当下AI 并不会全面取代程序员，替代效应只集中在特定软件开发场景。 可弃型和运营型项目里，不少开发工作已经能交给 AI； 探索、工程类项目的代码审核、技术方向把控，依旧离不开资深工程师。 不过这种状态可能最多也只能维持1年半载的了。基础模型的能力特别在RSI的快速迭代后全面取代99%的人类程序员已经基本可以看到了 - the beginning of the end moment is now！

新版的 GLM 5.2 基本稳稳站住全球开源模型第一的位置了，作为开源模型可以排到全球前三。上一个这么牛逼的还是 DeepSeek，给 AI 圈带去一点震撼。Claude 4.6 之后提升就没那么大了，4.6 也是 AI 编程的可用线。前端时间巨头们开始对 AI 投入算总账，几十亿美金的 AI 账单，现在用开源的GLM 5.2自己部署，就能立即省下高额的 AI 账单，Claude 的收入端可能要大受影响了。 中美顶尖 AI 的差距大概也就是半年左右，另一方面也说明大模型的护城河没那么深，半年时间的差距并非不可逾越，Anthropic 的万亿估值显然是挺虚的。Claude 年初最辉煌的时候，总有人会说 Claude 多牛逼，迭代速度多强，我去看了一下 zcode 的迭代速度基本是一天一更，这次zcode3.0+GLM5.2 真的和 codex 使用起来没什么太大差距了。 还有中国为什么一直追不上，主要是因为算力资源的限制，假如算力限制放开怕是已经 4:6 开了。可怜的智谱算力一直都不足，难以想象要是有充足的算力且模型是闭源的情况下，难以想象收入会高到什么程度。 The new version of GLM 5.2 basically stand firmly in the first position of the global open source model, as an open source model can be ranked in the world's top three. The last one was DeepSeek, bringing a little shock to the AI circle. After Claude 4.6, the promotion was not so big, and 4.6 was also an available line for AI programming. The front-end time giants are starting to take a general ledger of AI investment, billions of dollars in AI bills, and now deploying themselves with the open source GLM 5.2 can immediately save the high AI bills, and Claude's revenue side may be greatly affected. The gap between the top AI of China and the United States is about half a year, on the other hand, it also shows that the moat of the big model is not so deep, the gap in half a year is not insurmountable, the Anthropic trillion valuation is obviously quite empty. When Claude was at its most brilliant at the beginning of the year, some people would always say how awesome Claude was and how fast the iteration speed was. I went to see that the iteration speed of zcode was basically one change every day. This time zcode3.0 GLM5.2 was really not much different from codex. There is also a reason why China has been unable to catch up, mainly because of the limitation of computing resources. If the limitation of computing power is released, it may have already been opened at 4:6. Poor intellectual spectrum computing power has been insufficient, it is difficult to imagine if there is sufficient computing power and the model is closed source, it is difficult to imagine how high the income will be.

《吻我之前，先把灯关了》 "Turn Off the Lights Before You Kiss Me" 据专家研究分析，恐怖片和爱情动作片，好莱坞惊险片都能刺激大脑分泌多巴胺，我现在把它们都放在一起了，那是不是应该双倍快乐来了。 According to expert research and analysis, horror movies, romantic action films, and Hollywood thrillers can all stimulate the brain to release dopamine. Since I’ve combined them all together, does that mean I’m in for a double dose of happiness? grok imagine prompt: "Turn Off the Lights Before You Kiss Me" 15 seconds, 9:16 vertical format, first-person perspective, recorded on a smartphone, single continuous take. [Realistic Cinematography] The footage is captured entirely by the rear-facing camera of the smartphone held by the male protagonist; no other cameras are involved. The male protagonist holds the phone in his right hand, using the primary (1×) rear lens—providing a field of view equivalent to approximately 26mm—at 1080p resolution and 30fps. The device is positioned between his chest and chin (at a height of roughly 1.45 meters), aimed toward a woman standing in the bathroom doorway. His left hand occasionally enters the frame to operate the light switch. The smartphone itself—its body, back panel, camera module, screen, or flash—is never visible in the shot. Only the light cast by the phone onto the subject, her clothing, and the walls can be seen. There are no mirrors present; this is not a mirror-based selfie. The footage retains the raw, authentic texture of smartphone video—no beauty filters, color grading, or cinematic effects. Skin details such as pores, fine beads of sweat, stray hairs, and natural skin-tone variations are visible. There is slight digital noise in the shadows, and brief motion blur occurs during rapid hand movements or moments of physical instability. Subtle camera shake stems from the holder’s breathing and wrist movements. Changes in proximity are achieved through actual physical steps or the subject pulling the holder closer; there is no digital zooming, automated panning, reverse-angle cutting, or slow motion. The focus remains primarily on the woman’s face, with only momentary hesitation when the distance shifts abruptly—there is no persistent out-of-focus effect. [Characters and Attire] The woman in the doorway (@80130fc6-f744-4f61-9faf-f630a1eb8638) is 28 years old. Her appearance—including her black hair styled in an updo, purple floral hair accessory, earrings, long-sleeved Japanese-style (wafuku) garment in purple (@d7529a1b-8cdb-41e5-816e-c59aa4051803), and dark-colored *obi* (sash)—is consistent with the video uploaded by the user. Her clothing remains intact; the neckline stays in place, and she does not scratch her own chest or tug at her garments. Leaning slightly against the doorframe, she keeps her shoulders relaxed and lowered, her neck elongated, and her legs positioned one in front of the other—creating a natural, subtle S-curve in her posture. She gazes toward the male protagonist with half-lidded eyes and a faint, inviting smile, as if beckoning him closer. From the very beginning, her right hand holds a small pinch of fabric from the male protagonist’s left cuff. This point of contact—her right hand gripping his left cuff—is situated in the lower-left portion of the frame and must remain visible. Because she is only holding the fabric rather than clamping down on his wrist, he retains the freedom to lift his left hand and operate the light switch. Initially, her left hand is concealed between her body and the doorframe. The grayish-white fingers that appear later belong to this same hand; the creature possesses only two hands throughout the entire sequence. The real girlfriend is located in the hallway behind the male protagonist. She is present only as a voice calling out from off-screen; she is never shown on camera, and no second female face appears. 【Environment and Space】 The scene takes place at the entrance to a bathroom in an old apartment building late at night. The setting—featuring aged off-white tiles, a worn wooden doorframe, a standard wall-mounted light switch, and a towel hanging inside the bathroom—conveys the lived-in, weathered feel of an old residence, rather than a ruin. The woman is positioned slightly to the right of the frame’s center, with the open bathroom door behind her. The light switch is located on the wall to the left, approximately thirty centimeters from the male protagonist’s left hand. It is visible from the start and does not suddenly appear later. Behind the male protagonist lies a hallway. The bathroom door remains open inward; the camera angle stays consistent throughout, the door does not move on its own, and the room’s layout remains unchanged. At the start, the woman’s face is about sixty centimeters from the camera. After she gives a gentle tug on his cuff, the male protagonist shifts forward slightly, reducing the distance to approximately forty-five centimeters. The distance closes further only during the final dragging motion. 【Ambient Lighting】 At the beginning, a warm-white overhead light in the bathroom is on, illuminating the woman’s head, shoulders, and the doorway, while the hallway remains dim. The LED flash on the back of the smartphone is illuminated from the very first frame; it remains on and in the same position throughout the entire 15-second duration. Up close, the face is illuminated by the harsh, direct light of a standard mobile phone; small shadows form beside the nose and under the chin, and there are localized highlights on the fabric of the clothing—no artificial "beauty" fill lighting is applied. The only light the male lead turns off is the overhead bathroom light. Once the overhead light is extinguished, the bathroom background remains dim and does not brighten on its own. The phone’s light continues to illuminate her face and the hand gripping the sleeve cuff. The camera’s auto-exposure adjusts only slightly, failing to brighten the dark bathroom to a daylight-like state. When the "mask" (the outer layer of the face) is peeled back, it is illuminated by the same mobile phone light as the rest of the face. The space deep behind the shell remains dark, and the exposed eyeball shows only natural, subtle reflections—it does not emit its own light. [The "False Face" Effect] The horror stems from a thin, pliable, artificial layer being peeled back from within—it is not a case of natural skin being torn or a mouth stretching into an impossible, elongated shape. A grayish-white hand—with only two or three fingertips visible—emerges from the corner of her mouth, hooks onto the lower edge of the "mask," and peels half of the face upward and to the side. The "mask" has a distinct thickness and flexibility; the cheek and part of the area beside the nose fold back, rather than stretching into long, tubular, funnel-like, or tongue-like shapes. Behind the peeled-back section lies a deep, dark cavity containing a normal-sized human eye, which turns to look directly at the camera. The other half of the woman’s face remains intact, establishing the premise that there is an artificial layer on the outside, with something else concealed beneath it. There is no blood, gore, exposed muscle, black ooze, or liquid-like melting effect. The grayish hand does not reach in from off-screen; its fingertips must first emerge from within the corner of the mouth. [Strict 15-Second Timeline] 0–4 Seconds | Gripping the sleeve, an invitation to draw closer. The woman leans sideways against the doorframe, looking first into the male lead’s eyes, then glancing briefly toward the light switch on the left. With her right hand, she grasps the male lead’s left sleeve cuff—positioned at the bottom-left of the frame—and gives it a gentle tug toward herself. The fabric of the cuff pulls taut, prompting the male lead to take a small step forward; the camera moves in tandem with his approach. She lifts her chin slightly and says in a low voice: “The lights are too bright.” Her tone is intimate, with a suppressed smile playing at the corners of her mouth. There is no sign of a monstrous visage, nor does she glance toward her own mouth beforehand. Her right hand continues to hold the same spot on his sleeve; she does not shift her grip to his lapel. 4–7 seconds | Flipping the switch; the background darkens The male protagonist reaches out with his left hand toward a light switch already visible on the left side of the frame. She keeps her grip on his left sleeve, causing her right arm to extend naturally as he moves—she neither lets go nor suffers any "clipping" (graphical glitching). His fingertips press the switch, producing a distinct *click*. The bathroom overhead light goes out, and the tiles, towels, and the space behind the woman grow noticeably darker. Her face remains illuminated by the fill light from a mobile phone. The male protagonist’s left hand pulls away from the switch and returns to the space between them. The camera tilts slightly with the movement, then steadies. 7–9 seconds | A warning from behind From about two meters behind the camera, the man’s actual girlfriend calls out urgently, in an identical tone: “Don’t turn off the light!” The woman in front of him says nothing; her lip movements do not correspond to this warning. As the male protagonist begins to turn, the camera shifts slightly to the side—but the hand gripping his sleeve suddenly tightens, holding him in place. Her smile vanishes. Her eyes glance past the camera toward the space behind the man, then return to the lens. Her knuckles whiten as she grips the sleeve, causing deeper creases to form in the fabric. 9–12 seconds | Half of her face is peeled back from within Two or three grayish-white fingertips emerge from the inner corner of her mouth. The fingertips hook onto the lower edge of the "shell" of her face, slowly peeling it upward and outward. The corner of her mouth and her cheek—forming a single, thin, pliable layer—fold back together; the lips do not stretch or elongate independently. Half of the artificial face is lifted away, revealing an eye in the darkness beneath that shifts to look directly at the camera. The intact half of her face remains visible alongside the eye revealed from within. For a brief moment, the camera steadies, allowing at least half a second to take in the details: Fingers emerge from within the face; the "shell" of the face begins to fold back, revealing another eye underneath. The woman’s right hand maintains a firm grip on the man’s left cuff—she cannot let go, even as she peels back the face. The only sounds are the dry, grating friction of the mask and the man’s sudden, sharp intake of breath. 12–15 seconds | The grip shifts into a forceful tug. The man immediately grabs the woman’s right wrist—the one holding his cuff—and tries to pry it away. The point of contact is clearly visible; he does not reach for the grey, peeling fingers. The creature’s right arm suddenly retracts toward the bathroom, yanking the cuff hard. The sequence must be clear: The cuff goes taut → the man’s left arm is pulled straight → his body stumbles forward → the camera (held in his right hand) is dragged closer. The camera moves from about 45 centimeters away to roughly 15 centimeters, accompanied by a sudden dip and tilt—this is not a smooth, controlled zoom. The partially peeled-back face, the unblinking eye beneath, and the greyish-white fingers now dominate the frame. The other half of the face remains "normal," preserving its original appearance. In the final half-second, the man collides with the wooden doorframe, producing a dull thud. The camera jerks to the side; the edge of the facial shell sweeps across the lens, partially obscuring the view. The recording ends abruptly while the struggle is still underway. No fade to black, no additional dialogue, and no new creatures appear. [Ambient Audio] Captured via a mobile phone microphone: close-range speech, the friction of fabric at the cuff, the sound of a light switch, the hum of a bathroom exhaust fan, the distant ambient noise of the city, heavy breathing, and the final impact against the doorframe. The exhaust fan continues to run independently; it does not stop when the overhead light is switched off. The background sounds maintain a sense of spatial distance—they are not suddenly muted for the sake of a "jump scare." The opening line, "The light is too bright," comes from the woman in front of him. The mid-sequence line, "Don't turn off the light," clearly originates from behind the man; the woman in front does not move her lips. There is no further dialogue—no sinister laughter, voice-over narration, heartbeat sound effects, or pre-recorded horror audio cues. [Mandatory Continuity] The only camera is the mobile phone through which the audience is viewing the scene; the phone itself is never visible within the frame, nor is there any additional camera operator. The male protagonist holds the phone in his right hand; he uses his left hand to flip the light switch, then immediately grabs the monster’s right wrist. The monster’s right hand remains firmly gripping the same spot on the male protagonist’s left cuff; its left hand lifts a portion of the "false face" from underneath. Do not generate a third hand, swap left and right hands, or have the monster’s hand shift its grip from the cuff to the female protagonist’s own clothing. Once the bathroom light is turned off, it remains off; the mobile phone’s light source (fill light) stays on. The positions of the door and the light switch remain fixed. Changes in distance must be achieved through physical movement (stepping or dragging); do not use digital zoom. The "false face" should be lifted, not stretched like rubber; do not generate long tongues, tubular mouths, an elongated jaw, or a melting face.

Over the past two weeks, our team XDO has been working closely with @worldlibertyfi — and honestly, it’s been a real surprise for me. 最近两周，我们团队XDO开始和 @worldlibertyfi 密切合作，狠狠的教育了我！ Tbh, I had my own stereotypes at the beginning. Trump-backing, access to top-tier global resources — I assumed the team would be the type like: big vision, endless resources, everyone coming to them instead of the other way around. I mean, you can easily afford to be a “laid-back” team with this level of privilege and prestige.😂 说实话，刚开始接触的时候我是有刻板印象的。总统家族背景，全球顶流资源，我assume团体风格会是：愿景很大、资源很多，一定是所有的资源去找他们。可以猜想这种有顶级资源的美国团队有多么躺。 But after two weeks of working with them, I was genuinely impressed — even humbled. 但接触下来非常惊喜，甚至教育到我。 On nye, co-founder @ZachWitkoff was still handling interviews job. By Jan 2nd — when most people were still in holiday mode — their entire team was fully back in action. Every sync was well-prepared, execution was fast, and nothing was half-hearted. Even though many team members didn’t come from a Web3 background, everyone was actively and intensely learning. In every discussion, they consistently identified the single most critical key to success, made fast decisions, and mobilized the entire team to execute. From @ZachWitkoff & @zakfolkman founding-team-level market strategy decisions to execution, implementation, and even contract reviews — all of that can happen within a single day. 新年当天，Co-founder @ZachWitkoff 还在处理这面试的工作。1月2号，当大多数人还在休假模式的时候，他们已经全员到岗火力全开了。每次对接，准备充分，执行迅速，一点不含糊。虽然，很多人之前没有Web3背景，但是每个人在饥渴的学习Web3的知识。并且每次探讨中，总是可以找到决定事情成功的最核心的KEY，然后快速决策并全团队响应执行。是的，从大市场战略的Founding team决策到对其执行到落地执行包括审核合同，一天足以。 This made me reflect: why is a team with such a background working even harder than many startup founders? 这让我开始反思：为什么有这种背景的团队，反而比很多一般的创业者还拼？ My guess? Because the whole world is watching. If a normal project fails, you pivot and start over. But WLFI is different — with this kind of background, success is expected. That expectation pushes the founding team to focus on how to succeed even more. That pressure forces them to put in 200% effort to prove that what they build goes far beyond what their so-called “background” could ever hand them. 我猜的——因为全世界都在看。普通项目失败了，换个赛道重来就是。但 WLFI 不一样，顶着这种背景，成功变成了是应该的。所以，整个创始团队更聚焦在如何可以更加成功！这种压力，逼着他们必须用 200% 的努力去证明自己可以做的事情要远远超过他们“所谓的背景”可以给予的。 Another detail I noticed: their execution logic is extremely clear. It’s not the “we have resources, let’s just throw money at it” mindset. They are deliberately building long-term value step by step. They value every partner and every dollar — while also knowing how to turn those into weapons for rapid market capture. And when it comes to critical decisions, they don’t hesitate to invest heavily. You can imagine what this combination can ultimately become: top-tier resources + top-tier execution + a massive market = Massive future for @worldlibertyfi $USD1 By the way, this also validates a thesis I shared in my previous article (link below): in 2025, stablecoins are increasingly becoming the bridge to mainstream assets. Sustainability at the business level matters — and this is exactly the direction we’ve been betting on. 而且我观察到一个细节：他们团队做事的逻辑非常清晰，不是那种「有资源就随便造」的心态，而是真的在一步步构建长期价值。珍惜每一个合作伙伴，珍惜每一分钱，但是同时这些也可以成为快速抢占市场的武器。对于关键事情上，丝毫不吝惜。我们可以想象这种组合——顶级资源 + 顶级执行力 + 超级大的市场 WLFI USD1可以成为什么样最终形态。顺便说一句，也验证了我在之前一篇长文里的思考，今年稳定币成为连接主流资产的趋势越来越明显了。业务本身的可持续性。这也是我们一直在押注的方向。 So YEP! My view on WLFI has completely changed. This is a team that genuinely takes execution seriously, and have the power to make all dreams come true. 所以我现在对 WLFI 的看法彻底改变了。至少从合作体验来说，这是一个认真做事并且有实现造梦能力的团队。 If people with backgrounds are working this hard, what excuse do those without one have to be laid-back?? 「Don't make excuses for not being where you want to be. It usually comes down to not trying hard enough, or focusing on the wrong things.」 「Jiayi never used to create anxiety. But from now on, anxiety and self-reflection start with Jiayi.」 有背景的人都在拼命，没背景的凭什么躺平？ 「不要给自己的不够优秀找借口。大多数就是自己不够努力，或者努力方向不对！」 「Jiayi之前不制造焦虑。但是从现在开始，焦虑和反思从Jiayi开始。」 Side note: after deeply engaging with the founding team, I started allocating heavily into $ALTS (already 100% in profit so far) and $WLFI. I’m happy to say that so far, the results have been very encouraging. 题外话： 正式因为深度的接触了创始团队后。我开始重仓WLFI的DAT股票 $ALTS (且翻倍了）和 $WLFI。很开心，目前为止，让我看到了好的结果。 LONG Crypto 🚀 LONG Stablecoin 🚀 LONG Myself

夫妻情侶秘密玩具分享會 Part 1 🔞❤️ 事隔一年，沒想到這次剛好因為來台灣參加國際會議，又再次約上了台灣夫妻！❤️ 這次的會議可不簡單，除了正式的國際交流，當然也少不了一場特別的「進房交流會」🤣 會議一結束，我們馬上飛奔去汽旅赴約，完全迫不及待了！ 這對夫妻真的又熱情又可愛，還特別帶來了各式各樣的小玩具。深入交流之後才發現，原來這些都是他們夫妻倆之間的小情趣，以及專屬彼此的秘密 😏 我們最喜歡的，就是認識不同的情侶夫妻，聽聽彼此的故事，探索每對伴侶之間那些不為人知的愛愛小秘密。 每一次相聚都有不同的驚喜，也讓我們發現，原來夫妻情侶之間的親密生活，可以有這麼多不同的玩法！🔥 ft.@Yang1035836 Couples' Secret Toys Sharing Session – Part 1 🔞❤ A year later, who would have thought that our trip to Taiwan for an international conference would bring us together with another lovely Taiwanese couple again! ❤️ This conference was definitely something special. Besides the official international exchange, we also had a little something extra planned — a private room gathering! 🤣 The moment the conference ended, we rushed straight to the motel to meet them. We just couldn’t wait! They were such a warm and lovely couple, and even brought along all kinds of fun toys! As we got to know them better, we discovered that these were actually part of their own little intimate rituals and special secrets as a married couple. 😏 What we love most is meeting different couples, sharing stories, and discovering the little intimate secrets behind every relationship. Every gathering brings something new and exciting, reminding us that there are so many different ways for couples to enjoy their intimate lives together! 🔥 Part 1 is just the beginning. There’s more fun and exciting sharing coming up! 😉

0G Al Alliance Carnival正式启动，千万不要错过。 The 0G Al Alliance Carnival is officially live. Don’t miss it. 0G 亚太生态正在快速扩张。🌏 越来越多 AI Native 项目正在加入 0G，为社区带来更多早期参与机会。 The 0G ecosystem in APAC is growing rapidly, bringing early participation opportunities for creators and communities across AI + Web3. 本次 Carnival 将联合多个生态项目，通过线上任务、社区活动与线下曝光，共同推动 0G 生态增长，也让大家能抢先体验产品并获取早期 Alpha。 This campaign connects ecosystem projects through quests, community activations, and offline exposure to accelerate the growth of the 0G AI ecosystem. 👇 Participating Projects & Rewards | 参与项目及奖励 ━━━━━━━━━━━━━━ 🔹 @NeoSoulAI 基于 AI Agent Oracle 的原生 AI 预测市场。 AI-native prediction market powered by autonomous agentic oracles. 🎁 Rewards: • 1,000,000 NeoSoul Tokens • $OUL Points ━━━━━━━━━━━━━━ 🔹 @Ghast_AI 构建于 0G 之上的原生 AI Agent 基础设施，让 AI 记忆与交互成为可交易资产。 Native AI Agent infrastructure built on 0G — turning AI memory & interaction into tradable on-chain assets. 🎁 Rewards: • 50 Early Bird Codes ━━━━━━━━━━━━━━ 🔹 @moonfun_ai 将 Meme Token 演化为具备自主能力与社交智能的 AI Agent。 Transforming meme tokens into autonomous living AI agents with social intelligence. 🎁 Rewards: • 50,000 Moon Points ━━━━━━━━━━━━━━ 🔹 @primus_labs 面向链上链下数据与身份验证的隐私证明层。 Privacy-preserving verification layer for identity, data, and on-chain/off-chain activity. 🎁 Rewards: • Primus Reputation Score ━━━━━━━━━━━━━━ 🔹 @gmdottown 打造下一代 Agent Economy，实现 AI Agent 的自治协作与交易。 Building the next-generation Agent Economy for autonomous coordination and 24/7 AI workforce trading. 🎁 Rewards: • 50 OpenWhale Founding Member SBTs ━━━━━━━━━━━━━━ 更多 0G 生态项目即将加入。👀 More ecosystem projects are joining soon. 0G 亚太 AI 生态的增长才刚刚开始。 This is just the beginning of the 0G APAC AI expansion. 🌐 Online Quests 🌐 Offline Activations @ BEYOND Expo 🌐 Ecosystem-wide Collaboration 🌐 Early Community Rewards 更多任务与奖励即将公布，保持关注。 Stay tuned. 本次活动由 0G 生态项目 @lighthouse_2026 提供市场支持。 This event is supported by 0G ecosystem project @lighthouse_2026 for marketing.

I’m Free. Now Pray for China by Ezra Jin via @WSJopinion 【金明日牧师获释后首次接受华尔街日报采访（后附中文）/ Rev. Mingri (Ezra) Jin’s first interview with WSJ after his release】 Pastor Ezra Jin: I’m Free. Now Pray for China Eight members of the church I founded are still behind bars. By Ezra Jin July 8, 2026 at 5:02 pm ET I spent 266 days in a Chinese prison after being detained along with 28 other leaders and members of Zion Church in October. When guards ushered me into a van last Friday, I thought they were taking me to my trial. I expected a long sentence for founding and leading Zion, one of China’s underground, or house, churches. But hours later, I was free. No negotiations, no confession, all charges dropped. On the eve of America’s 250th anniversary, I was reunited with the family I hadn’t seen in eight years, ever since my wife and children came to the U.S. to get out of harm’s way. My wife, like me, is a Chinese national, but our children are all U.S. citizens. It was disorienting to go from a crowded prison cell to watching Fourth of July fireworks with my family over In-N-Out burgers. My gratitude goes first to President Trump, whose diplomacy secured my release, as well as to the members of Congress and other U.S. officials who worked on my behalf. I have been overwhelmed by the global response to the arrests of our congregation. Prominent voices from across the political spectrum in the U.S., the U.K. and Europe have spoken out about our plight. Other congregations in China showed extraordinary bravery in coming to our aid. Thousands of people—from Argentina to India and Nigeria to Korea—prayed for us. Even in the bleakest moments, we took great comfort in their support. Eight of my fellow church members, along with many other church leaders and prisoners of conscience, remain in prison. These men and women, some of the most caring people I have met, are confined in cramped cells and sleep on floor mats in blistering heat. Many leave behind young families. I won’t rest until they see freedom. When I started Zion Church in 2007, my aim was simple: to share the immeasurable love of God with those around me. As I wrote from prison, “We do not oppose dialogue with the government, nor do we confront it, but rather emphasize obedience to those in authority.” At the same time we hold fast to our beliefs, recognizing Jesus Christ as the sole head of our church. China’s political authorities have no reason to fear the tens of millions in China who worship in unregistered congregations. These Christians love their nation. They only want to worship God peacefully according to the Bible and to serve others, especially the poor, the disabled and the elderly. Zion Church is proud to have been among the first responders after the devastating 2008 Sichuan earthquake and to have hosted major blood drives in Beijing. My earnest prayer is that my release can mark the beginning of a new chapter for people of faith in China. Freedom of religion is a universal right promised in the Chinese Constitution. I hope that all our church members are freed and that China becomes a place where all people can freely worship. A first step would be to legalize house churches alongside state-run churches in the same way China has legalized private industry alongside state-owned enterprises. Such a future might seem impossibly remote, but so did my release. I couldn’t be more thankful, and pray that others still imprisoned will experience this same freedom soon. Mine is a God of miracles, and he constantly surprises me. 金明日牧师：我已重获自由，请为中国祈祷 我所创立的教会中，仍有八名成员身陷囹圄。 作者：金明日 (Ezra Jin) 2026年7月8日，美东时间下午5:02 去年10月，我与锡安教会（Zion Church）的其他28名领袖及成员一同被拘留，随后在中国监狱度过了266个日日夜夜。上周五，当看守将我带上一辆面包车时，我以为是要送我去受审。我预料自己会因创立并领导锡安教会——中国众多地下教会（或称“家庭教会”）之一——而被判重刑。然而，仅仅几个小时后，我就重获了自由。没有谈判，没有认罪，所有指控均被撤销。 在美国建国250周年纪念日前夕，我与阔别八年的家人团聚了；当年，为了躲避迫害，我的妻子和孩子们前往了美国。和我也一样，我的妻子是中国公民，但我们的孩子们全都是美国公民。 从拥挤的牢房一下子转变为与家人一边享用In-N-Out汉堡、一边观看独立日烟花，这种巨大的反差让我感到有些恍惚。我首先要感谢特朗普总统，是他的外交努力促成了我的获释；同时，我也要感谢那些为我奔走呼吁的国会议员及其他美国官员。 对于全球各界就我们教会成员被捕一事所作出的强烈反响，我深感震撼与感动。来自美国、英国及欧洲政坛各界的重要人士纷纷为我们的处境仗义执言。中国国内的其他教会也展现出了非凡的勇气，向我们伸出了援手。成千上万的人——从阿根廷到印度，从尼日利亚到韩国——都在为我们祈祷。即便在最黑暗的时刻，他们的支持也给予了我们极大的慰藉。 我的八位教会同工，以及许多其他教会领袖和良心犯，至今仍被关押在狱中。这些人是我所见过的最充满爱心的人，如今却被禁锢在狭窄的牢房里，在酷热难耐的环境下睡在地垫上。他们许多人家中都有年幼的孩子。在他们重获自由之前，我绝不会停下脚步。 2008年我创办锡安教会时，初衷很简单：与周围的人分享神那无限的爱。正如我在狱中所写：“我们既不反对与政府对话，也不与政府对抗，而是强调顺服掌权者。”与此同时，我们坚守信仰，认耶稣基督为教会唯一的元首。 中国当局没有理由惧怕国内数千万在非登记聚会点敬拜的信徒。这些基督徒热爱自己的国家。他们唯一的愿望，就是按照《圣经》的教导平安地敬拜神，并服务他人——特别是贫困者、残障人士和长者。锡安教会引以为豪的是，在2008年四川大地震发生后，我们是最早参与救援的团体之一，并且在北京组织过大型无偿献血活动。 我恳切祈祷，我的获释能成为中国信徒开启新篇章的起点。宗教自由是《中国宪法》所承诺的一项普世权利。我希望教会所有成员都能获得自由，也希望中国成为一个所有人都能自由敬拜的地方。迈出这一步的途径之一，是将家庭教会与官方教会一样实现合法化，就像中国在国有企业之外允许私营企业合法化那样。 这样的未来或许看似遥不可及，但我的获释也是如此，却成为现实。我心中充满感恩，并祈祷其他仍在狱中的人也能早日获得同样的自由。我所信奉的是行神迹的神，祂总是不断给我带来惊喜。#锡安109教案#

感谢 @theunipcs 对 TapeOut 社区以及我们 Builder Culture 的认可！ 最近社区和 Dev 以及 Ecosystem 持续升温发酵🔥 🔹以下是翻译原文： “今天加仓了 $BEM。 BNB Chain 上今天有几处局部在动，集中在少数几个币。 我觉得这更像是整条生态要走一波爆发的开头。 这一波里，我想不出还有比 $BEM 更硬的 utility 的项目。” 🔹英文原文： "topped up my $BEM bags today pockets of activity on BNB chain today across select tokens i think this is likely the beginning of what would be an explosive move across the eco and i can't imagine a stronger utility project than $BEM to bet on during this run up" 观察整个生态的发展，现在的速度简直像光速一样，跟 Ethereum 早期非常像！🔥