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Taika Waititi has called critics “sad lost souls” after ‘KLARA AND THE SUN’ became his lowest rated film ever on Rotten Tomatoes.
“I haven't read a review of anything aimed at me or my peers in almost 15 years. But I do listen to the people.
So this Halloween, let's spare a thought for those sad lost souls who couldn't achieve their dreams of becoming artists, and thus became critics. The same people who also hated Jojo Rabbit!
Irrelevant. Out of touch. Obsolete. In the bin.”
IL DEMONIO is one of my personal discoveries while I programmed The Spirit Compels Her and I'm so happy @ScreenSlate wrote about it! Catch it Oct 31 or Nov 5 at BAM!
Our Lee Chang-dong retrospective continues today with an essay by Padaí Ó Maolchalann on Lee's third feature "Oasis". Paid subscribers can read the essay in full, so if you aren't subscribed, now is a great time to do so!
Exciting times: I owe my lawyer $1000 more bucks and I just started work back up. Back to the GoFundMe I guess! Please amplify if you are able. Link below
Every headline now is “AI has full access to your bank account, all internet firewalls are irreparably broken, all food will kill you and the dollar has never mattered less. Here’s why you shouldn’t panic:”
Lee Chang-dong’s Possible Love begins its theatrical run this week. Here’s my review explicating what makes the film “novelistic” and why this is Lee’s most successful attempt yet to translate his literary sensibility into his cinema:
Y’all do not like yourselves. That’s why everybody gotta come back to the office, you can’t go eat lunch or the movies alone, and your SO can’t go anywhere without you. You’re a loser and you know it, but you’ve decided to make it everyone else’s problem
I wrote about Once Upon a Time in Harlem's striking reflection of cultural debate that today's social media era has made nearly impossible to replicate.
My latest for @Salon:
WILLIAM GREAVES 100, our one-week centennial celebration of the pioneering, genre-defying filmmaker, starts this Friday, October 23, in tandem with William & David Greaves’ now-playing opus ONCE UPON A TIME IN HARLEM.
Tickets and schedule at
Trauma: Always a treat to see a new Fessenden on the big screen but this one really moved me in ways I wasn’t prepared for. Stay for the post credits scene that Larry said he only shot because he needed to shoot at least one thing in a studio to get the NYC tax credit 👑