Good morning To all people who came at B7KLAN J-ROCK FEST 2026. Thank you for attending the event and for your continued support of all participating artists. We highly appreciate . We have become aware that photos and videos taken during the event have been uploaded to social media and other online platforms. As stated in the event rules, photography and video recording during the performances were not permitted. We therefore kindly ask that you refrain from posting, sharing, or distributing any photos or videos taken during the performances. If you have already uploaded such content, we would greatly appreciate your cooperation in removing it. These rules are in place to respect the wishes and rights of the artists and their management teams. We sincerely appreciate your understanding and cooperation, especially if we want other artists to perform our countries in the future. Thank you for your support.

STEVE JOBS GOT FIRED FROM APPLE. Then he walked straight into MIT and dropped the most raw, unfiltered 60-minute business masterclass ever recorded. Zero PR bullshit. Zero image to protect. Just pure, brutal honesty from the man who built Apple once and was about to rebuild it even bigger. Stop scrolling. Watch this tonight instead of Netflix. Bookmark it. Come back to it.

[Thank you] "BAND-MAID WORLD TOUR 2026" 2026.06.09 day 9: Paris Thank you so much for being here today! Please share your thoughts and feedback using the hashtag #bandmaid#. Next up is day 10: June 11 at London #bandmaid# #Paris#

If you’re a fan of Japanese music and live outside of Japan, I would be so grateful if you take a moment to read this🙏 If you’ve ever wondered why more Japanese artists don’t reach out and do shows & tours overseas, the reason is pretty simple and the main one is the hurdle of selling tickets. There is only a SMALL percentage of artists that can rely on the power of big labels/agents to promote their shows internationally. Even in Japan, selling out shows is a lot more challenging than in past years, due to people just being satisfied with digital content. And considering it costs even more to bring a tour overseas, you can imagine how many artists are willing to LOSE money by doing so, if any. It’s not just about the artist not being popular or sufficient enough, or that they don’t have the will to bring their content to fans around the world. In fact, there are so many fellow artists around me that I highly respect, telling me they wish they could do shows overseas, but know it’s not realistically possible, and as someone who yearns for the same thing, it really, really hurts inside. More importantly, it hurts most that fans around the world will often never ever be able to see a show of their favorite Japanese artist. I’m not trying to ask for pity, nor demand anything, unless this resonates with you. But if it does, and you want to know what you can do to help us reach you with our music, it’s really very simple. Please go follow artist’s socials. Please go subscribe to their Youtube channels. Please find them on Spotify. Please interact with them by commenting and letting them know you’re there to support them. Please share your passion with the people around you. AND PLEASE, don’t miss the opportunity to buy a ticket and GO to their shows, when that miraculous opportunity comes, whether it’s a solo or event stage. I am not exaggerating when I say it IS a miracle and it might never happen again. I know writing all this isn’t gonna change much, but I just hope it reminds you that every listener, every fan, every second of support matters in keeping music alive, particularly in this generation. Thanks for listening, if you made it this far🫶 Let’s keep Rocking On. NANO