I wanna be your princess 🎀 ❤️ Get more pictures in before month end! 🙃 #justsushii# #fypシ# #cosplay# #cosplayers# #cutenessoverload# #fyp# #kawaii# #asiangirl# #purple# #curlyhair# #thicc# #kumikunai#

🔥Hot video sold on @faphousecom! 🔥 💗Vanessa Cliff Petite Curly hair, True freak Anal Lover, Squirt Master💗 [1080p] 👉 #Amateur# #Anal# #Blowjob# #Interracial# #SmallTits# #RoughSex# #Bbc# #European# #Petite#

This video created with Seedance 2.5 on @Flovaai @Flovaai_Japan Prompt: FORMAT: 30 seconds | 16:9 | 24fps cinematic | ultra photorealistic live action | Hollywood studio comedy action | realistic human anatomy | premium VFX time freeze | daytime natural light IDENTITY LOCK: Maintain exactly the same two leads in every shot. Never change faces, hair, age, body proportions, wardrobe or props. No character morphing. No extra active fighters. All background passengers remain frozen statues after 0:03 and never move, never blink, never react. CHARACTERS DANI: late twenties Latina woman, 5 foot 3, athletic, black curly hair in a high messy bun, small gold hoop earrings, cafe uniform of black tee, dark green canvas apron, rolled sleeves, black jeans, worn white sneakers. Sharp, fast talking, unbothered. WALTER: mid fifties white man, 6 foot 1, tall and heavy shouldered, thinning gray hair, wire rim glasses, rumpled charcoal suit, loosened maroon tie, brown leather briefcase. Exhausted, dignified, quietly petty. ENVIRONMENT: Interior of a modern New York City public bus, midday. Blue and gray molded seats, chrome grab poles, rubber floor, overhead ad panels left blank. Bright hard sunlight cuts through large side windows in hot rectangles across the aisle. Outside the glass, a frozen Manhattan avenue with yellow cabs, pedestrians caught mid stride, pigeons suspended in air. Nine ordinary commuters frozen mid motion inside the bus. Exactly one empty aisle seat, midway back, sunlit, the object of the entire fight. 0:00 to 0:03 THE FREEZE HOOK Handheld medium shot down the aisle. The bus lurches. A commuter paper coffee cup launches from a hand, lid popping, liquid arcing. Dani and Walter both lunge toward the empty seat from opposite ends. Hard sound drop to silence. Everything stops. Coffee suspended as a glittering brown ribbon, dust motes still, pigeons pinned outside the window. Only Dani and Walter continue moving. 0:03 to 0:07 REALIZATION Both freeze mid lunge, straighten slowly, look at the suspended coffee, then at each other. Slow 30 degree camera orbit around the frozen splash between them. DANI: "Okay. Either we are both hallucinating, or that seat is cursed." WALTER: "It is my seat. I have been standing for eleven blocks." DANI: "Eleven blocks? Try eleven years, buddy." 0:07 to 0:11 FIRST EXCHANGE They rush each other. Comedic but real physicality. Walter throws a broad open hand shove, Dani ducks under his arm, plants a palm on his chest and slides past on the rubber floor. Whip pan follows her. She grabs a chrome pole and swings her legs at his shoulder. He blocks with a forearm. Both land clean, no cartoon physics. 0:11 to 0:15 THE BRIEFCASE Low angle. Walter reaches back for his briefcase. It hangs motionless in the air three feet behind him, frozen mid swing. DANI: "Your briefcase is stuck in the sky." WALTER: "Then I will improvise." He tugs a frozen commuter umbrella free with visible effort. The commuter stays rigid, hand still curled around nothing. 0:15 to 0:19 FROZEN OBSTACLE COURSE Fast tracking shot along the aisle. Dani vaults over a frozen seated man, uses a suspended shopping bag as a step, and pushes off an immobile standing passenger shoulder. Walter swings the umbrella. She parries with a rolled newspaper pulled from another frozen hand. Three crisp exchanges, readable, no slow motion. 0:19 to 0:23 POLE FIGHT Both grab the same chrome pole and spin around it in opposite directions, colliding shoulder to shoulder. Camera arcs with them. Walter glasses slide down his nose. Dani bun collapses. He hooks her apron strap. She twists free, leaving him holding a limp green apron. WALTER: "I have your apron." DANI: "I have your dignity." 0:23 to 0:27 TRUCE Both stop, breathing hard, three feet apart, hands on knees. Medium two shot, sunlight bars across their faces. The frozen coffee ribbon still hangs between them. DANI: "Truce?" WALTER: "Truce." They shake hands. Micro pause. Both eyes flick to the empty seat. 0:27 to 0:30 TIME RESUMES Both explode toward the seat simultaneously. The instant they move, the world unfreezes. Coffee splashes down, passengers jolt, pigeons scatter outside, engine noise slams back in. LAST FRAME: Locked medium wide composition down the bus aisle. Dani and Walter are wedged half onto the single seat side by side, both mid shove, both grinning, coffee spraying across the sunlit air between them. Nine confused passengers turn to stare. No text appears anywhere in frame. No subtitles, no captions, no signage lettering, no ad panel text, no logos, no watermarks. CAMERA LANGUAGE: Studio comedy action photography. Controlled handheld during physical exchanges, smooth dolly and orbit during freeze reveals, low angle hero framing for Walter, fast whip pans between leads. Anamorphic character, shallow depth on dialogue, natural motion blur, consistent screen direction and spatial geography inside the bus. VFX: Photoreal suspension physics. Frozen liquid holds surface tension and internal highlights. Dust and fabric hold perfect stillness. The resume moment restores full gravity and momentum in a single continuous frame with no morphing and no dissolve. AUDIO, DIEGETIC ONLY: No music score. Bus engine rumble and road noise before the freeze. During the freeze, near total silence with a faint high pitched air tone, breathing, sneaker squeak on rubber, apron fabric, umbrella whoosh, pole clang. English dialogue only, natural American accents, clean lip sync with proper bilabial closure. At resume, coffee splash, passenger gasps, engine and traffic return abruptly. NEGATIVE CONSTRAINTS: No text, subtitles, logos, watermark or UI. No background passenger movement during the freeze. No blood, no gore. No duplicated people. No extra limbs or fingers. No floating props except the deliberately frozen ones. No wardrobe changes. No face changes. No slapstick cartoon physics. No random slow motion. No excessive camera shake. Keep the comedy dry, the fight readable, the physics coherent. #Flovaai# #Flovacpp#

A dark, gothic fairytale brought to life 🦋✨ Loving the cinematic lighting and macro details! 🥀🎥 Prompt provided below, happy creating! 👇🔥 prompt：Create a 15-second, 16:9 European Gothic haute couture cinematic short film using the exact same woman from the reference and the exact same blue-black butterfly from the reference image . The woman and butterfly must remain visually consistent and identical throughout the entire video. Do not use any reference video. SHOT 1 — 0–2.5 seconds The entire shot must maintain a clearly visible Dutch angle composition. The camera is tilted approximately 15–20 degrees to one side. The frame must absolutely NOT be level. Stone columns, arches, stained-glass windows, and floor lines must all appear noticeably tilted. Do not automatically correct or level the horizon. Inside a grand European classical Gothic cathedral with soaring pointed-arch vaults, enormous stone columns, deep arcades, ancient stone walls, gigantic stained-glass windows, intricate stone carvings, statues, candelabras, wall niches, an altar, and richly decorated architectural arches. The environment must have abundant architectural detail and layered depth. It must never feel empty, minimal, or under-detailed. The distant areas gradually disappear into darkness, while the foreground and midground contain abundant architectural details and decorative elements. The overall environment is extremely dark, with most areas swallowed by deep black and dark-gray shadows. There is no uniform ambient illumination. The primary light source comes from enormous Gothic stained-glass windows high above. Strong deep-red light passes through the stained glass and enters the cathedral, projecting large irregular dark-red patterns and patches of colored light across the stone columns, walls, and stone floor. A small amount of dark-purple and cool-blue stained-glass light enters through other windows, creating a subtle contrast with the deep-red illumination. There is a very light atmospheric haze and fine dust particles in the air, allowing the red beams of light to form subtle volumetric shafts. The camera slowly pushes deeper into the cathedral. The blue-black butterfly flies toward the camera from the distant background, continuously flapping its wings with realistic insect motion. Two small gray-blue circular ring markings on its wings must remain clearly visible. SHOT 2 — 2.5–5 seconds The butterfly continues flying directly toward the camera, gradually approaching the lens as it moves through the alternating areas of deep-red stained-glass illumination and darkness. When the butterfly is about to reach the camera, its flight briefly transitions into slow motion. Its wingbeats become highly visible, precise, elegant, and graceful, while its forward movement becomes noticeably slower. At this moment, the two small gray-blue circular ring markings on the butterfly's wings begin emitting a soft, clearly visible blue glow. The circular rings must retain their original size and exact shape. They must NEVER enlarge, expand, distort, or become oversized. The butterfly briefly hovers at the center of the frame. The two glowing circular rings must align precisely with the position of the woman's two eyes in the following shot. The image then instantly flashes to black for exactly one frame. During this single black frame, only the two blue glowing circular rings remain clearly visible. Their position, size, shape, and left-right spacing must remain exactly unchanged. They should appear as two floating blue luminous rings suspended against a completely pure black background. The butterfly itself must be completely invisible during this moment. Only the two glowing blue rings remain. In the next instant, the two blue glowing rings precisely transition into the position of the woman's eyes, creating a seamless visual match cut. The rings gradually merge into the natural contours of the woman's eyes. The blue glow naturally disappears. The woman's eyes then return to normal, realistic blue irises with no glow. Absolutely do not make the woman's eyes continuously glow. Do not leave any blue luminous rings around the eyes. Do not alter the shape, structure, or proportions of the woman's eyes. Immediately after the transition, reveal a clear close-up of the woman's face. The framing must include her entire head, both eyes, nose, mouth, chin, and part of her neck. This must NOT be an extreme eye close-up. The woman maintains a subtle three-quarter profile. Her face is slightly tilted, while her eyes naturally look toward the camera, creating subtle eye contact. She must absolutely NOT face the camera directly. The camera is positioned slightly above her eye level, creating a subtle high-angle perspective. One side of her face is softly illuminated by the deep-red stained-glass light, while the other side naturally falls into shadow. The woman naturally blinks and maintains a restrained, mysterious expression. Include realistic breathing and subtle facial micro-movements. SHOT 3 — 5–8.5 seconds Hard cut directly to the next shot. The blue-black butterfly flies forward through the interior of the cathedral. The camera immediately begins dynamically tracking the butterfly. The camera must continuously follow the butterfly's direction of flight. Wherever the butterfly flies, the camera follows it. The camera must NEVER remain stationary and wait for the butterfly to enter the frame. The camera stays behind the butterfly or slightly behind and to one side of it, continuously following its flight trajectory. The butterfly must NOT fly in a flat, straight horizontal line. Its flight path must contain clearly visible vertical variation. First, the butterfly flies toward a lower position. It then suddenly rises upward, passing through an archway and suspended architectural decorations. It subsequently descends toward a lower position again, creating a natural "low → high → low" arcing flight trajectory. At the same time, the butterfly makes subtle lateral movements and irregular curved deviations, behaving like a real butterfly navigating through a complex architectural environment. The camera must synchronously follow these vertical changes, naturally rising, descending, shifting slightly from side to side, and moving with subtle vertical fluctuations. The camera movement should feel like a real cinematographer physically tracking a flying insect. Do NOT suddenly switch to a static camera. Do NOT move the camera around to the front of the butterfly. Throughout the flight, the butterfly passes through the cathedral's richly detailed architecture. It skims past stone carvings, candelabras, statues, arches, hanging decorations, and stained-glass projections. It occasionally passes in front of candles, causing candle flames to briefly appear as soft out-of-focus points near the edge of the frame. Stone columns, walls, and architectural decorations sweep past both sides of the frame as the camera follows the butterfly, creating a strong sense of speed, spatial depth, and movement through the cathedral. A woman's extended right hand gradually appears in front of the butterfly. The butterfly continues along its natural curved flight trajectory toward her fingers and eventually lands gently on one of her fingers. The woman's fingernails are painted with glossy deep-red nail polish. SHOT 4 — 8.5–11 seconds The butterfly rests on the woman's finger and naturally makes subtle wing movements. The camera slowly moves laterally around the woman, transitioning from one three-quarter angle to another three-quarter angle. The camera should travel approximately half a circle only. Do NOT perform a complete 360-degree orbit. During this movement, reveal the woman's long black Victorian Gothic dress, intricate lace, high collar, black velvet, and dark-red satin ribbons. Deep-red stained-glass light enters the cathedral from the side and illuminates part of her clothing. The black velvet absorbs most of the illumination while retaining subtle, delicate edge highlights. The dark-red satin ribbons appear deep red under the stained-glass illumination. The woman maintains a natural standing posture with subtle breathing movement and small, realistic body adjustments. SHOT 5 — 11–13 seconds The butterfly naturally takes off from the woman's fingertip. The camera briefly follows its flight trajectory. The butterfly flies toward the woman's shoulder and face using a natural low → high curved trajectory. It approaches her face and finally settles on her cheek near the jawline. The woman maintains a subtle three-quarter profile. Her face remains slightly tilted. Her eyes naturally look toward the camera, creating subtle eye contact. She must absolutely NOT face the camera directly. The camera maintains a subtle high-angle perspective. SHOT 6 — 13–15 seconds The woman stands inside the cathedral with her body slightly turned to one side while her face naturally faces forward. She slowly raises her right hand and brings her finger toward the front of her body. The blue-black butterfly rests on her index finger. Her fingers are long and elegant. Her fingernails are painted with glossy deep-red nail polish. The red nail polish catches refined reflections from the deep-red stained-glass illumination, creating an elegant contrast between the warm red nail color and the cool blue-black butterfly. The woman looks quietly downward toward the butterfly resting on her fingertip. Her expression is calm, mysterious, and aristocratic. She does not smile. Maintain an icy, elegant Gothic aristocratic presence. The camera is positioned slightly above and in front of the woman, using a subtle high-angle perspective. Do NOT use a straight-on passport-photo composition. The framing must simultaneously include the woman's face, red-painted fingernails, hand, butterfly, and part of her long black Gothic dress. The camera slowly pushes forward while making a subtle lateral movement, creating sophisticated spatial changes similar to a high-end fashion advertisement. The butterfly slowly opens and spreads its wings while resting on the fingertip. Two abstract gray-blue circular ring markings are positioned toward the upper portion of its wings. As the wings move, the circular markings produce subtle blue iridescent reflections. The butterfly gently flaps its wings with realistic insect movement. The woman must maintain a convincing sense of life throughout the shot. Include natural breathing, subtle blinking, tiny finger adjustments, and slight movement in her body. Her light-golden curly hair is gently moved by the surrounding air. She must NOT look like a static fashion model posing for a still photograph. She must have natural human micro-movements and convincing physical presence. The butterfly must behave like a real butterfly, maintaining continuous and physically believable wing movement during flight and while resting. The two circular markings on the butterfly's wings must correspond one-to-one with the woman's two eyes, creating an extremely precise visual match transition. The transition must strictly follow this sequence: Butterfly approaches → brief slow motion → two circular markings begin glowing blue → butterfly hovers → one-frame black flash → only two blue glowing circular rings remain against a pure black background → rings precisely transition into the woman's eyes → blue glow disappears → woman's eyes return to normal non-glowing blue irises. The woman's eyes must NEVER remain glowing after the transition. The cathedral environment must contain rich architectural and decorative layers throughout the film.