge with the boy on his chest. The rope snapped tight. Above, Mr. Hamada was yanked forward and slammed face-first into the snow. He slid. His ice axe scraped. He slid toward the edge. He drove the axe in, dug his boots in, wrapped the rope around his own body, and stopped. A 115-pound man. Almost 300 pounds hanging below him. Cole couldn't climb. Not with the boy. Not yet. His hands were frozen. He hung there in the dark, in the wind, over nothing. And every minute, through the storm, from somewhere above him, he heard one word. "Un." So he would know someone was still there. Forty minutes. Forty "un"s. Cole kicked steps into the ice. Inch by inch. With the boy against his chest. Until he dragged himself over the edge and collapsed in the snow next to Mr. Hamada. Mr. Hamada was lying on his back. He couldn't feel his arms. Slowly, he lifted one hand. And for the first time in twelve years, he made a fist. Cole bumped it. And cried like a child. "How did you hold us?" And Mr. Hamada said the longest thing anyone in that village has ever heard him say. "For twelve years, you never once looked back at the rope. I wasn't going to give you a reason to start." Somebody in that village owes Cole a case of beer. The boy is twelve now. He wants to join mountain rescue. He says he wants to be "the one who holds the rope." Last month, I saw the two of them heading up the trail together. Cole was talking. Mr. Hamada was saying "Un." The rope was between them. Cole told me later that a partner is not the guy who agrees with you. It's not even the guy who talks to you. It's the one you never have to look back at.