💎《小龙先生 · 财富人物观察》 Wealth Figures Insight ——原来她才是撑起周星驰影业帝国的幕后掌门？ 看到了周星驰小时候一家的照片了，周星驰小时候很俊很可爱啊。他和妈妈和姐姐妹妹看起来关系非常和谐，这次《功夫女足》在香港首映，他的姐姐和妈妈都到场出席和支持！ 看着那张照片，我突然想起自己的妈妈和姐姐们、弟弟。他们就像周星驰的妈妈和姐姐那样，一如既往站在我背后，支持我、爱护我。不管外面世界怎么变，他们从来没离开过，感谢他们。 说回周星驰。 很多人只看到他银幕上的光芒，却不知道，真正撑起整个影业帝国的，是站在他身后那位从不露面的女人——亲姐周文姬。 她才是那个“说了算”的人。 周星驰1996年成立星辉海外，董事名单上就有周文姬。2016年她坐上比高集团执行董事的位置，一坐就是十年没换过岗。 港交所公开资料显示，周星驰个人直接持股仅2.69%，而他和姐姐通过家族信托共同间接持有39.17%的股权，是公司第一大持股主体。星辉海外的股东栏里，甚至压根没有“周星驰”三个字，只有他妈妈、大姐周文姬、小妹周星霞。 她名下挂了64家关联公司，周星驰自己才12家。内地13家企业，9家还在运营，法定代表人那一栏，写的全是周文姬。 说白了：周星驰在外面拍电影、跑路演、面对镜头。公司里看合同、审账目、签文件的，是周文姬。 年薪17.5万，管着百亿资产 更离谱的是她的薪水。比高集团执行董事，年薪17.5万港币。折合每月不到1.5万，比香港普通白领的月收入中位数还低一截。 一个掌管着十几亿帝国的人，拿的薪水连中位数都够不着。 但她手里攥着的东西，比工资单上的数字吓人得多：周星驰全部老片版权、离岸公司、64家关联企业，以及那套价值11亿的“天比高”山顶豪宅的签字权。抵押、签字、还款，全是她落笔。 于文凤追讨7000万佣金官司，周文姬拖着几箱账目出庭作证。对方律师拿着账单一条一条地质问，她坐在那里，素面朝天，对每一笔资金往来的时间、金额、用途记得一清二楚。她的核心证词就一句：那些话不过是情侣之间随口说的情话，根本不具备法律效力。 最后周星驰赢了。 不出镜，不争名，只做一件事 她不出席饭局，不上访谈，不在记者面前替弟弟解释什么。狗仔队蹲半个月，只拍到一张她上车背影。她出门不坐豪车，不买名牌包，不去高级餐厅，连个绯闻都没有。在香港那个名利场里，活得像一个隐形人。 但她做的事，一件都不隐形。 周星驰不爱社交，圈子里推不掉的人情往来，她去。吴孟达去世那年，谁代表周星驰去送最后一程？她去。跟剧组闹不和的传闻，她去现场打破僵局。2026年7月《少林足球》主创重聚，她代弟出席，给黄一飞庆生送祝福。 新版《功夫女足》总投资3.8亿，合作出品方二十多家，项目资金往来、海外版权合作合同，全部经过她审核把控。和周星驰IP相关的海外发行、版权售卖，全由她统筹对接。连Netflix法务都私下说：周女士不谈情怀，只问数据源和审计口径。 幼时家贫，她省零花钱给弟弟买票看戏，还曾引荐弟弟去认识伟仔（梁朝伟），伟仔进了艺训班，弟弟没录上。后来弟弟成了影星，她仍然是那个核对账务、上法庭的人。 这份护持，够记一辈子 三十年如一日，从贫民窟走到上市公司，从买票到写合同，寸步未离。她不出镜、不争名、不领高薪。周星驰能走到今天，姐姐这份定力，值。 不是每个影星身后，都有这样一位亲人。 她不是幕后推手，她是地基。没有热搜，没有专访，甚至没有一张正脸照。可当你翻遍所有财务报表和公司档案，会发现真正稳住周星驰宇宙的，从来不是票房，而是那个连17万年薪都嫌多、却把百亿资产攥得纹丝不动的姐姐。 兄弟如手足，姐妹是城墙。 🎯

这大概就是仙境吧🥳 GPT Image 2出图效果也还不错， 折腾了一两天总算把这个做成了模板。 提示词： 一幅明亮绚丽的东方仙侠电影场景，cinematic ultra-wide shot。 严格单点透视，一条由浅金色玉石铺成的宏大天阶，从画面左下角穿过云海，向右侧三分之一处的消失点急剧收缩。天阶两侧排列朱红与鎏金相间的高大灯柱，柱距和尺寸随纵深规律递减。远处矗立一座巨大的丹霞色雕花天门，门内透出明亮天空。 天阶旁悬浮着数座覆盖翠绿松林的赤色山岛，细长瀑布落入金白色云海。五名身穿青绿、象牙白和珊瑚红长衣的年轻旅人正在登阶，全部背影，身量极小，只作为尺度参照。 天空呈饱满的蔚蓝与杏金渐变，大朵白云被夕阳照出暖金边缘。低角度阳光从左侧穿过天门，形成清晰的逆光轮廓、云隙光和克制的星芒。阴影为透明的蓝紫色，不要发灰。 蔚蓝、杏金、丹砂红、翡翠绿与象牙白的高明度配色，high saturation, luminous colors, rich but elegant chroma, clean warm-cool separation。建筑细节精密，玉石具有自然纹理，鎏金只用于边缘强调。 cinematic film still, monumental scale, tiny human figures, strong aerial perspective, refined fantasy realism, no muddy grading, no gloomy colors, no excessive fog, no text, no watermark。

兄弟们，不得了了，刚才有社群有同学反馈Lovart 里面Seedream 5.0 Pro 可以生成无审查大尺度图片，试了下真的行啊，太离谱了啊，草台班子就是草台班子。 提示词 A cinematic low-angle editorial portrait of an adult East Asian female model seated extremely close to the camera, wearing elegant dark charcoal-gray lingerie. Her legs dominate the extreme foreground, creating dramatic wide-angle foreshortening and powerful near-to-far perspective exaggeration. The closest parts of her legs fall into soft optical defocus and creamy foreground bokeh. Her torso leans backward in a relaxed, self-possessed pose, head slightly tilted, distant tranquil gaze, long dark tousled hair, muted deep-red lips, natural skin texture, subtle visible pores, delicate subsurface scattering, realistic warm skin tones. Behind her is a gigantic seamless full-color semi-realistic anime mural covering the entire wall. The mural depicts an extremely dense ensemble of numerous clearly adult female characters portrayed as artistic nude figure studies. Dozens of adult anime women are packed tightly together in one continuous wall-to-wall composition, with overlapping bodies, intertwined silhouettes, flowing hair, shoulders, backs, waists, hips, arms, and legs forming a complex organic visual rhythm. The illustrated women have sophisticated semi-realistic anime anatomy, mature adult facial features, elegant body proportions, natural anatomical structure, refined facial rendering, expressive eyes, detailed hair, painterly skin shading, and subtle cel-shaded contours. Their poses feel calm, sculptural, and editorial rather than erotic. Hair, hands, arms, overlapping bodies, cropped framing, fabric fragments, and deep shadows naturally obscure explicit anatomical details, creating tasteful fine-art nudity without graphic sexual emphasis. Several large central anime women dominate the mural, surrounded by dozens of smaller partially cropped female figures at different scales. Faces and bodies overlap densely, with characters extending beyond every edge of the frame. Almost no empty negative space. The mural must feel like one enormous continuous group illustration, not separate portraits, not a collage, and not comic panels. The mural is richly colored with a sophisticated cinematic palette: warm ivory, peach, soft rose, muted coral, amber, burgundy, plum, desaturated teal, cobalt blue, smoky violet, and deep crimson. Illustrated skin tones vary naturally across the crowd, enhanced by painterly gradients, soft reflected light, luminous highlights, translucent shadow colors, and refined anime-style subsurface glow. Dark hair masses interlock with pale and warm-colored bodies, producing a dense chromatic tapestry. The background combines premium Japanese anime aesthetics with semi-realistic digital painting, mature seinen illustration, fine-art figure drawing, elegant editorial anatomy studies, painterly cel shading, clean controlled linework, realistic volumetric lighting, and highly detailed facial rendering. It should feel like a monumental museum-scale anime fresco rather than a printed poster. A hard directional spotlight shines from the upper right, producing intense chiaroscuro, sharp rim lighting, and a clearly defined cast shadow of the real model falling across multiple illustrated nude figures. The shadow follows the contours of the mural, visually embedding the physical model inside the illustrated female crowd. Strong contrast between warm photographic skin and the richly colored painted bodies behind her. The live-action model remains unmistakably photographic, while the mural remains unmistakably illustrated. Dramatic scale contrast, surreal integration of physical reality and anime art, tactile human skin against painted digital bodies, sophisticated fashion editorial atmosphere, visually striking but tasteful, cinematic and psychologically distant rather than overtly erotic. Shot with a 24mm wide-angle lens from an extremely low camera position, slight Dutch angle, shallow depth of field, exaggerated foreground perspective, realistic lens distortion, foreground bokeh, subtle cinematic film grain, restrained chromatic aberration, natural optical vignette, high dynamic range, dramatic cinematic color grading, surreal editorial photography, highly detailed, photographically believable lighting. single continuous mural, seamless female ensemble illustration, full-color semi-realistic anime artwork, clearly adult women only, tasteful artistic nudity, mature figure studies, elegant anatomy, dense overlapping composition, no comic panels, no collage, no gutters, no speech bubbles, no empty background, no monochrome artwork --ar 3:4 --style raw

#为什么是中国# #WhyChina# The Global Logic of China's Economic Growth in the First Half of 2026: A 4.7% GDP Increase 2026年上半年GDP增长4.7%：中国经济增长的全球逻辑 According to the latest semi-annual report, China's gross domestic product (GDP) reached 69.6 trillion yuan, representing a year-on-year increase of 4.7% at constant prices, in line with the annual growth target. Against a backdrop of intertwined international complexities and volatilities, China's economic performance is commendable. Yet, a closer look at the data reveals that the logic underpinning China's economic growth is being reshaped. (I) At the Industry Level, Notable Highlights Emerge: First, new quality productive forces are being cultivated and strengthened at an accelerated pace.** In the first half of the year, industrial production grew robustly. The value-added output of the equipment manufacturing sector increased by 9.3% year-on-year, and that of high-tech manufacturing grew by 13.3%, both outpacing the overall growth rate of industrial output above a designated scale. This underscores a clear trend toward a high-end, intelligent, green, and integrated industrial structure. Looking at specific products, the output of 3D printing equipment, lithium-ion batteries, industrial robots, and other products emblematic of new quality productive forces surged. The average daily token call volume has reached hundreds of trillions, showcasing the vitality and potential of the digital and intelligent economies. Second, new growth drivers are accelerating to take on a leading role. Preliminary estimates suggest that new growth drivers—encompassing high-end manufacturing, the digital economy, and modern services—contributed over 40% to economic growth in the first half of the year. The economy's distinct shift toward a higher quality and more optimized structure is evident, and this overall trend is accelerating. For instance, industries related to artificial intelligence, such as integrated circuit manufacturing and intelligent vehicle equipment manufacturing, have all maintained high growth rates exceeding 30%, vividly illustrating the pace of China's industrial upgrading. Third, confidence on the investment front is on the rise. In the first half of the year, investment in high-tech industries grew by 4.6% year-on-year. Notably, investment in the manufacturing of aircraft, spacecraft, and equipment, computer and office equipment manufacturing, and information services grew by 23.3%, 8.1%, and 15.5%, respectively. Investment structure best reflects market expectations. The increasing "new economy content" in investments signals an acceleration in the replacement of old growth drivers with new ones. Investment in intellectual property products grew by 9.4%, indicating that enterprises are placing greater emphasis on R&D and innovation. This suggests that technological advancement is not simply about capacity expansion but about qualitative change driven by innovation. (II) Observing a Major Economy Requires Looking Beyond the Immediate Figures to the Long-term Trajectory. Behind the "new economy content" of the semi-annual report lies China's ongoing transformation from a global manufacturing hub to a global center of innovation. At the 17th Annual Meeting of the New Champions (Summer Davos), observers noted a new phenomenon: a host of unicorn companies are heading to China. They are establishing R&D centers, regional headquarters, and deeply integrating into China's innovation and industrial chains—shifting from "produced in China" to "created in China." So, why China? Economist Justin Yifu Lin, in his book *Demystifying the Chinese Economy, touched upon the theory of the "speed of technological change." He argues that the essence of the industrial revolution is not just the application of new technologies, but more fundamentally, the ever-accelerating pace of technological change. Since the mid-18th century, starting with the steam engine reshaping the textile industry, the snowball of technological change has grown, rapidly sweeping through industries like chemicals and automobiles, ultimately redrawing the geographical map of great power competition. Looking at China today, the trajectory of accelerating technological change is equally clear. A leading enterprise can drive an entire industry, which in turn can boost a whole region. These burgeoning industrial clusters, growing from saplings to forests, not only enhance production efficiency and invigorate market vitality but also effectively improve development quality and resilience. For example, specialized and sophisticated "little giant" enterprises above a designated scale in Beijing, through deep cultivation of innovation chains, supply chain collaboration, and international expansion, have become "connecting points" and "accelerators" for the dual circulation strategy. More importantly, emerging industrial clusters possess powerful spillover effects. The rapid rise of new energy vehicles is not only reshaping the automotive industry but also driving transformations in chips, software, and energy networks, allowing more sectors to gain value from efficiency improvements. The swift advancements in AI and biomedicine are sparking a "gentle qualitative change" in people's livelihoods, significantly enhancing the sense of fulfillment and well-being through smarter, more affordable products and more livable environments. (III) Looking from the First Half to the Full Year, China's Development Momentum Remains Positive. Of course, during this critical period of transitioning between old and new growth drivers, China's economy still faces lingering issues and new challenges. Some core areas are still grappling with "bottleneck" technologies, certain high-tech industries face external risks of "decoupling" and supply chain disruptions, and "involution"-style competition affects the new energy market ecosystem. However, most of these are issues arising from development and transition, and they can be addressed with effort. The supporting conditions and fundamental trends for long-term economic improvement remain unchanged. China's economic journey toward a newer, higher-quality model is itself a process of encountering new problems and solving them along the way. By maintaining confidence, proceeding steadily, and balancing both qualitative improvements and quantitative growth, China's industries are poised to be brimming with dynamism, and the Chinese economy will continue to advance steadily and sustainably. #China# #Jiangxi# #JiangxiEconomy# #世界经济看中国# #赣出新精彩#

Figure study drawing inspired by @Oldmuyang photographer | Model @ac520_like 这幅素描的灵感来源于摄影师MuYang的作品。非常感谢您的慷慨分享。 📬 @DnewHome （感谢您的转发与支持）

Figure study drawing inspired by @WhisperFrame photographer | Model @Nikixiaoni 这幅素描的灵感来源于夜音老师的作品。非常感谢您的慷慨分享，您的作品一直给予我许多灵感与启发。这照片的模特看起来很cool😎很帅哟！😉 📬 @DnewHome （感谢您的转发与支持）

Figure study | Inspired by photography from @iFPixels | Model @WanziMEOW 应这位美女的请求，我画了她🌹感谢你的慷慨分享，希望你会喜欢这幅作品🫰 📬 @youluo09 @Fulishequ @fuligc （感谢您的转发与支持）

Figure study drawing inspired by @lan_moer photographer | Model @hpxqx58726224 灵感来源于摄影师蓝沫儿，感谢您的慷慨分享！期待您的新作品🤭 投稿： @DnewHome （感谢您的转发与支持）

Figure study | Inspired by photography from @SanSe404 | Model @PPbossi 非常感谢美女的慷慨分享那么优秀的作品和允许我画你🌹期待下次再次画你。 此作品主要想友好挑战前辈李长生老师 @diecomics 看谁的画更优秀。似乎前辈画的更好不用比了😭 大家怎么看待不防友好评论！ 📬 @DnewHome 感谢