Father Time never learned to hold the camera straight. He isn’t in a single frame he ever shot. Wan 3.0 Prime Prompt: ULTRA REALISTIC 15 SECOND HOME MOVIE. 1080p render of early 1950s 16mm Kodachrome film footage. 4:3 frame. Single continuous handheld take, no cuts. Title: PAPA KA CAMERA. CONCEPT 1956. Her father is holding the movie camera for the first time and has no idea what he is doing. She is trying to teach him from in front of the lens. Most of the fifteen seconds is his mistakes. He is never seen, because he is the one filming, and that is the whole point. SUBJECT LOCK Indian woman, early twenties, warm medium brown skin, realistic pores, no modern makeup, small bindi. Hair centre parted, pulled back into a low bun with strands loose at the temples. Cream hand knit cardigan with stretched cuffs over a plain cotton saree, thin gold bangles, simple leather sandals. Same face, hair and outfit for the full 15 seconds. Gesturing instructions with both hands, patient, laughing at him. SECOND VOICE LOCK The father operating the camera is never seen, not a hand, not a shadow, not a reflection. Voice only, older male, warm, slightly deaf to instruction, close to the mic. He never addresses an audience. SETTING Front verandah and yard of an older Indian family house, early 1950s, late afternoon. Lime washed pillars, a string cot, a tulsi pot, a cycle leaning on the wall, dry leaves on the flagstones, long low sunlight across the yard. Period accurate, no modern objects anywhere in frame. No visible brands, no logos, no readable signage. CAMERA Early 1950s spring wound 16mm camera held by a complete beginner. The first three seconds are almost entirely wrong, the frame tilted forty degrees, then swinging up into blank white sky, then a thumb partially across the corner of the lens. Overcorrection into a too tight shot that crops her forehead. Fixed focus so she is soft when she steps back. Hand set exposure never adjusted, the sunlit yard blown to white and the verandah crushed to black. No zoom, no stabilization, no gimbal, no framing sense at all. FILM STOCK AND ARTEFACTS Early Kodachrome, warm saturation in reds and yellows, weak blues, green cast in shadow. Gate weave, frame breathing side to side. Dust and hair on the gate, one vertical scratch, one splice jump. Halation glow on highlights. Heavy grain. Undercranked 16 frames per second played at 24 so movement is slightly too fast and jerky. Rounded soft corners, mild vignette. No digital sharpness. BEATS 0:00 to 0:04 Frame is tilted and pointed at the ground, then swings up through blown out sky. Her voice arrives before her face does. 0:04 to 0:08 He finds her, far too close, cropping her forehead. She steps back and mimes holding the camera lower with both hands. He does not adjust. 0:08 to 0:12 Dead air. He simply holds on her, too long, saying nothing. She runs out of things to instruct, drops her hands, and just stands there smiling at her father rather than at a lens. Wind moves the leaves. 0:12 to 0:15 He lowers the camera without stopping it. The frame ends up on his own sandals and the flagstones, still rolling, until the spring runs down. DIALOGUE AND SOUND TREATMENT Camera records no sound. Audio is a thin separate wild track, mono, band limited, hissy, one to two frames out of sync with the lips. 0:03 She says Seedha karo, ulta ho gaya hai 0:06 Father off camera says Chal bhi raha hai ya nahi, kaise pata chalega 0:13 She says Band karo ab, film khatam ho jayegi Spoken language locked to Hindi. Her mouth movement roughly matches but never locks precisely. His lines are off camera voice only, closer to the mic and slightly louder. AUDIO Diegetic only. Wind in dry leaves, the mechanical whirr and rattle of the spring wound camera very close to the mic, her sandals on flagstone, a cycle bell in the lane, crows, a vessel set down inside the house, his breathing near the camera body. Thin, mono, slightly hissy. No music, no score, no added ambience beds. STYLE RULES Nothing dramatic happens on purpose. No posing, no waving for the camera, no sentimental staging, no hero framing, no golden hour beauty lighting. The love is entirely in how badly it is shot and how long he keeps it on her. If she performs for the lens the illusion breaks. NEGATIVE No music. No subtitles. No captions. No watermark. No timestamp. No slow motion. No colour grading. No lens flare. No shallow depth of field. No visible second person. No reflections of the operator. No modern objects. No brand logos. No readable text. LAST FRAME Tilted frame of bare flagstones and the edge of a sandal, badly exposed, weaving, image fading as the spring winds down, then hard cut to black. Absolutely no on screen text, no title card, no lettering, no numbers, no logo, no signage of any kind in the final frame.

Pyramids, Serpents, but let’s not forget Dragons and/or thier riders. Golden Rider and dragon, been around, but currently unidentified, Putting scattered pieces together, sometimes we make our own entertainment of the work we enjoy. Is it almost Friday yet? 🐉 ❄️🔥

Invideo @invideoOfficial is bringing its creator community together with in person meet ups in London and Lucerne on 27 August, followed by Tokyo on 10 September. Join fellow creators for hands on hackathons, practical workshops and relaxed community hangouts.

Soft lights. Softer ending. Prompt: [Create a highly photorealistic nighttime portrait of a young adult woman standing outdoors in an atmospheric urban setting. She wears a sophisticated dark coat paired with a thick, textured wool scarf wrapped naturally around her neck. A gentle evening breeze moves a few loose strands of her hair across and around her face, adding a subtle sense of movement. Surround her with softly illuminated city lights that dissolve into smooth, creamy background bokeh. Use a restrained blend of cool blue-green ambient tones with subtle warm highlights from distant street lighting, creating an intimate and contemplative nighttime mood. Her expression should feel calm, thoughtful, and naturally captured rather than posed. Preserve realistic skin texture, fine facial details, subtle natural makeup, authentic hair strands, believable fabric texture, and realistic light interaction on the face and clothing. Use a cinematic full-frame photography aesthetic with an 85mm portrait-lens perspective and a very shallow depth of field, producing elegant subject separation and soft atmospheric falloff. The final image should feel like a genuine candid photograph taken during a quiet city evening: refined, emotional, understated, highly detailed, low-noise, natural contrast, subtle film character, realistic highlights and shadows, and exceptional photographic clarity. Avoid illustration, CGI, artificial skin, excessive retouching, exaggerated color grading, distorted anatomy, text, logos, and watermarks.]

This video created with Seedance 2.5 on @Flovaai @Flovaai_Japan Prompt: FORMAT: 30 seconds | 16:9 | 24fps cinematic | ultra photorealistic live action | Hollywood studio comedy action | realistic human anatomy | premium VFX time freeze | daytime natural light IDENTITY LOCK: Maintain exactly the same two leads in every shot. Never change faces, hair, age, body proportions, wardrobe or props. No character morphing. No extra active fighters. All background passengers remain frozen statues after 0:03 and never move, never blink, never react. CHARACTERS DANI: late twenties Latina woman, 5 foot 3, athletic, black curly hair in a high messy bun, small gold hoop earrings, cafe uniform of black tee, dark green canvas apron, rolled sleeves, black jeans, worn white sneakers. Sharp, fast talking, unbothered. WALTER: mid fifties white man, 6 foot 1, tall and heavy shouldered, thinning gray hair, wire rim glasses, rumpled charcoal suit, loosened maroon tie, brown leather briefcase. Exhausted, dignified, quietly petty. ENVIRONMENT: Interior of a modern New York City public bus, midday. Blue and gray molded seats, chrome grab poles, rubber floor, overhead ad panels left blank. Bright hard sunlight cuts through large side windows in hot rectangles across the aisle. Outside the glass, a frozen Manhattan avenue with yellow cabs, pedestrians caught mid stride, pigeons suspended in air. Nine ordinary commuters frozen mid motion inside the bus. Exactly one empty aisle seat, midway back, sunlit, the object of the entire fight. 0:00 to 0:03 THE FREEZE HOOK Handheld medium shot down the aisle. The bus lurches. A commuter paper coffee cup launches from a hand, lid popping, liquid arcing. Dani and Walter both lunge toward the empty seat from opposite ends. Hard sound drop to silence. Everything stops. Coffee suspended as a glittering brown ribbon, dust motes still, pigeons pinned outside the window. Only Dani and Walter continue moving. 0:03 to 0:07 REALIZATION Both freeze mid lunge, straighten slowly, look at the suspended coffee, then at each other. Slow 30 degree camera orbit around the frozen splash between them. DANI: "Okay. Either we are both hallucinating, or that seat is cursed." WALTER: "It is my seat. I have been standing for eleven blocks." DANI: "Eleven blocks? Try eleven years, buddy." 0:07 to 0:11 FIRST EXCHANGE They rush each other. Comedic but real physicality. Walter throws a broad open hand shove, Dani ducks under his arm, plants a palm on his chest and slides past on the rubber floor. Whip pan follows her. She grabs a chrome pole and swings her legs at his shoulder. He blocks with a forearm. Both land clean, no cartoon physics. 0:11 to 0:15 THE BRIEFCASE Low angle. Walter reaches back for his briefcase. It hangs motionless in the air three feet behind him, frozen mid swing. DANI: "Your briefcase is stuck in the sky." WALTER: "Then I will improvise." He tugs a frozen commuter umbrella free with visible effort. The commuter stays rigid, hand still curled around nothing. 0:15 to 0:19 FROZEN OBSTACLE COURSE Fast tracking shot along the aisle. Dani vaults over a frozen seated man, uses a suspended shopping bag as a step, and pushes off an immobile standing passenger shoulder. Walter swings the umbrella. She parries with a rolled newspaper pulled from another frozen hand. Three crisp exchanges, readable, no slow motion. 0:19 to 0:23 POLE FIGHT Both grab the same chrome pole and spin around it in opposite directions, colliding shoulder to shoulder. Camera arcs with them. Walter glasses slide down his nose. Dani bun collapses. He hooks her apron strap. She twists free, leaving him holding a limp green apron. WALTER: "I have your apron." DANI: "I have your dignity." 0:23 to 0:27 TRUCE Both stop, breathing hard, three feet apart, hands on knees. Medium two shot, sunlight bars across their faces. The frozen coffee ribbon still hangs between them. DANI: "Truce?" WALTER: "Truce." They shake hands. Micro pause. Both eyes flick to the empty seat. 0:27 to 0:30 TIME RESUMES Both explode toward the seat simultaneously. The instant they move, the world unfreezes. Coffee splashes down, passengers jolt, pigeons scatter outside, engine noise slams back in. LAST FRAME: Locked medium wide composition down the bus aisle. Dani and Walter are wedged half onto the single seat side by side, both mid shove, both grinning, coffee spraying across the sunlit air between them. Nine confused passengers turn to stare. No text appears anywhere in frame. No subtitles, no captions, no signage lettering, no ad panel text, no logos, no watermarks. CAMERA LANGUAGE: Studio comedy action photography. Controlled handheld during physical exchanges, smooth dolly and orbit during freeze reveals, low angle hero framing for Walter, fast whip pans between leads. Anamorphic character, shallow depth on dialogue, natural motion blur, consistent screen direction and spatial geography inside the bus. VFX: Photoreal suspension physics. Frozen liquid holds surface tension and internal highlights. Dust and fabric hold perfect stillness. The resume moment restores full gravity and momentum in a single continuous frame with no morphing and no dissolve. AUDIO, DIEGETIC ONLY: No music score. Bus engine rumble and road noise before the freeze. During the freeze, near total silence with a faint high pitched air tone, breathing, sneaker squeak on rubber, apron fabric, umbrella whoosh, pole clang. English dialogue only, natural American accents, clean lip sync with proper bilabial closure. At resume, coffee splash, passenger gasps, engine and traffic return abruptly. NEGATIVE CONSTRAINTS: No text, subtitles, logos, watermark or UI. No background passenger movement during the freeze. No blood, no gore. No duplicated people. No extra limbs or fingers. No floating props except the deliberately frozen ones. No wardrobe changes. No face changes. No slapstick cartoon physics. No random slow motion. No excessive camera shake. Keep the comedy dry, the fight readable, the physics coherent. #Flovaai# #Flovacpp#

When time stops, two strangers discover a connection that has survived countless broken nights. Aisha and Harumin race through a frozen world where memories return, reality fractures, and one choice may finally end the loop they were never meant to escape.

Chat GPT Image 2.0 Prompt Create a clean professional character design sheet inspired by the layout style of the uploaded reference image: minimalist white background, left side showing full body front and back views, right side showing a large close up portrait. The subject is an original fictional Indian woman. Name: AISHA Height: 165 cm Personality: calm, intelligent, emotionally restrained, brave, observant, carries hidden sadness behind a composed expression Voice: soft but firm, elegant, slightly husky, emotionally controlled Appearance: beautiful Indian woman in her mid-20s, warm brown skin, large expressive dark brown eyes, soft oval face, natural full lips, delicate nose, long dark wavy hair partially tied back with loose strands framing the face. She should look graceful, cinematic, memorable, and realistic. Outfit: elegant Indian traditional dress redesigned for cinematic fantasy action deep maroon and muted gold Anarkali-inspired fitted kurta, subtle embroidery, slim churidar pants, a draped dupatta secured neatly over one shoulder and around the waist, light traditional jewelry, fitted sleeves, refined silhouette, practical but beautiful. Add soft leather wrist guards and ankle boots hidden under the outfit for mobility. The dress should feel premium, grounded, and visually striking. Expression: thoughtful, alert, emotionally layered. Pose sheet: full body front view and full body back view on the left, large face portrait on the right. Lighting: soft studio lighting. Style: ultra detailed, realistic fashion character sheet, polished presentation, clean typography layout, premium concept art quality.

Hey MrBeast @MrBeast are you planning to upload content to Chinese video giant Bilibili? I heard they’re making a major global push and trying to attract international creators like you. Photo: crumb news