ARTXCODE (@artxcode_io), in partnership with Rhizome (@rhizome), is pleased to announce the artists of WEBSITES WEBSITES WEBSITES! (WWW!), a group exhibition curated by Sofia Garcia (@sofiagarcia_io) of ARTXCODE and Vienna Kim (@bennavkim) and Benoît Palop (@benoit_tokyo_) of LAN Party, celebrating the website as an artistic medium and marking the 30th anniversary of Rhizome, the pioneering institution for born-digital art and culture. The exhibition features works by 0xfff, Chia Amisola, Kim Asendorf, Mika Ben Amar, Petra Cortright, Vuk Ćosić, Damjanski, Simon Denny, EXONEMO, Sarah Friend, Auriea Harvey, SHAWNÉ MICHAELAIN HOLLOWAY, Jan Robert Leegte, LIA, Maya Man, Lorna Mills, Nolen Royalty, Rafaël Rozendaal, Luke Shannon, and Molly Soda. Together they span three decades of practice on the web, from the playful interventions of 1990s pioneers to the poetic web experiments of artists navigating today’s algorithmically saturated internet. Presented as live websites installed physically across the gallery and online, WWW! bridges generations of artists to show how the website remains a radical artistic space: one that belongs to no platform and answers to no algorithm. On view September 21–27, 2026, with an opening reception on Monday, September 21, 6–9PM, at 39 Great Jones St, New York. Works will be available for direct acquisition throughout the run of the exhibition, in-person or online, via Fellowship (@fellowshiptrust), with a portion of proceeds benefiting Rhizome’s work as a memory institution for digital art. The venue for this exhibition was graciously provided by New International Picture Company.

Used @OpenAI Astra to determine theoretical (unminted) token hashes that come the closest to the new @Meta @Muse logo using the original on chain Chromie Squiggle algorithm. They should probably just adopt one of these little guys 🤝. Note they had to be rotated once generated.

This week on Source Material: Zach Lieberman (@zachlieberman), MIT Professor, computational artist and creative coder. 00:00 Intro 00:17 Maeda @ Media — John Maeda, 2000 01:25 The Visual Diaries 1973–1982 — Lance Wyman, 2017 02:09 Design by Numbers — John Maeda, 1999 03:01 Making Things — Issey Miyake, 1999 03:45 An Arbitrary Point P — Masahiko Sato & Euphrates, 2007 04:14 Midnight Animations — Masahiko Sato & Euphrates, 2007 04:53 Visual Music — Kerry Brougher, Jeremy Strick, Ari Wiseman & Judith Zilczer, 2005 05:24 Drawing is Thinking — Milton Glaser & Judith Thurman, 2008 05:49 Arm in Arm — Remy Charlip, 1969 06:22 Siteless: 1001 Building Forms — François Blanciak, 2008 06:51 Cool Tools: A Catalogue OF Possibilities — Kevin Kelly, 2013 07:19 Conditional Design Workbook — Laura Maurer, Jonathan Puckey, Roel Wouters & Edo Paulus, 2013 08:03 Design Writing Research: Writing on Graphic Design — Ellen Lupton & Abbott Miller, 1996 09:45 Figma Config 2026 — Zach Lieberman, Ten Years of Daily Sketching 09:59 Outro

We have received a few messages about this section of recently. Previously, this section showed the state of all bids placed directly through the CryptoPunksMarket contract. Typically, there were a handful of bids open at one time. Since we rolled out Collection Bids ( active bids has expanded dramatically, both in $ and absolute terms. This section is still showing Punks with valid bids. The reason there are more is because people can now assign the same balance in their contract to multiple Punks. For example, if you want to place an 80 ETH bid on a Hoodie Punk, you can deposit 80 ETH once and then place many individual or trait bids with that 80 ETH. The section is sorted high -> low, so the Punk in the top left has the highest currently active bid. Hope this helps.

GPT-6 Astra's ability to work in 3D has been nothing short of amazing. For me, it's the contextual understanding of form and self-editing that is most impressive. Here's a look at how I've been leveraging it.