The lacquer gauze hair crowns and head ornaments excavated from the Ming Dynasty Wang Luo family tomb, in the collection of the Changzhou Wujin District Museum. This set of hair ornaments includes buns, forehead ornaments, full crowns, floral diadems, and other pieces. The hair bun (hair crown) consists of a frame woven from silver wires, covered with black crepe gauze. The forehead ornament at the front of the crown is a gilt Buddha statue seated upright on a lotus pedestal. The lower floral diadem is formed as an arc-shaped band, decorated with a total of eleven plum blossoms, with pearls inlaid in the flower pistils. At the back is an arc-shaped gold full crown featuring cloud-and-dragon motifs. The top of the lingji is adorned with a large sunflower, surrounded below by four flowers and four butterflies alternating in a ring, forming a gilt top hairpin with a “butterflies loving flowers” motif. 常州武进区博物馆收藏的明代王洛家族墓出土的漆纱发冠、头面，本组发饰包括髻、挑心、满冠、花钿等。髌髻（发冠）以银丝编织框架，框架上覆黑绉纱。 冠前挑心是一尊端坐在莲花座上的鎏金佛像；下部花钿呈弧形带状，共饰十一朵梅花，花蕊内缀珍珠；后部有一弧形金质云龙纹满冠；灵髻顶部饰大朵葵花，下有四花、四蝶交替环绕，组成蝶恋花鎏金顶簪。 📷遗产君

南宋缂丝莲塘乳鸭图，上海博物馆藏 Kesi Tapestry: Ducks and Ducklings in Lotus Pond，Collection of Shanghai Museum This is the only large surviving kesi tapestry by Zhu Kerou, a master weaver of the Southern Song Dynasty. The composition depicts a serene lotus pond landscape, featuring Taihu rock, lotus blooms, white egrets, mallard pair with ducklings, swallows, dragonflies and aquatic plants rendered with delicate layered details. The versatile weaving technique is known as "Zhu’s kesi method". Symbolizing harmonious family life and prosperity, it represents the pinnacle of Song floral-and-bird silk tapestry art.

紫绫红蜡缬絁间缝裳（唐间色裙） Skirt Pieced with Purple Twill & Red Wax-Dyed Silk Bands (Tang Multi-Striped Jianse Skirt) A surviving example of the Tang-era multi-striped Jianse skirt. Vertical bands of red, green, purple and brown wax-dyed silk are stitched alternately, attached to a wide red silk waistband, designed as a single wrap-around garment. Batik patterns feature pearl roundels, birds and scrolling vines, representing the peak of Tang textile dyeing craftsmanship. Imported to Japan via envoys to Tang, it served as court dance costume.