Something out of this world is cooking…. 💥💥💥 #letsjam# #fashionmodel# #fitnessmodel# #men# #malemodel# #underwearmodel# #handsomeboy# #supermodel# #handsome# #worldwidehandsome# #foreveryoung# #stud# @ Mars

ChatGPT Images 2.6 📷 prompt 👇 A romantic fashion-editorial diptych featuring a beautiful adult East Asian couple. One vertical image contains two equally sized horizontal photographs stacked from top to bottom, separated by a thin black horizontal divider. Both panels feature exactly the same man and woman, with consistent faces, hairstyles, clothing, and body proportions. The setting is a clean white photography studio. Small rose-pink and cherry-red heart doodles decorate the empty background, with a few delicate pink flower illustrations near the outer corners. The people, clothing, and lighting are entirely photographic; only the small decorative graphics are flat illustrations. The mood is intimate, playful, stylish, and softly flirtatious. THE COUPLE AND THEIR CLOTHING The man is a handsome adult East Asian fashion model with broad shoulders, a lean athletic physique, a defined but not overly sharp jaw, balanced cheekbones, a straight nose, expressive dark almond-shaped eyes, and naturally full eyebrows. His lips have a pleasing curved shape, and his smile creates a slight crease at the corners of his eyes. His complexion is warm ivory with subtle, fine skin texture. His hair is dense, true black, dry, and airy, styled in soft layered waves with a lifted crown and loose forehead-framing strands. He wears a washed charcoal-black short-sleeved T-shirt, slightly fitted across the shoulders and relaxed through the torso, with a clean round neckline, fine cotton texture, and sleeves ending above the elbows. A slender silver chain rests at his collarbone. His hands are bare, with short natural nails. The woman is a beautiful adult East Asian fashion model with a softly tapered oval face, delicate cheekbones, a refined jaw, a small straight nose, expressive almond-shaped brown eyes, and gently full rose-pink lips. Her face has graceful, balanced proportions and a distinctive, softly glamorous quality. Her champagne-blonde hair has a subtle peach-beige undertone, long flowing layers, a soft side part, sweeping cheek-framing bangs, and loose polished bends through the lengths. The hair is dry, silky, and naturally voluminous. Her makeup consists of fine brown eyeliner, separated lashes, delicate pink eyeshadow, softly groomed brows, translucent rose blush, and a satin pink lip. Her skin is luminous through soft lighting while retaining a natural, finely textured finish. She wears a fitted ivory square-neck camisole beneath a cropped blush-pink fine-knit cardigan. The cardigan is open at the front, with both shoulders properly covered and the sleeves pushed neatly to just below her elbows. The styling feels modern, feminine, and understated. Small silver hoop earrings and a fine silver necklace complete the outfit. Her nails are neatly shaped, moderately short, and painted cherry red. Her exposed forearms and red nails make her hands easy to distinguish from his. UPPER PHOTOGRAPH An intimate upper-body portrait with the man large in the left foreground and the woman smaller in the right background. The camera is at the man's eye level. His head, shoulders, upper chest, and both bent arms are visible. He tilts his head slightly toward the left edge and looks directly into the lens. His expression is mischievously affectionate: bright eyes, slightly raised cheeks, and an attractive asymmetrical smile showing a little of his upper teeth. He forms one complete heart with BOTH OF HIS OWN HANDS beside his face, in the right half of the panel. His face remains fully visible to the left of the heart. The hands are held near his face's depth plane rather than pushed toward the lens, so their proportions remain natural. His right forearm rises diagonally across his chest from the lower-left portion of the photograph. His left elbow extends toward the right edge, with that forearm rising inward. His index fingers curve toward each other and touch at the upper central notch; his thumbs meet at the lower point. The other fingers fold naturally alongside the curved index fingers, producing one clean heart-shaped opening. The woman stands approximately one step behind him, positioned so her face appears clearly inside the opening between his hands. Her face is smaller than his because she is farther from the camera. Her champagne-blonde hair falls around her cheeks, and a little of her ivory top and pink cardigan remains visible below the gesture. She looks toward the lens with softly widened eyes and slightly parted lips, as though she has just realized he is framing her face with a heart. Her surprise is delicate and endearing. Both faces remain readable. A small fine-line speech bubble containing a pink heart sits in the upper-left white space. A few tiny red hearts float near the outer edges without covering the faces or hands. LOWER PHOTOGRAPH A close, affectionate two-person portrait, framed from just above their heads to the waist. The woman stands on the LEFT and the man stands on the RIGHT, both at the same distance from the camera. Their shoulders touch. She faces forward with relaxed shoulders and an upright head. He bends slightly toward her and tilts his head to his right, gently resting his right temple against her left shoulder. His full face remains visible beside hers. He smiles with his eyes softly closed, cheeks lifted, and lips slightly parted in a small delighted laugh. The expression is tender and charming, not exaggerated. She looks toward the camera with a slight downward tilt of her chin, a soft blush, and a tiny closed-mouth pout that almost becomes a smile. Her relaxed posture and the way she allows him to rest against her communicate affection beneath her shy composure. They form ONE SMALL SHARED HEART together at the center of their chests, below both faces. Only the two hands nearest each other participate: HER LEFT HAND and HIS RIGHT HAND. Her red-nailed left hand makes the LEFT half of the heart; his unpainted right hand makes the RIGHT half. Their index fingers curve inward and meet at the top-center notch. Their thumbs slope inward and meet at the bottom point. The remaining three fingers of each hand curl gently toward their respective palms. The result is one clearly closed heart outline with an open center. Both participating hands are approximately the same distance from the camera and held at the same height. Her left forearm rises gently inward from her pink sleeve on the left; his right forearm rises gently inward from his charcoal sleeve on the right. Their elbows remain low, relaxed, and close to their own bodies. The forearms approach the gesture from opposite sides without crossing. Leave clear space between the heart and their chins so every face and fingertip is readable. Her unused right arm rests naturally along the far-left side of her body. His unused left arm rests naturally along the far-right side of his body. These two unused hands fall below the bottom edge of the photograph. Exactly two hands are visible in this lower panel, forming exactly one shared heart. Their hair, heads, necks, and shoulders remain completely unobstructed. PHOTOGRAPHIC FINISH Use a natural 65mm portrait perspective, comfortable camera distance, and sufficient depth of field for clear faces and hands. Broad diffused studio light from slightly above and in front creates flattering cheekbone definition, soft jaw shadows, gentle highlights in the eyes, and realistic separation between fingers. The white background is evenly lit. Preserve warm ivory skin, champagne-blonde hair, deep black hair, blush-pink knitwear, ivory fabric, and charcoal cotton. Render delicate individual hair strands, natural eyelashes, subtle lip texture, fine even skin pores, soft knit stitches, and realistic cotton folds. Attractive editorial grooming, graceful facial proportions, believable anatomy, restrained pastel color, gentle highlight roll-off, and very fine photographic grain. The result should look like an elegant couple photoshoot captured by a skilled portrait photographer. No split identities between panels, no extra people, no hands above the heads in the lower panel, no touching or gripping hair, no crossed forearms, no elbow-grabbing, no additional heart gestures in the lower panel, no extra arms, no duplicated hands, no fused fingers, no oversized palms, no extreme wide-angle distortion, no wet or greasy hair, no waxy skin, no cartoon faces, no exaggerated laughter, no text, logos, or watermarks.

On July 5, 1946, French engineer and fashion designer Louis Réard unveiled the bikini at the Piscine Molitor swimming pool in Paris, introducing a swimsuit that would become one of the most influential fashion designs of the twentieth century. Réard's creation consisted of just four small pieces of fabric connected by string, exposing the wearer's navel for the first time in a modern swimsuit. It used only about 30 inches of material, making it far smaller than any commercially available two-piece of the era. He named it the "bikini" after Bikini Atoll in the Pacific, where the United States had recently conducted a series of nuclear tests, believing his design would create an equally explosive public reaction. The swimsuit proved so controversial that no professional fashion model agreed to wear it. Instead, Réard hired Micheline Bernardini, a 19-year-old dancer from the Casino de Paris, to model the bikini at its public debut. The gamble paid off. Bernardini reportedly received tens of thousands of fan letters, and the unveiling became an international sensation. Although the bikini quickly gained attention, many countries initially banned or discouraged it on public beaches, considering it too revealing. Over the following decades, changing social attitudes, cinema, popular music, and beach culture transformed the once-scandalous design into one of the world's most recognizable and enduring items of clothing.

Please welcome Peachmilky to #AX2026# as an Industry Appearance! ✨ 🍑 Peachmilky is a Tokyo based fashion model, Professional cosplayer, Official Ambassador for Lollipop Chainsaw RePop, body capture model for Ashley Graham in “Resident Evil 4 (2023) and "Like A Dragon: Infinite Wealth." She has gained an international following with her high quality cosplay and gameplay streams. 🎀 ⭐Autograph Session: 📆 Date: Day 4 - Sunday, July 5 ⏰ Time: 10:30 AM - 11:30 AM 📍 Location: J.W. Marriott Gold Ballroom - Table 1 🔗 Register Now! 📱 Download the AX Mobile App! Anime Expo 2026 | July 2-5, 2026 | Los Angeles Convention Center, CA #AnimeExpo# #AX2026# #AnimeExpo2026# #Anime# #Japan# #LosAngeles# #Manga# #Cosplay# #Otaku# #Gaming# #RPG# #AMV# #Shoujo# #Shounen# #Peachmilky# #RE4# #ResidentEvil# #LikeADragon# #LollipopChainsawRePop#

FM Speaker Highlight: @yusan_lin @yusan_lin is the founder and CEO of @mirrormirror_ai, a marketplace where real humans license their likeness for AI generation. She holds a CS PhD and previously worked as a fashion model and AI Scientist at Amazon, giving her a rare view from both sides of the systems she now builds. Really excited to have her joining us at #FM26#. FUTUREMODE 2026 📍 Taipei Expo Dome | Sep 4–6, 2026 🌐 🏟 Early Bird Till 7/1 Local - International -

A dark, gothic fairytale brought to life 🦋✨ Loving the cinematic lighting and macro details! 🥀🎥 Prompt provided below, happy creating! 👇🔥 prompt：Create a 15-second, 16:9 European Gothic haute couture cinematic short film using the exact same woman from the reference and the exact same blue-black butterfly from the reference image . The woman and butterfly must remain visually consistent and identical throughout the entire video. Do not use any reference video. SHOT 1 — 0–2.5 seconds The entire shot must maintain a clearly visible Dutch angle composition. The camera is tilted approximately 15–20 degrees to one side. The frame must absolutely NOT be level. Stone columns, arches, stained-glass windows, and floor lines must all appear noticeably tilted. Do not automatically correct or level the horizon. Inside a grand European classical Gothic cathedral with soaring pointed-arch vaults, enormous stone columns, deep arcades, ancient stone walls, gigantic stained-glass windows, intricate stone carvings, statues, candelabras, wall niches, an altar, and richly decorated architectural arches. The environment must have abundant architectural detail and layered depth. It must never feel empty, minimal, or under-detailed. The distant areas gradually disappear into darkness, while the foreground and midground contain abundant architectural details and decorative elements. The overall environment is extremely dark, with most areas swallowed by deep black and dark-gray shadows. There is no uniform ambient illumination. The primary light source comes from enormous Gothic stained-glass windows high above. Strong deep-red light passes through the stained glass and enters the cathedral, projecting large irregular dark-red patterns and patches of colored light across the stone columns, walls, and stone floor. A small amount of dark-purple and cool-blue stained-glass light enters through other windows, creating a subtle contrast with the deep-red illumination. There is a very light atmospheric haze and fine dust particles in the air, allowing the red beams of light to form subtle volumetric shafts. The camera slowly pushes deeper into the cathedral. The blue-black butterfly flies toward the camera from the distant background, continuously flapping its wings with realistic insect motion. Two small gray-blue circular ring markings on its wings must remain clearly visible. SHOT 2 — 2.5–5 seconds The butterfly continues flying directly toward the camera, gradually approaching the lens as it moves through the alternating areas of deep-red stained-glass illumination and darkness. When the butterfly is about to reach the camera, its flight briefly transitions into slow motion. Its wingbeats become highly visible, precise, elegant, and graceful, while its forward movement becomes noticeably slower. At this moment, the two small gray-blue circular ring markings on the butterfly's wings begin emitting a soft, clearly visible blue glow. The circular rings must retain their original size and exact shape. They must NEVER enlarge, expand, distort, or become oversized. The butterfly briefly hovers at the center of the frame. The two glowing circular rings must align precisely with the position of the woman's two eyes in the following shot. The image then instantly flashes to black for exactly one frame. During this single black frame, only the two blue glowing circular rings remain clearly visible. Their position, size, shape, and left-right spacing must remain exactly unchanged. They should appear as two floating blue luminous rings suspended against a completely pure black background. The butterfly itself must be completely invisible during this moment. Only the two glowing blue rings remain. In the next instant, the two blue glowing rings precisely transition into the position of the woman's eyes, creating a seamless visual match cut. The rings gradually merge into the natural contours of the woman's eyes. The blue glow naturally disappears. The woman's eyes then return to normal, realistic blue irises with no glow. Absolutely do not make the woman's eyes continuously glow. Do not leave any blue luminous rings around the eyes. Do not alter the shape, structure, or proportions of the woman's eyes. Immediately after the transition, reveal a clear close-up of the woman's face. The framing must include her entire head, both eyes, nose, mouth, chin, and part of her neck. This must NOT be an extreme eye close-up. The woman maintains a subtle three-quarter profile. Her face is slightly tilted, while her eyes naturally look toward the camera, creating subtle eye contact. She must absolutely NOT face the camera directly. The camera is positioned slightly above her eye level, creating a subtle high-angle perspective. One side of her face is softly illuminated by the deep-red stained-glass light, while the other side naturally falls into shadow. The woman naturally blinks and maintains a restrained, mysterious expression. Include realistic breathing and subtle facial micro-movements. SHOT 3 — 5–8.5 seconds Hard cut directly to the next shot. The blue-black butterfly flies forward through the interior of the cathedral. The camera immediately begins dynamically tracking the butterfly. The camera must continuously follow the butterfly's direction of flight. Wherever the butterfly flies, the camera follows it. The camera must NEVER remain stationary and wait for the butterfly to enter the frame. The camera stays behind the butterfly or slightly behind and to one side of it, continuously following its flight trajectory. The butterfly must NOT fly in a flat, straight horizontal line. Its flight path must contain clearly visible vertical variation. First, the butterfly flies toward a lower position. It then suddenly rises upward, passing through an archway and suspended architectural decorations. It subsequently descends toward a lower position again, creating a natural "low → high → low" arcing flight trajectory. At the same time, the butterfly makes subtle lateral movements and irregular curved deviations, behaving like a real butterfly navigating through a complex architectural environment. The camera must synchronously follow these vertical changes, naturally rising, descending, shifting slightly from side to side, and moving with subtle vertical fluctuations. The camera movement should feel like a real cinematographer physically tracking a flying insect. Do NOT suddenly switch to a static camera. Do NOT move the camera around to the front of the butterfly. Throughout the flight, the butterfly passes through the cathedral's richly detailed architecture. It skims past stone carvings, candelabras, statues, arches, hanging decorations, and stained-glass projections. It occasionally passes in front of candles, causing candle flames to briefly appear as soft out-of-focus points near the edge of the frame. Stone columns, walls, and architectural decorations sweep past both sides of the frame as the camera follows the butterfly, creating a strong sense of speed, spatial depth, and movement through the cathedral. A woman's extended right hand gradually appears in front of the butterfly. The butterfly continues along its natural curved flight trajectory toward her fingers and eventually lands gently on one of her fingers. The woman's fingernails are painted with glossy deep-red nail polish. SHOT 4 — 8.5–11 seconds The butterfly rests on the woman's finger and naturally makes subtle wing movements. The camera slowly moves laterally around the woman, transitioning from one three-quarter angle to another three-quarter angle. The camera should travel approximately half a circle only. Do NOT perform a complete 360-degree orbit. During this movement, reveal the woman's long black Victorian Gothic dress, intricate lace, high collar, black velvet, and dark-red satin ribbons. Deep-red stained-glass light enters the cathedral from the side and illuminates part of her clothing. The black velvet absorbs most of the illumination while retaining subtle, delicate edge highlights. The dark-red satin ribbons appear deep red under the stained-glass illumination. The woman maintains a natural standing posture with subtle breathing movement and small, realistic body adjustments. SHOT 5 — 11–13 seconds The butterfly naturally takes off from the woman's fingertip. The camera briefly follows its flight trajectory. The butterfly flies toward the woman's shoulder and face using a natural low → high curved trajectory. It approaches her face and finally settles on her cheek near the jawline. The woman maintains a subtle three-quarter profile. Her face remains slightly tilted. Her eyes naturally look toward the camera, creating subtle eye contact. She must absolutely NOT face the camera directly. The camera maintains a subtle high-angle perspective. SHOT 6 — 13–15 seconds The woman stands inside the cathedral with her body slightly turned to one side while her face naturally faces forward. She slowly raises her right hand and brings her finger toward the front of her body. The blue-black butterfly rests on her index finger. Her fingers are long and elegant. Her fingernails are painted with glossy deep-red nail polish. The red nail polish catches refined reflections from the deep-red stained-glass illumination, creating an elegant contrast between the warm red nail color and the cool blue-black butterfly. The woman looks quietly downward toward the butterfly resting on her fingertip. Her expression is calm, mysterious, and aristocratic. She does not smile. Maintain an icy, elegant Gothic aristocratic presence. The camera is positioned slightly above and in front of the woman, using a subtle high-angle perspective. Do NOT use a straight-on passport-photo composition. The framing must simultaneously include the woman's face, red-painted fingernails, hand, butterfly, and part of her long black Gothic dress. The camera slowly pushes forward while making a subtle lateral movement, creating sophisticated spatial changes similar to a high-end fashion advertisement. The butterfly slowly opens and spreads its wings while resting on the fingertip. Two abstract gray-blue circular ring markings are positioned toward the upper portion of its wings. As the wings move, the circular markings produce subtle blue iridescent reflections. The butterfly gently flaps its wings with realistic insect movement. The woman must maintain a convincing sense of life throughout the shot. Include natural breathing, subtle blinking, tiny finger adjustments, and slight movement in her body. Her light-golden curly hair is gently moved by the surrounding air. She must NOT look like a static fashion model posing for a still photograph. She must have natural human micro-movements and convincing physical presence. The butterfly must behave like a real butterfly, maintaining continuous and physically believable wing movement during flight and while resting. The two circular markings on the butterfly's wings must correspond one-to-one with the woman's two eyes, creating an extremely precise visual match transition. The transition must strictly follow this sequence: Butterfly approaches → brief slow motion → two circular markings begin glowing blue → butterfly hovers → one-frame black flash → only two blue glowing circular rings remain against a pure black background → rings precisely transition into the woman's eyes → blue glow disappears → woman's eyes return to normal non-glowing blue irises. The woman's eyes must NEVER remain glowing after the transition. The cathedral environment must contain rich architectural and decorative layers throughout the film.