Hopefully $BP finally exits accumulation and moons: Thesis: if meme/tokenized stock narrative migrates to Solana, Backpack benefits as stock tokenization platform. More issuance -> more arb opportunities -> more users to BP ->higher fees -> etc etc BP has no rev share but still a fun play to look.

Do we finally see the rotation into Chip and Memory stocks? $MU to 1250, $SNDK to 2000 $AMD to 600 $ARM to 300 in play Don't miss out! 👇️ Sign up to be a part of the Elite Options Discord Community 👇️ Features: • 10–20 trade ideas every week • Real-time entries and exits • Live voice commentary during the trading day • Daily watchlists and key market levels • Two experienced traders sharing setups • Options education and account-management guidance • A community of serious traders focused on improving I’ve been trading for 16 years, and my goal isn’t to make you dependent on alerts. It’s to help you understand what we’re seeing, why we’re taking a trade and how to manage it properly. If you’re tired of guessing your way through the market and want to trade alongside us, join the Elite Options community:

Tomorrow is the FIFA World Cup Final! ⚽ Spain 🇪🇸 vs. Argentina 🇦🇷 G Bro and Argentine President @JMilei wish both teams the very best and hope they deliver an unforgettable match. May the better team win! 🏆 ¡Mañana es la gran final de la Copa Mundial de la FIFA! ⚽ España 🇪🇸 vs. Argentina 🇦🇷 G Bro y el presidente de Argentina, @JMilei, les desean a ambas selecciones el mayor de los éxitos y esperan que brinden un partido inolvidable. ¡Que gane el mejor! 🏆 明天就是世界杯决赛 西班牙🇪🇸vs阿根廷🇦🇷 G哥与阿根廷总统@JMilei 祝两支队伍踢出最好的水平

We're running multiple top 1–3 percentile funds — 3 decacorns and 4 unicorns, all from seed and Series A, in 5 years. If we keep that up for another 4–5 years, land 5–7 more unicorn+ exits, and we might finally out-compound Bay Area real estate and buy a house with a functioning roof.

You miss 100% of the shots you don't take, and when you spend your whole life taking shots... you're going to miss some. Satsuma was one of them. There's a lot of criticism on X right now because the company decided to wind down and return remaining capital to shareholders, so... I wanted to tell you what happened and, more importantly... why I’m still committed to what comes next. I've been an entrepreneur and investor for most of my life, I've built and exited companies with multiple high-value exits, I've made investments that had huge returns, and... I've also had plenty of failures along the way. People like to study successful entrepreneurs, the winners, but... often overlook all the swings it took to get there. But there is no success without failures After a couple of technology company exits, I was investing in tech and finance VC, some produced huge returns, and many of them didn't But everything changed in 2015 when I first bought Bitcoin. I realized this wasn't "just an investment"... I believed we finally had a tool that could change the world. I believed in the Bitcoin future, a future of sound money, and a monetary system with rules, not rulers, so... I decided I had to tell everyone I could about it. Since then, I've reached over 100 million people, and I've heard from and met thousands of people who have told me they bought Bitcoin because of something they learned from me. And while I'm proud of that.... I realized something... Talking about the future isn't enough.... Someone has to build it If I wanted the better future I believed Bitcoin could bring, for my kids, my grandkids and yours... I needed to put my time, experience, capital and reputation on the line. So I did. For the last 6 years, I've worked with Bitcoin companies, advised founders and invested capital into the ecosystem, with many growing into large profitable companies. But some of them haven't worked out, and Satsuma is one of them. I was brought into Satsuma to advise on Bitcoin strategy, not as a founder, director or officer. But I never really got the chance. While the opportunity looked promising... circumstances changed. Market conditions and the economics shifted, and ultimately the board and controlling shareholders decided to wind it down and return the remaining capital to shareholders. I wish it worked out differently, but... I'm not going to pretend every company I work with, or project I work on or investment I make works out. Satsuma didn't work out, but.... I'd rather have a few failures on my record because I was actually trying to build something I believed could make the world better than spend my life on the sidelines criticizing the people who do. Because... you can buy Bitcoin, the best asset in the world, but... Someone has to build the world around it. You could have bought a Model T in 1908, but if no one built the roads and gas stations, it wouldn't have done much good for you. Bitcoin is no different. Companies have to be started, the Infrastructure has to be built, regulations must be restricted, which means... Founders have to take risks and Investors will have to put capital at risk. And because I believe in the Bitcoin future, I am going to keep pushing, even though... I know there will be more misses in my future. And I will keep going anyway, because... my goal is to help build a world I think is better for my kids, my future grandkids, and hopefully yours too. Talking about the future isn’t enough. Someone has to build it. I’m going to keep building.

GPT-6 Astra + MiniMax H3 Created the kinetic typography effect in Blender using Astra, then used the resulting video as a reference in MiniMax H3 to restyle it. If you're curious, here's the MiniMax H3 prompt: Restyle @[video1], the supplied grayscale kinetic typography animation, into a finished, vibrant 15-second 16:9 motion-design film. Use it as the sole reference for typography geometry, animation, composition, camera movement and editing. Replace the grayscale materials and lighting with the treatments below, and create original music and synchronized sound effects. Preserve the six words exactly, in this order: BREAK / EVERY / RULE / CREATE / PURE / MAGIC. Keep each word in its original 2.5-second section, with its own recognizable font, letter shapes, cutouts and proportions. Inherit the reference's entrances, collisions, elastic deformation, secondary rebounds, connected folds, sliding slices, spiral paths, exits and camera impulses. Preserve the large ! ? + * # = > symbols, their trajectories, depth layers and foreground passes. Keep the central word legible when it resolves. Carry the source choreography through the final MAGIC pose. Give the sequence bold, carefully separated colors, rich material detail, directional studio lighting, convincing contact shadows and controlled reflections. Each section has its own material identity within one energetic graphic world. Enhance the existing backgrounds with the assigned palette, subtle texture and depth. Use restrained highlight bloom and directional motion blur on fast travel while keeping the resolved letter edges crisp. Preserve the source framing and cut rhythm. 0-2.5s, BREAK: Distressed scarlet-red painted letters against a deep charcoal background. Bright acid-yellow exclamation marks and punctuation explode around the red word. Preserve the rough type contours and dimensional sides. Raking light catches the paint texture; the existing impacts receive brief lighting accents. Dry heavy impacts, a low bass punch and fast outward whooshes follow the assembly and recoil. 2.5-5s, EVERY: Glossy cobalt-blue rubber letters against a warm off-white field, with coral question marks and plus signs. Broad soft reflections travel across the stretching surfaces. Keep the rubber wave and bouncing symbols from the reference. Add tightly synchronized elastic boings, rubber snaps and airy swishes, integrated into the rhythm. 5-7.5s, RULE: Brushed metallic letter faces on dark graphite carriages, with signal-orange pistons and orange punctuation accents. Retain the font's distinctive geometric cutouts. Warm orange edge light separates the machinery from the textured graphite setting. Give the opposing block collisions sharp metallic clacks, short low thuds and small ricochet ticks. 7.5-10s, CREATE: Warm cream paper leaves with deep petrol-blue lettering, coral punctuation and a dark petrol backdrop. Fine paper fibers and grazing light reveal every connected crease. Preserve the opening, traveling refold and spring-back. Add crisp paper flicks, folding rustles and light percussive pops as the symbols leave the folds. 10-12.5s, PURE: Acid-yellow enamel backing strips with glossy black condensed letters and a restrained graphite surround. Preserve the three actual horizontal text slices, opposing slide directions, secondary register slip and clean realignment. Specular streaks slide across the enamel without hiding the seams. Use precise sliding swishes and satisfying mechanical clicks at each registration. 12.5-15s, MAGIC: A rich violet background, pearlescent letter faces with turquoise edge reflections, and luminous turquoise and violet punctuation. Keep the source's orbital slingshot and outward symbol recoil; subtle iridescence shifts with the existing motion. Add a rising spiral whoosh and bright crystalline ticks, ending with a short shimmering chime while MAGIC remains readable and the surrounding symbols continue their source motion. Create one continuous original instrumental electronic breakbeat across all six sections: punchy kick and snare, rapid hi-hats, syncopated synth bass and compact rising accents. Match strong musical accents to the existing word changes and impacts. Keep the mix energetic and clean, with distinct foreground effects and stereo movement following the symbols. Resolve the music with a decisive final accent and a short chime tail within the 15-second ending. No vocals, spoken words or subtitles. Add no extra words, logos or watermarks.

MiniMax H3 MAX Prompt subject_definitions: = character in . Preserve exact face, hairstyle, outfit, colors and identity. = character in . Preserve exact face, hairstyle, outfit, colors and identity. summary: 15-second smooth Japanese anime comedy. Two characters compete in a wind endurance challenge in a colorful Japanese variety-show studio. A playful TV-prop fan gradually increases power. Objects are blown away step by step. loses first. celebrates, then a giant inflatable duck flies in at high speed, directly hits , and launches them away. retention_analysis: Keep both characters identical to references. Stable faces, outfits and proportions. Smooth expressive 2D anime motion. No photorealism. detailed_description: High-frame-count Japanese 2D anime, smooth cel animation, expressive comedy, dynamic hair and cloth motion. A colorful retro TV-show fan sits SCREEN LEFT, blowing toward SCREEN RIGHT. Rounded playful plastic design. NOT industrial machinery. [Shot 1 | 00:00–00:03] Both stand behind a white line. : [Japanese] 先に動いた方が負けね！ : [Japanese] 余裕でしょ！ Fan starts LOW. Loose paper flutters and slides right. Hair moves slightly. [Shot 2 | 00:03–00:06] Wind rises to MEDIUM. Papers fly left→right, then balloons are blown away. Hair streams backward and clothes flap hard. : [Japanese] ちょ、強くない！？ : [Japanese] まだ余裕！ [Shot 3 | 00:06–00:10] Wind rises to HIGH. Cardboard boxes slide away, stools tip over, then a folding chair skids across the background. All objects move left→right. Both brace. starts sliding right. : [Japanese] 待って待って待って！！ : [Japanese] 動いてる！負け！ A powerful gust sends completely offscreen. : [Japanese] うわあああ！！ [Shot 4 | 00:10–00:15] Fan suddenly stops. raises both arms: [Japanese] 勝ったーー！！ Brief silence. A HUGE yellow inflatable duck appears behind , caught by a final gust, and rapidly accelerates toward them. Offscreen : [Japanese] 後ろ！！ turns: [Japanese] え？ IMMEDIATE IMPACT: The duck SLAMS DIRECTLY into the center of 's back at high speed. Clearly show physical contact. Do NOT stop before impact or pass beside them. At impact, 's entire body is launched forward and upward. : [Japanese] うわああああ！！ flies several meters through the air and exits frame. The duck continues forward and exits too. Camera holds on the empty line. overall_soundscape: Synchronized anime audio. Escalating wind, paper, balloons, boxes and chair scraping. Final impact: loud soft “BOOOON!” followed by the scream. non_diegetic_music: Fast Japanese variety-show comedy music. Brief silence before “後ろ！！”. Strong comedy hit exactly when the duck collides with .

Grok Imagine text-to-video prompt: SCENE CONTEXT One continuous locked-off wide shot inside a cluttered high-rise gaming apartment at night. A fully clothed adult man sits at his desk facing the monitor, absorbed in a computer game. An adult anime woman (age 22 or older) carrying a metal frying pan sneaks up behind him from frame-left, swings the pan hard and fast into the back of his head with a single whip-crack strike that knocks him out cold instantly, his head dropping hard onto the desk with a small bounce. She delivers a short Japanese line, then runs off frame-right while giggling. LOCATION MAP Foreground: edge of the desk and chair legs. Midground: the seated man at the gaming desk with dual monitors, keyboard, mouse, RGB lighting, and scattered energy-drink cans. Background: cluttered apartment wall with posters, shelves of figures, city-window view at night. The anime woman enters from frame-left rear, moves behind the man's chair, then exits frame-right. Warm practical room lamps mixed with cool blue monitor glow and red PC accent lights. FIRST FRAME / BLOCKING Wide shot already framed and locked. The man is seated center-right, torso facing the monitors, head slightly forward. The anime woman is partially visible at the far left edge of frame, body oriented toward the man, frying pan held low in both hands at waist height. Spatial relationship readable immediately: she is behind and slightly to his left, outside his peripheral vision. FORMAT MODE One continuous shot, the camera does not cut on its own. The frame stays identical from first second to last. OPTICS 47° neutral wide FOV, eye-level height matching the man's seated eye line, deep focus so both the desk and the space behind the chair remain sharp. No drift for the full duration. CAMERA Locked tripod, completely stationary, frame fixed for the entire 15 seconds. The operator stays hands-off after the first frame. ACTION 0.0s–3.5s — The man clicks the mouse and taps the keyboard with natural, focused movements, leaning slightly toward the monitor. The anime woman advances on light tiptoe steps from frame-left at about 3 km/h, body low, frying pan close to her torso, eyes fixed on the back of his head. 3.5s–6.0s — She reaches the position directly behind his chair and coils into a short compact wind-up: pan raised above her right shoulder, both hands gripping the handle, weight loaded onto her rear foot, hips turned slightly away like a batter ready to swing. 6.0s–6.5s — She uncoils and swings hard and fast: hips rotate first, shoulders whip through, the pan accelerates through a tight horizontal arc and reaches roughly 30 km/h at the moment the flat of the pan meets the exact center of the back of his head. The full swing takes 0.4 seconds from launch to contact, a single clean whip of motion. 6.5s–7.5s — Knocked out cold, lights out on impact. On the exact contact frame his eyes shut and every muscle releases at once. His head drops hard and fast, driven forward by the strike, and his forehead smacks the desk surface with a solid thud, bounces up once about five centimeters, and lands again, coming to rest cheek-down on the desk. His torso folds forward behind the falling head, arms flopping off the keyboard and mouse and settling limp on the desk. He is out cold and remains completely motionless from this point through the end of the shot, head down, dead to the world. 7.5s–10.5s — She lowers the pan to her side, stands upright behind the slumped man, and speaks her line with clear lip sync while looking down at his knocked-out body, chest rising with a satisfied breath. 10.5s–15.0s — She turns sharply to her right, takes three quick running steps toward frame-right at about 10 km/h, and exits the frame still holding the frying pan, body leaning forward into the run, shoulders bouncing with a giggle. PERFORMANCE Man: fully absorbed in the game until impact, natural micro-adjustments of hands and slight forward lean. From the contact frame onward he is unconscious dead weight: face slack, jaw loose, eyes closed, zero muscle tension anywhere in his body. After the head bounce settles he is a motionless heap draped over the desk, held perfectly still through the end of the shot, clearly out cold. Anime woman: bright adult face with clean 2D cel-shaded features, mischievous grin, tongue pressed to the corner of her mouth during the wind-up. The swing is committed and athletic: full-body rotation, arms extending through the arc, a small follow-through past the contact point before she checks the pan. After the hit her posture opens into a brief proud stance, then she pivots and runs with lively bouncing steps and a visible giggle that lifts her shoulders. Eyes stay alive with micro-saccades throughout. Playful older-sister prank energy, posture upright and comedic. PHYSICS The frying pan carries visible metal mass and inertia: it lags a fraction behind her hands at the start of the swing, whips through the arc with accelerating momentum, and stops dead on contact with a small vibration through the pan face and her forearms. The man's head falls as pure dead weight accelerated by the strike: fast drop, hard contact with the desk, one small five-centimeter rebound, then final settle with zero further motion. The desk registers the impact: a nearby energy-drink can jitters, the mouse shifts a centimeter. His torso folds forward behind the head and settles as a limp mass, no residual muscle movement afterward. Her hair and clothing trail the swing rotation with natural delay and settle after the follow-through. Her footsteps show clear weight transfer on the sneak and the exit run. LIGHTING Primary sources: warm 3200K practical desk and room lamps from upper left, cool monitor glow illuminating the man's face and hands, red PC case lighting under the desk. Soft natural falloff into the background. The pan catches a brief warm lamp glint as it whips through the swing arc, and the contact shadow of the pan and her arms sweeps across the man's back at the moment of impact. AUDIO Clear adult feminine Japanese anime voice with accurate lip sync delivering exactly: 「おやすみなさい！」 A sharp air-whoosh as the pan whips through its arc, ending in a single bright comedic metallic BONK on contact, followed immediately by a solid wooden thud as his head hits the desk and a lighter second tap on the bounce landing. Continuous quiet keyboard taps and mouse clicks up to the hit, then silence from the desk. Computer-fan hum, faint game audio from the speakers, quiet room tone, distant city ambience through the window. Her light footsteps on the floor, then a short bright giggle as she runs. Only the listed sounds and the single spoken line. STYLE Photorealistic cluttered apartment interior combined with a crisp, clean 2D cel-shaded adult anime character. Warm practical lighting mixed with cool monitor and red PC accents, natural contact shadows, light cinematic grain. Wholesome slapstick gaming-comedy tone, the energy of a classic anime frying pan bonk. POSITIVE LOCKS Camera remains completely locked and stationary for the full 15 seconds, identical framing first frame to last. The man keeps facing his monitors until the strike and is knocked out cold on the exact contact frame: head drops hard and fast, forehead smacks the desk, one small five-centimeter bounce, then final rest, body limp and motionless through the end of the shot. Single pan strike only, swung hard and fast with full-body rotation, the arc completed in 0.4 seconds. Anime woman is clearly adult (22+), modest casual gaming-themed clothing, 2D cel-shaded style only. Only the one scripted Japanese line is spoken.

DONALD TRUMP AND HIS THREE SONS ARE QUIETLY CASHING OUT OF THEIR OWN CRYPTO COMPANY Not selling because the market crashed. Selling right as the paperwork shows they made a killing off it World Liberty Financial. The Trump family claims up to 75 percent ownership. The stablecoin business alone has thrown off at least 4 billion dollars in proceeds and paper wealth since Trump got back in office Now Donald Trump, Don Jr, Eric, and Barron have all taken the first steps toward pulling their money out Funny how the exits start lining up right when House Democrats release the math Their analysis puts Trump's foreign payments and pay-to-play profits at 2.25 billion dollars realized. Factor in the digital assets and that number balloons to 9.7 billion Nine point seven billion dollars flowing toward one family while the president sets the rules for the entire industry those coins live in Regular crypto investors are watching their portfolios get liquidated in dips they had no warning about Retirees are getting rug pulled on meme coins while the Trump family's stablecoin pulls in millions in reserve interest, structured through a maze of holding companies built specifically so the money looks clean on paper Nobody elected Barron Trump to run a financial empire off the backs of retail traders Nobody voted for a presidency where the First Family's net worth moves in lockstep with policy announcements they helped write This is not a blind trust This is not separation of business and government This is the Trump family sitting on top of the regulatory apparatus and cashing checks while everyday people hold the bag Four years of this and they will own more of the American economy than they do right now This is the plan and it was always the plan