We’re excited to announce our collaboration with @InterlaceMoney! By combining SVP Chain’s AI Agent with interlace's one stack stablocoin infrastructure capabilities, we are exploring new opportunities for seamless payments, settlement, and financial applications across the emerging agent economy. Together, we’re building the rails for the next generation of digital finance. Stay tuned for it 😎 #Payment# #AiFi# #x402#

DaVinci Resolve 21.0.3 Update! Adds new ease modes for retime speed and frame curves, improved handling of interlaced media and QuickSync encode options for older Intel systems. Download now from

Drawing inspiration from woven strands of natural raffia, the Raffia chapter of Blue Book 2026: Hidden Garden showcases striking sugarloaf tanzanites, whose rich blue-violet hue is accented by vivid rubies and nestled between interlaced strands of platinum and 18k gold with diamonds. A cornerstone of Tiffany’s gemstone heritage, tanzanite was introduced by the House in 1968. The suite is a stunning embodiment of the House’s long-standing legacy of technical mastery and vibrant designs. #TiffanyAndCo# #TiffanyBlueBook# #TiffanyHighJewelry# Discover more:

AI agents need more than a payment rail. They need verifiable authority to act. At The New Payment Stack in Hong Kong, hosted by @avax and @AvaxTeam1 with @GoKiteAI as co-host, our APAC Lead @0xLaughing delivered "Building AI Native Infrastructure: The Agentic Execution Layer" and joined the panel on programmable, autonomous, real-time payments. ▷ Stablecoins move value; identity and policy define who can transact, why, and within what limits. ▷ Agent payments must be governed, auditable, and revocable by default. ▷ Programmable money is the first step. Verifiable agent authority makes it usable. Thank you to @avax, @AvaxTeam1, @tether, @InterlaceMoney, @Kun_sight, @OSL_HK, @RD_Technologies, @RedotPay, @allscaleio, @fmgroupxyz and @kaloqx for keeping the conversation close to real deployment. 🪁

499 Detalks [CN] 227: AI-Driven Cross-Border Payments, Agent Economy & PayFi Infrastructure Revolution Time: 21, May, 2026, 20:00 (UTC+8) We will explore the explosive convergence of AI, smart payments, and Web3 finance — where intelligent infrastructure is fundamentally reshaping global cross-border payments and financial systems. Host: Charis @charis_em , 499 Core Member Guest Speakers: Eddie @EdyGoOH , CEO, AEON @AEON_Community Renna Ba @itsmerenna , Head of Ecosystem, Morph @Morph_ZH Laughing @0xLaughing , APAC Lead, Kite AI @GoKiteAI Constance Zhou @ConstaZhou , Event Manager, Interlace @InterlaceMoney Key discussion topics include: -- AI Reshaping Payments & Financial Infrastructure: How AI is revolutionizing risk control/anti-fraud, intelligent clearing & routing, AI financial assistants, and unlocking fully autonomous finance. -- From Human Finance to Agent Finance — The Biggest Paradigm Shift: Changes in wallet ownership, risk control logic, programmable payments, and the rise of the machine economy. Space Link: Telegram Group:

Today at RWA & Payments 2026 in Hong Kong. 🇭🇰 Our CEO @mehler joined the panel hosted by @BenPayGlobal to discuss how RWAs move beyond issuance into utility, liquidity, and real payment flows. 🌐 The next phase of tokenized assets is about infrastructure, access, and adoption. Stable co-hosted the event alongside @0xinfini @InterlaceMoney @0xCregis @BitgetWallet @Conflux_Network @AleoHQ @Cobo_Global @aleo_asia, with partner support from @OfficialSUNio @DeFi_JUST @BitTorrent @WinkLink_Oracle @ELLIPAL. 🤝

Weekly Crypto Card Digest: Oct 19 - 25 Big week for Crypto Cards. AI got access to card accounts, cards moved onto new chains, and launching a new card now takes weeks, not months. Here is all of it, project by project: - @StripeCrypto : with @privy_io and Stripe Issuing, fintechs can launch stablecoin card programs in weeks, not months, with ready-made onboarding, card management and spending straight from stablecoin balances - @wirexapp : $WPAY moves to Arc and Polygon support ends by end of November, and annualised onchain card spend across Wirex infrastructure passed $2B, per its Q3 review - @ether_fi : you can now connect your account to Claude, ChatGPT or any AI assistant that supports MCP, read-only, statements download as PDF or CSV, and it acquired selected @zealwallet assets, so Zeal users can move over inside the app - @Mastercard : opened early access to Agent Pay for Machines, an AI agent pays for digital services within the budget and rules a business sets - @cashi : launched the Cashi USD Account, an account in your name with ACH, Fedwire and SWIFT, 0 fees and 1:1 to USDT or USDC, plus 10% back on Solana Breakpoint tickets, up to $50, until Nov 14 - @raincards : powers @gokubupay, one of the first projects out of BitGo Labs, a stablecoin-backed card with an AI assistant that analyzes your spending - @reapglobal : is live on @monad, where Meru will launch the first stablecoin card program, and stablecoins in @crossmint wallets can now be spent with Reap - @useTria : @arc is now on Tria, send, receive and convert USDC on Arc, then top up the card or fund your trading account - @itstuyo : Buy Now, Pay Maybe ends Oct 31 and 1.5% cashback starts Nov 1, and AI agents can now get view access to your account and act only after your approval - @PulsarMoneyApp : you can now top up from another card, and stablecoins on @arbitrum fund the account with no bridge fees - @SolidYield : statements are live, any month or a custom date range, as a clean PDF - @lava_xyz : Lava Private is live, segregated cold storage for your bitcoin, credit against it and inheritance planning with one dedicated team - @Solayer_Pay : USDT on BNB Chain and USDC on Base now deposit straight to the balance, next to Solana, Ethereum and Arbitrum - @allscaleio : its business Crypto Card is live, powered by @InterlaceMoney, a consumer card is next - @altitude : run several companies from one login, with dedicated accounts, cards and permissions for each and free instant transfers between them - @eldoradoio : announced its first stablecoin-powered credit product with @talamobile, on @tempo, launching first in Bolivia, per CEO @stablecoing - @DptPay : the physical Visa card starts shipping mid-November, with a US Visa BIN and $0 annual fee, card price TBA, waitlist is open - @EthenaPay : tap the FX rate on any card payment to flip how it's shown, live a week after users asked for it - @Exa_App : coming in the next few weeks, tokenized stocks as collateral for the card, pending a governance vote, Exa for Business and multiple cards per user - @BleapApp : on Oct 24 its card partner Unlimit had a disruption and some card payments could fail, funds and transfers were not affected - @solcard : $SOLC staking is live with new tiers, and per its update 70,000+ cards, 1.4M+ purchases and $110M+ spent Which one are you trying first?

You may call it AI slop, but if it's that good, even Hollywood is behind! Seedance 2.5 at 1080p Prompt; Create a highly realistic 30-second Seedance 2.5 video that looks like genuine early-2000s Korean home-video footage accidentally preserved on an old MiniDV camcorder. The footage should feel imperfect, nostalgic and spontaneous rather than cinematic or AI-generated. MAIN SUBJECT: A young Korean woman in her early 20s with a consistent natural identity throughout the entire video. She has messy black hair loosely tied back, realistic skin texture, minimal makeup and relaxed everyday expressions. She wears a fitted sleeveless crop top with high-waisted thigh-high shorts, simple worn sneakers and a small necklace. The outfit should feel like believable casual summer clothing from the early 2000s, with natural fabric wrinkles, slightly imperfect fit and realistic movement. IMPORTANT: She is NOT posing, dancing, modeling, vlogging or interacting with the camera. She is simply going about her ordinary household routine while the camcorder happens to capture the moment. SETTING: A quiet residential neighborhood in Korea around the early 2000s. Modest concrete homes, narrow lanes, tiled rooftops, utility poles and wires, old bicycles, plastic basins, laundry lines, small gardens, parked early-2000s vehicles and everyday household objects. The location should feel genuinely lived-in, slightly worn and imperfect. SCENE 1 — HANGING LAUNDRY | 0–7 SEC Start with a slightly shaky wide shot of the woman carrying a plastic laundry basin into a small outdoor courtyard. She takes clothes from the basin and hangs them one by one on a clothesline. She stretches to reach the line, clips a shirt with a clothespin, notices another garment slipping and quickly fixes it. The camcorder operator slightly reframes late, creating an authentic imperfect composition. SCENE 2 — OUTDOOR HOUSEHOLD CHORES | 7–13 SEC She moves to another part of the courtyard and rinses a few household items in a large plastic basin. Water splashes naturally. She wipes her hands on a small towel, moves a bucket aside with her foot and briefly looks toward the house as if someone called her. Keep everything casual and unperformed. SCENE 3 — LEAVING THE HOUSE | 13–18 SEC She picks up a small reusable shopping bag and walks through the front gate. The camera follows slightly too late, briefly losing her behind the gate before catching up. Autofocus hunts between nearby leaves and her face before locking onto her again. This imperfect focus behavior should feel genuinely captured by an old consumer camcorder. SCENE 4 — WALKING OUTSIDE | 18–24 SEC She walks down the residential lane carrying the bag. Show ordinary early-2000s Korean neighborhood life around her: bicycles, laundry hanging from balconies, children in the distance, an elderly neighbor sweeping, scooters passing occasionally and sunlight flickering through trees. She walks naturally without acknowledging the camera. SCENE 5 — SMALL ERRAND | 24–30 SEC She reaches a small outdoor utility area, places the bag down and briefly picks up something she needs — such as a folded cloth, empty container or household item. She turns and starts walking back toward the neighborhood. End abruptly with the camcorder operator slightly zooming in too late as she walks away, followed by a natural cut. CAMCORDER AESTHETIC: Authentic early-2000s MiniDV/consumer camcorder footage. Include: - 4:3 home-video framing - slight handheld shake - imperfect framing - autofocus hunting - occasional exposure pumping - mild blown highlights - soft digital sharpness - interlaced-looking motion characteristics - subtle motion blur - low dynamic range - faded, slightly warm colors - realistic digital noise - tiny compression artifacts - occasional accidental micro-zoom - imperfect white balance - slight lens flare when sunlight hits the lens - natural camera operator mistakes Do NOT make the footage excessively degraded. It should still be clear enough to see her face and environment. REALISM: The most important goal is BELIEVABILITY. Avoid perfect symmetry, perfect lighting, perfectly smooth camera movement, hyper-sharp skin, artificial bokeh, glossy fashion photography, exaggerated expressions, cinematic color grading or overly dramatic shots. The woman must have identical facial identity, hairstyle, clothing and body proportions in every shot. Hands must remain anatomically correct with five fingers. Clothes must move naturally with her body and wind. Objects must remain physically consistent. No duplicated objects, warped architecture, disappearing props, floating items, changing clothing, distorted faces or unnatural walking. AUDIO: Raw camcorder microphone sound only: birds, distant neighborhood conversations, footsteps, cloth moving, water splashing, buckets, bicycles, occasional scooters, wind hitting the microphone and faint household sounds. No music. No narration. No modern voice-over. No cinematic sound design. OVERALL FEEL: It should feel like someone found an old Korean family camcorder tape from around 2002–2005 and played back an ordinary afternoon that nobody intended to turn into a film. The ordinary nature of the activities should make the footage feel strangely authentic and nostalgic, while the woman's natural presence and the imperfect camera behavior make it visually engaging enough to feel like a real viral rediscovered home-video clip. TECHNICAL: 30 seconds, Seedance 2.5, 4:3 aspect ratio, early-2000s MiniDV aesthetic, photorealistic humans, physically accurate motion, consistent character identity, realistic Korean residential environment, authentic consumer-camcorder imperfections, no AI artifacts, no modern cinematic look.

Seedance 2.5 nailed early-2000s TV pool-party coverage. Generated on Aracds. Full prompts: FORMAT A rapid-fire montage sequence lifted from an early-2000s television series — the pool-party episode. Reads as teen drama / reality-TV / summer lifestyle coverage: loud, youthful, disorderly, sun-bleached, and endearingly sloppy. No dialogue needed; background chatter only, kept unintelligible. ERA & PLACE Broad daylight, outdoor pool at a sprawling suburban home or resort property. Hard sun, cloudless sky, palms and thick greenery. Lounge chairs, dumped towels, coolers, plastic cups, inflatable floats. Bodies along the pool lip, clusters mid-conversation, music running underneath, swimmers launching in, dancing, cackling, flirting, water going everywhere, general patio milling. Feels like network archive tape from roughly 2001–2006. Everyone present is an adult in their twenties. OPERATOR One human, camcorder on the shoulder, physically walking the party — that's the whole camera department. Unsteady grip, framing that misses, hurried pans, aggressive punch-zooms in and back out, constant loose recomposition, auto-exposure stepping up and down, focus hunting before it locks, highlights clipping to white, body-roll drifting through the frame. The operator responds to events after they start, sometimes lands on the action a beat too late, sometimes reframes badly. No gimbal glide. No motorized precision. No agency-grade smoothness anywhere. IMAGE Early consumer digital video. Detail slightly mushy, with that crunchy in-camera edge sharpening on top of it. Sun blowing out to pure white. Low-level chroma noise. Faint interlace / DV field texture. Summer saturation pushed hot: skin warm, pool blue electric, sunscreen sheen on shoulders. The overall impression is a dubbed broadcast tape, not a camera original. BEATS TO COVER Shoot plenty of short, cuttable pieces at varying distance and angle: wide plates showing the whole party at once handheld walk-throughs threading between groups tight inserts: cups knocking together, a girl mid-laugh, guys winding each other up, feet churning the water someone going in off the edge; a full cannonball water hitting the glass fast zoom snapping onto something funny dancing on the deck by the waterline a hand pushing sunglasses back up an empty float drifting across frame the group turning to react and shout low-key flirting scattered towels and bags crouched conversations at the pool's edge unscripted nothing-moments that happen to be alive Density matters more than composition. It should look like an editor was handed forty minutes of tape. RHYTHM Many brief takes that cut against each other cleanly. Rotate through: establishing wide, mid coverage, reaction close, splash insert, throwaway candid. Fold in snap zooms, whip pans, abrupt push-ins, focus pulls that overshoot, and visible operator surprise. FEELING Careless, sweaty, flirtatious, funny, nostalgic. "School's out" / "spring break tape" energy. HARD RULES Exterior for every frame — never cut inside. No modern influencer look. No clean 4K commercial gloss. No cinematic color grade. No stabilized motion.