Zenko Kurishita/表現の自由 Fight Against Censorship/都議2期→22年参院選全国比例/24年不健全図書の改称を漫画家有志の方々と実現/【著書📚】「クレカ規制を止める本」「マンガ規制の歴史」「なぜゲームは規制されるのか」/テネシー大卒/Anime Manga Game etc.
A comment from Kazuhiko Torishima—the legendary editor who co-created *Dragon Ball* with Akira Toriyama—regarding the news of a planned *Dragon Ball* theme park in France. It was certainly regrettable that, while Saudi Arabian royalty were present, no Japanese representatives were to be seen.
It has been announced that the "Cool Japan" fund—a public-private partnership that has long faced harsh criticism in Japan—will be abolished. Established to promote Japanese culture—including anime and manga—to the world, the fund has accumulated massive debt due to numerous unprofitable ventures, and there is a possibility that taxpayer money will be used to cover these losses.
The Japanese government has now launched a new five-year plan, aiming to transform the nation into a "Storytelling Powerhouse" (*Monogatari Taikoku*) to market content culture—such as anime and manga—globally. Key policies include injecting funds into video productions, developing international distribution platforms, and eradicating piracy.
Japanese fans remain skeptical of this new plan, however, citing concerns that the failures of Cool Japan were never properly scrutinized and that accountability remains vague (including rumors that executives from Cool Japan are set to transfer directly into leadership roles for the new initiative).
While I share these concerns, I also hold out hope for Japanese-led platforms that can deliver Japanese works directly to overseas audiences, thereby avoiding issues related to censorship or localization practices imposed by foreign platforms. That said—and it bears repeating—government support for content culture has its downsides, so we must keep a close watch on how things unfold.
How successful is public support for content culture (including anime, manga, and live-action works) in your country? I would love to hear your thoughts in the comments.