註冊並分享邀請連結,可獲得影片播放與邀請獎勵。

檢索結果 figures
figures 貼吧
一個關鍵字就是一個貼吧,路徑全站唯一。
建立貼吧
用戶
未找到
包含 figures 的搜尋結果
💎《小龙先生 · 财富人物观察》 Wealth Figures Insight ——原来她才是撑起周星驰影业帝国的幕后掌门? 看到了周星驰小时候一家的照片了,周星驰小时候很俊很可爱啊。他和妈妈和姐姐妹妹看起来关系非常和谐,这次《功夫女足》在香港首映,他的姐姐和妈妈都到场出席和支持! 看着那张照片,我突然想起自己的妈妈和姐姐们、弟弟。他们就像周星驰的妈妈和姐姐那样,一如既往站在我背后,支持我、爱护我。不管外面世界怎么变,他们从来没离开过,感谢他们。 说回周星驰。 很多人只看到他银幕上的光芒,却不知道,真正撑起整个影业帝国的,是站在他身后那位从不露面的女人——亲姐周文姬。 她才是那个“说了算”的人。 周星驰1996年成立星辉海外,董事名单上就有周文姬。2016年她坐上比高集团执行董事的位置,一坐就是十年没换过岗。 港交所公开资料显示,周星驰个人直接持股仅2.69%,而他和姐姐通过家族信托共同间接持有39.17%的股权,是公司第一大持股主体。星辉海外的股东栏里,甚至压根没有“周星驰”三个字,只有他妈妈、大姐周文姬、小妹周星霞。 她名下挂了64家关联公司,周星驰自己才12家。内地13家企业,9家还在运营,法定代表人那一栏,写的全是周文姬。 说白了:周星驰在外面拍电影、跑路演、面对镜头。公司里看合同、审账目、签文件的,是周文姬。 年薪17.5万,管着百亿资产 更离谱的是她的薪水。比高集团执行董事,年薪17.5万港币。折合每月不到1.5万,比香港普通白领的月收入中位数还低一截。 一个掌管着十几亿帝国的人,拿的薪水连中位数都够不着。 但她手里攥着的东西,比工资单上的数字吓人得多:周星驰全部老片版权、离岸公司、64家关联企业,以及那套价值11亿的“天比高”山顶豪宅的签字权。抵押、签字、还款,全是她落笔。 于文凤追讨7000万佣金官司,周文姬拖着几箱账目出庭作证。对方律师拿着账单一条一条地质问,她坐在那里,素面朝天,对每一笔资金往来的时间、金额、用途记得一清二楚。她的核心证词就一句:那些话不过是情侣之间随口说的情话,根本不具备法律效力。 最后周星驰赢了。 不出镜,不争名,只做一件事 她不出席饭局,不上访谈,不在记者面前替弟弟解释什么。狗仔队蹲半个月,只拍到一张她上车背影。她出门不坐豪车,不买名牌包,不去高级餐厅,连个绯闻都没有。在香港那个名利场里,活得像一个隐形人。 但她做的事,一件都不隐形。 周星驰不爱社交,圈子里推不掉的人情往来,她去。吴孟达去世那年,谁代表周星驰去送最后一程?她去。跟剧组闹不和的传闻,她去现场打破僵局。2026年7月《少林足球》主创重聚,她代弟出席,给黄一飞庆生送祝福。 新版《功夫女足》总投资3.8亿,合作出品方二十多家,项目资金往来、海外版权合作合同,全部经过她审核把控。和周星驰IP相关的海外发行、版权售卖,全由她统筹对接。连Netflix法务都私下说:周女士不谈情怀,只问数据源和审计口径。 幼时家贫,她省零花钱给弟弟买票看戏,还曾引荐弟弟去认识伟仔(梁朝伟),伟仔进了艺训班,弟弟没录上。后来弟弟成了影星,她仍然是那个核对账务、上法庭的人。 这份护持,够记一辈子 三十年如一日,从贫民窟走到上市公司,从买票到写合同,寸步未离。她不出镜、不争名、不领高薪。周星驰能走到今天,姐姐这份定力,值。 不是每个影星身后,都有这样一位亲人。 她不是幕后推手,她是地基。没有热搜,没有专访,甚至没有一张正脸照。可当你翻遍所有财务报表和公司档案,会发现真正稳住周星驰宇宙的,从来不是票房,而是那个连17万年薪都嫌多、却把百亿资产攥得纹丝不动的姐姐。 兄弟如手足,姐妹是城墙。 🎯
顯示更多
耶鲁一位计算机博士生,把自己发论文用的画图脚本全开源了,项目叫 figures4papers。 支持柱状、雷达、折线趋势、三维球体示意、概念等类型图,8 个论文项目各一个文件夹,脚本、数据、成图放在一起,照着改数据就能出自己的图。 他还把这套画图风格整理成了一个 Skill,接进 Cursor、Claude Code 或 Codex,让 Agent 按这套规范帮我们写画图脚本。 GitHub: 规范写得挺细,去掉上边和右边的坐标轴线,柱子加黑边,配色固定一套语义,蓝色给自己的方法,绿色系给改进项,红色系给对比基线,默认 300 DPI 导出。 不装也能用,把仓库在 Agent 里打开,提示词里让它照 SKILL.md 和设计原则文件来写就行,README 里给了现成的提示词模板。 前几天分享的 vivid-figures-skill 是让 AI 选图画图,这个更像拿一位常年投顶会的作者的审美当模板,写论文要出图的可以两个都看看。
顯示更多
0
218
5.1K
824
轉發到社區
Tang Dynasty Lacquered Mirror with Gold and Silver Inlaid (Pingtuo 平脱) Decoration of Chariot Processions and Immortal Figures 唐金银平脱车马人物纹铜镜
0
1
100
17
轉發到社區
卖全球也买全球:中国与世界共享发展机遇的诚意与担当 Selling to the World, Buying from the World: China’s Sincerity and Commitment to Sharing Development Opportunities with the Globe Foreign trade figures once again attest to the resilience and openness of China’s economy. According to data released by the General Administration of Customs, China’s total goods import and export volume reached 39.94 trillion yuan in the first three quarters of the year, up 18.8% year-on-year. In September alone, imports and exports hit 5.16 trillion yuan, crossing the 5-trillion-yuan threshold for the first time, representing a year-on-year increase of 27.5%. This robust growth has taken foreign media by surprise as “better than expected”, with forecasts that China may set a record trade surplus for the whole year. More noteworthy than the surplus is the strong performance of imports: China’s exports rose 16.4% year-on-year in the first three quarters, while imports grew by 22.3%, with import growth outpacing export growth by a notable margin. Faster growth in imports serves as the most powerful rebuttal to the narrative that “China does not import goods and rejects win-win cooperation”. It reflects both China’s domestic demand for production and consumption, as well as tangible outcomes of its efforts to advance voluntary and unilateral opening-up. China is not only the “world factory”, but also a “world market”; it acts both as a “super seller” and a “super buyer”. At a time when major consumer markets around the globe are resorting to trade protectionism, the openness, certainty and growth potential of the Chinese market stand out. It offers ample market space for enterprises of all countries, acting as a key driver to help other nations grow their economies and boost trade capacity. China never chases a trade surplus on purpose. Certain countries criticize China’s trade surplus on the one hand, while restricting exports to China on the other — a self-contradictory stance. Facts have proven that imposing trade restrictions citing trade deficits will not resolve such deficits; instead, it disrupts global industrial and supply chains. Growth in China’s exports stems from genuine global demand. The rising competitiveness of Chinese products comes from continuous advances in economies of scale and innovation, and responds to the pressing needs of countries for green transition and industrialization. Green products, high-end equipment and quality consumer goods keep flowing to the rest of the world to serve modernization efforts of various nations, which in itself is a vivid illustration of China sharing development opportunities with the world. The upcoming 140th Canton Fair, China Import and Export Fair, is a concentrated embodiment of such sincerity and commitment to opening-up. Daniel Dominguez, Acting Consul General of Mexico in Guangzhou, has attended the Canton Fair for seven consecutive years. He said trade between Mexico and China has maintained strong momentum in recent years. “For me, the Canton Fair is the world’s most innovative, largest and technology-focused exhibition. That is why I encourage everyone to come and see the new products available on the market,” he remarked. The remarks by the foreign diplomat reflect the high recognition of Chinese platforms and the Chinese market among enterprises worldwide. This year marks the 70th anniversary of the Canton Fair. A total of 32,000 enterprises will participate, including more than 11,000 high-quality firms specializing in niche technologies and national champions. Following the Canton Fair, the 9th China International Import Expo (CIIE) will kick off on November 5. It will continue to provide free booths for least developed countries and upgrade its Asia-Africa Products Zone to help African diplomatic partners capitalize on zero-tariff benefits. Earlier, China successfully hosted a series of international expos including the China International Fair for Trade in Services, China-ASEAN Expo and Global Digital Trade Expo. These events draw active participation from enterprises across the globe and serve as a vital engine boosting global trade and economic growth. As Mao Ning, spokesperson of China’s Foreign Ministry, put it, such expos are important windows for China to connect with the world, empower development and deliver benefits to people’s livelihoods. From the commitment of “selling to the world” to the proactive action of “buying from the world”, China demonstrates with concrete actions that prosperity of the Chinese economy is never achieved in isolation. Instead, it features intertwined interests and shared destinies with all countries. Amid rising unilateralism and protectionism, China stays committed to advancing high-level opening-up, injecting precious certainty into an uncertain world. China cannot develop without the world, and the world needs China for prosperity. Whether it is the continuously expanding import volume, or the gathering of merchants at the Canton Fair and CIIE, one clear message is conveyed: China is ready to embrace the world with greater openness and share market and development opportunities with all nations to jointly expand the pie of global cooperation. This sincerity and commitment best exemplifies the view that China’s economic growth benefits the world, and is a vivid practice of building a community with a shared future for mankind. 对外贸易数据再次印证中国经济韧性与开放成色。海关总署数据显示,今年前三季度,中国货物贸易进出口达 39.94 万亿元,同比增长 18.8%,其中 9 月单月进出口 5.16 万亿元,首次突破 5 万亿元关口,同比增长 27.5%。这一强劲增势令外媒感叹 “超出预期”,并预测中国今年有望创下贸易顺差纪录。然而,比顺差更值得关注的,是进口的亮眼表现 —— 前三季度中国出口同比增长 16.4%,进口同比增长 22.3%,进口增速显著高于出口。 进口增速快于出口,恰是对所谓 “中国不进口、不共赢” 论调最有力的反驳。它既是中国国内生产消费需求的客观反映,也真实展现了有序扩大自主开放、推进单边开放的实际成效。中国既是 “世界工厂”,也是 “世界市场”;既是 “超级卖家”,也是 “超级买家”。在全球主要消费市场纷纷采取贸易保护措施之际,中国市场的开放性、确定性与成长性愈发凸显,为各国企业提供了更加充分的市场空间,成为助力他国经济发展、增强贸易能力的关键力量。中国从不刻意追求贸易顺差。个别国家一面指责中国的顺差,一面又限制对华出口,实属自相矛盾;事实也早已证明,以逆差为由施加贸易限制,并不能真正解决逆差问题,反而扰乱了全球产业链供应链。 出口增长同样源于实实在在的全球需求。中国产品竞争力的提升,既来自规模经济与创新能力的持续跃升,也顺应了各国绿色转型与工业化发展的迫切需求。绿色产品、高端装备、优质消费品源源不断走向世界,服务各国现代化进程,本身就是中国与世界共享发展机遇的生动注脚。 即将开幕的第 140 届中国进出口商品交易会(广交会),正是这种开放诚意与共赢担当的集中呈现。墨西哥驻广州总领事馆代总领事丹尼尔・多明格斯已连续 7 年参会,他表示,近年来两国贸易往来势头强劲,“对我来说,广交会是世界上最具创新性、规模最大且最以技术为基础的展会”。这位外国使节的评价,折射出各国企业对中国平台、中国市场的高度认可。 今年恰逢广交会创办 70 周年,将有 3.2 万家企业参展,专精特新、单项冠军等优质企业超过 1.1 万家。紧随其后,第九届中国国际进口博览会将于 11 月 5 日启动,继续为最不发达国家提供免费展位,升级亚非产品专区,帮助非洲建交国把握 “零关税” 红利。此前,中国国际服务贸易交易会、中国 — 东盟博览会、全球数字贸易博览会等国际性展会接连成功举办,吸引各国企业踊跃参与,成为促进全球经济贸易发展的重要动力。 正如外交部发言人毛宁所言,这一系列展会都是中国连接全球、赋能发展、惠及民生的重要窗口。从 “卖全球” 的坚定承诺,到 “买全球” 的主动作为,中国以实际行动向世界表明:中国经济的繁荣,从来不是独善其身,而是与各国命运与共、利益交融。在单边主义、保护主义抬头之际,中国坚持推进高水平对外开放,为不确定的世界注入了可贵的确定性。 中国发展离不开世界,世界繁荣也需要中国。无论是持续扩大的进口规模,还是广交会、进博会的万商云集,都传递出同一个清晰信号:中国愿以更加开放的姿态,与各国共享市场机遇、发展机遇,共同做大全球合作的蛋糕。这份诚意与担当,正是中国经济发展有利于全球发展的最好注脚,也是中国对构建人类命运共同体的生动践行。 #中国智造惠全球# #广交会# #CIEF# #China# #世界经济看中国# #中国进出口商品交易会# #数据看中国#
顯示更多
论文要交,数据还在 Excel 里,让 AI 画出来的图是默认那套蓝橙配色,导师一句图太丑打回来重画。 可以试下 vivid-figures-skill,装好后把数据文件丢过去,说一句想比较什么,它选图、画图、自己检查,最后交 PNG、PDF 和绘图源码。 内置 108 个图表配方,山脊图、雨云图、热力图、三维曲面、技术路线图都有,不知道图叫什么也行,说「比较这几种方法,选能看清差异的图」就够了。 GitHub: 配色有七套,珊瑚青绿、橄榄杏棕、粉彩少女、海洋清风,名字起得挺有意思,也能自己给一组色值。 选图先读数据和表达目的,再翻说明卡、看候选实图,最后拿完整配方代码改数据。 模板里的渐变和透明层次要求保留,不许为了省代码改成纯色。 画完它会看一眼实际图片再修,每张最多三轮。数据里没有重复试验就不画置信带,这条我挺认,图好看不能靠编数据。 需要 Python 环境,仅限个人非商业使用。写论文、做数学建模要出图的同学,可以让它先出一版。
顯示更多
0
0
135
27
轉發到社區
这大概就是仙境吧🥳 GPT Image 2出图效果也还不错, 折腾了一两天总算把这个做成了模板。 提示词: 一幅明亮绚丽的东方仙侠电影场景,cinematic ultra-wide shot。 严格单点透视,一条由浅金色玉石铺成的宏大天阶,从画面左下角穿过云海,向右侧三分之一处的消失点急剧收缩。天阶两侧排列朱红与鎏金相间的高大灯柱,柱距和尺寸随纵深规律递减。远处矗立一座巨大的丹霞色雕花天门,门内透出明亮天空。 天阶旁悬浮着数座覆盖翠绿松林的赤色山岛,细长瀑布落入金白色云海。五名身穿青绿、象牙白和珊瑚红长衣的年轻旅人正在登阶,全部背影,身量极小,只作为尺度参照。 天空呈饱满的蔚蓝与杏金渐变,大朵白云被夕阳照出暖金边缘。低角度阳光从左侧穿过天门,形成清晰的逆光轮廓、云隙光和克制的星芒。阴影为透明的蓝紫色,不要发灰。 蔚蓝、杏金、丹砂红、翡翠绿与象牙白的高明度配色,high saturation, luminous colors, rich but elegant chroma, clean warm-cool separation。建筑细节精密,玉石具有自然纹理,鎏金只用于边缘强调。 cinematic film still, monumental scale, tiny human figures, strong aerial perspective, refined fantasy realism, no muddy grading, no gloomy colors, no excessive fog, no text, no watermark。
顯示更多
0
25
32
0
轉發到社區
兄弟们,不得了了,刚才有社群有同学反馈Lovart 里面Seedream 5.0 Pro 可以生成无审查大尺度图片,试了下真的行啊,太离谱了啊,草台班子就是草台班子。 提示词 A cinematic low-angle editorial portrait of an adult East Asian female model seated extremely close to the camera, wearing elegant dark charcoal-gray lingerie. Her legs dominate the extreme foreground, creating dramatic wide-angle foreshortening and powerful near-to-far perspective exaggeration. The closest parts of her legs fall into soft optical defocus and creamy foreground bokeh. Her torso leans backward in a relaxed, self-possessed pose, head slightly tilted, distant tranquil gaze, long dark tousled hair, muted deep-red lips, natural skin texture, subtle visible pores, delicate subsurface scattering, realistic warm skin tones. Behind her is a gigantic seamless full-color semi-realistic anime mural covering the entire wall. The mural depicts an extremely dense ensemble of numerous clearly adult female characters portrayed as artistic nude figure studies. Dozens of adult anime women are packed tightly together in one continuous wall-to-wall composition, with overlapping bodies, intertwined silhouettes, flowing hair, shoulders, backs, waists, hips, arms, and legs forming a complex organic visual rhythm. The illustrated women have sophisticated semi-realistic anime anatomy, mature adult facial features, elegant body proportions, natural anatomical structure, refined facial rendering, expressive eyes, detailed hair, painterly skin shading, and subtle cel-shaded contours. Their poses feel calm, sculptural, and editorial rather than erotic. Hair, hands, arms, overlapping bodies, cropped framing, fabric fragments, and deep shadows naturally obscure explicit anatomical details, creating tasteful fine-art nudity without graphic sexual emphasis. Several large central anime women dominate the mural, surrounded by dozens of smaller partially cropped female figures at different scales. Faces and bodies overlap densely, with characters extending beyond every edge of the frame. Almost no empty negative space. The mural must feel like one enormous continuous group illustration, not separate portraits, not a collage, and not comic panels. The mural is richly colored with a sophisticated cinematic palette: warm ivory, peach, soft rose, muted coral, amber, burgundy, plum, desaturated teal, cobalt blue, smoky violet, and deep crimson. Illustrated skin tones vary naturally across the crowd, enhanced by painterly gradients, soft reflected light, luminous highlights, translucent shadow colors, and refined anime-style subsurface glow. Dark hair masses interlock with pale and warm-colored bodies, producing a dense chromatic tapestry. The background combines premium Japanese anime aesthetics with semi-realistic digital painting, mature seinen illustration, fine-art figure drawing, elegant editorial anatomy studies, painterly cel shading, clean controlled linework, realistic volumetric lighting, and highly detailed facial rendering. It should feel like a monumental museum-scale anime fresco rather than a printed poster. A hard directional spotlight shines from the upper right, producing intense chiaroscuro, sharp rim lighting, and a clearly defined cast shadow of the real model falling across multiple illustrated nude figures. The shadow follows the contours of the mural, visually embedding the physical model inside the illustrated female crowd. Strong contrast between warm photographic skin and the richly colored painted bodies behind her. The live-action model remains unmistakably photographic, while the mural remains unmistakably illustrated. Dramatic scale contrast, surreal integration of physical reality and anime art, tactile human skin against painted digital bodies, sophisticated fashion editorial atmosphere, visually striking but tasteful, cinematic and psychologically distant rather than overtly erotic. Shot with a 24mm wide-angle lens from an extremely low camera position, slight Dutch angle, shallow depth of field, exaggerated foreground perspective, realistic lens distortion, foreground bokeh, subtle cinematic film grain, restrained chromatic aberration, natural optical vignette, high dynamic range, dramatic cinematic color grading, surreal editorial photography, highly detailed, photographically believable lighting. single continuous mural, seamless female ensemble illustration, full-color semi-realistic anime artwork, clearly adult women only, tasteful artistic nudity, mature figure studies, elegant anatomy, dense overlapping composition, no comic panels, no collage, no gutters, no speech bubbles, no empty background, no monochrome artwork --ar 3:4 --style raw
顯示更多
0
76
192
15
轉發到社區
#为什么是中国# #WhyChina# The Global Logic of China's Economic Growth in the First Half of 2026: A 4.7% GDP Increase 2026年上半年GDP增长4.7%:中国经济增长的全球逻辑 According to the latest semi-annual report, China's gross domestic product (GDP) reached 69.6 trillion yuan, representing a year-on-year increase of 4.7% at constant prices, in line with the annual growth target. Against a backdrop of intertwined international complexities and volatilities, China's economic performance is commendable. Yet, a closer look at the data reveals that the logic underpinning China's economic growth is being reshaped. (I) At the Industry Level, Notable Highlights Emerge: First, new quality productive forces are being cultivated and strengthened at an accelerated pace.** In the first half of the year, industrial production grew robustly. The value-added output of the equipment manufacturing sector increased by 9.3% year-on-year, and that of high-tech manufacturing grew by 13.3%, both outpacing the overall growth rate of industrial output above a designated scale. This underscores a clear trend toward a high-end, intelligent, green, and integrated industrial structure. Looking at specific products, the output of 3D printing equipment, lithium-ion batteries, industrial robots, and other products emblematic of new quality productive forces surged. The average daily token call volume has reached hundreds of trillions, showcasing the vitality and potential of the digital and intelligent economies. Second, new growth drivers are accelerating to take on a leading role. Preliminary estimates suggest that new growth drivers—encompassing high-end manufacturing, the digital economy, and modern services—contributed over 40% to economic growth in the first half of the year. The economy's distinct shift toward a higher quality and more optimized structure is evident, and this overall trend is accelerating. For instance, industries related to artificial intelligence, such as integrated circuit manufacturing and intelligent vehicle equipment manufacturing, have all maintained high growth rates exceeding 30%, vividly illustrating the pace of China's industrial upgrading. Third, confidence on the investment front is on the rise. In the first half of the year, investment in high-tech industries grew by 4.6% year-on-year. Notably, investment in the manufacturing of aircraft, spacecraft, and equipment, computer and office equipment manufacturing, and information services grew by 23.3%, 8.1%, and 15.5%, respectively. Investment structure best reflects market expectations. The increasing "new economy content" in investments signals an acceleration in the replacement of old growth drivers with new ones. Investment in intellectual property products grew by 9.4%, indicating that enterprises are placing greater emphasis on R&D and innovation. This suggests that technological advancement is not simply about capacity expansion but about qualitative change driven by innovation. (II) Observing a Major Economy Requires Looking Beyond the Immediate Figures to the Long-term Trajectory. Behind the "new economy content" of the semi-annual report lies China's ongoing transformation from a global manufacturing hub to a global center of innovation. At the 17th Annual Meeting of the New Champions (Summer Davos), observers noted a new phenomenon: a host of unicorn companies are heading to China. They are establishing R&D centers, regional headquarters, and deeply integrating into China's innovation and industrial chains—shifting from "produced in China" to "created in China." So, why China? Economist Justin Yifu Lin, in his book *Demystifying the Chinese Economy, touched upon the theory of the "speed of technological change." He argues that the essence of the industrial revolution is not just the application of new technologies, but more fundamentally, the ever-accelerating pace of technological change. Since the mid-18th century, starting with the steam engine reshaping the textile industry, the snowball of technological change has grown, rapidly sweeping through industries like chemicals and automobiles, ultimately redrawing the geographical map of great power competition. Looking at China today, the trajectory of accelerating technological change is equally clear. A leading enterprise can drive an entire industry, which in turn can boost a whole region. These burgeoning industrial clusters, growing from saplings to forests, not only enhance production efficiency and invigorate market vitality but also effectively improve development quality and resilience. For example, specialized and sophisticated "little giant" enterprises above a designated scale in Beijing, through deep cultivation of innovation chains, supply chain collaboration, and international expansion, have become "connecting points" and "accelerators" for the dual circulation strategy. More importantly, emerging industrial clusters possess powerful spillover effects. The rapid rise of new energy vehicles is not only reshaping the automotive industry but also driving transformations in chips, software, and energy networks, allowing more sectors to gain value from efficiency improvements. The swift advancements in AI and biomedicine are sparking a "gentle qualitative change" in people's livelihoods, significantly enhancing the sense of fulfillment and well-being through smarter, more affordable products and more livable environments. (III) Looking from the First Half to the Full Year, China's Development Momentum Remains Positive. Of course, during this critical period of transitioning between old and new growth drivers, China's economy still faces lingering issues and new challenges. Some core areas are still grappling with "bottleneck" technologies, certain high-tech industries face external risks of "decoupling" and supply chain disruptions, and "involution"-style competition affects the new energy market ecosystem. However, most of these are issues arising from development and transition, and they can be addressed with effort. The supporting conditions and fundamental trends for long-term economic improvement remain unchanged. China's economic journey toward a newer, higher-quality model is itself a process of encountering new problems and solving them along the way. By maintaining confidence, proceeding steadily, and balancing both qualitative improvements and quantitative growth, China's industries are poised to be brimming with dynamism, and the Chinese economy will continue to advance steadily and sustainably. #China# #Jiangxi# #JiangxiEconomy# #世界经济看中国# #赣出新精彩#
顯示更多
Figure 创始人新出的 Hark,我已经上车了 👇 Hark 和前阵子很火的 Meta Muse 是一类东西:不光陪你聊天,还能真帮你干活,订票、网购、填表都行。 区别在干活的方式: · Muse 主要通过各家 App 的 API 去调用 · Hark 每个任务都在云端单独开一台小虚拟机,像真人一样在网页上点、滑、打字 听说 Hark 刚融了 7 亿美元,前 10 万名注册的人可以免费用付费版,想试的趁早。 加入方法很简单: 1️⃣ 打开 2️⃣ 用 Google 账号登录 3️⃣ 完事,我这边已经能用了
顯示更多
0
25
37
4
轉發到社區
Figure 02 最后的挣扎...