Midjourney v8.2 A new mix: --sref 1448908625 3123598145 387469134 3207844525 --profile kxxcnp9 --stylize 250 And a tip for poses: Use keywords like mid-air action pose, mid-air combat pose for more dynamic poses.

GPT-6 Astra + MiniMax H3 Created the kinetic typography effect in Blender using Astra, then used the resulting video as a reference in MiniMax H3 to restyle it. If you're curious, here's the MiniMax H3 prompt: Restyle @[video1], the supplied grayscale kinetic typography animation, into a finished, vibrant 15-second 16:9 motion-design film. Use it as the sole reference for typography geometry, animation, composition, camera movement and editing. Replace the grayscale materials and lighting with the treatments below, and create original music and synchronized sound effects. Preserve the six words exactly, in this order: BREAK / EVERY / RULE / CREATE / PURE / MAGIC. Keep each word in its original 2.5-second section, with its own recognizable font, letter shapes, cutouts and proportions. Inherit the reference's entrances, collisions, elastic deformation, secondary rebounds, connected folds, sliding slices, spiral paths, exits and camera impulses. Preserve the large ! ? + * # = > symbols, their trajectories, depth layers and foreground passes. Keep the central word legible when it resolves. Carry the source choreography through the final MAGIC pose. Give the sequence bold, carefully separated colors, rich material detail, directional studio lighting, convincing contact shadows and controlled reflections. Each section has its own material identity within one energetic graphic world. Enhance the existing backgrounds with the assigned palette, subtle texture and depth. Use restrained highlight bloom and directional motion blur on fast travel while keeping the resolved letter edges crisp. Preserve the source framing and cut rhythm. 0-2.5s, BREAK: Distressed scarlet-red painted letters against a deep charcoal background. Bright acid-yellow exclamation marks and punctuation explode around the red word. Preserve the rough type contours and dimensional sides. Raking light catches the paint texture; the existing impacts receive brief lighting accents. Dry heavy impacts, a low bass punch and fast outward whooshes follow the assembly and recoil. 2.5-5s, EVERY: Glossy cobalt-blue rubber letters against a warm off-white field, with coral question marks and plus signs. Broad soft reflections travel across the stretching surfaces. Keep the rubber wave and bouncing symbols from the reference. Add tightly synchronized elastic boings, rubber snaps and airy swishes, integrated into the rhythm. 5-7.5s, RULE: Brushed metallic letter faces on dark graphite carriages, with signal-orange pistons and orange punctuation accents. Retain the font's distinctive geometric cutouts. Warm orange edge light separates the machinery from the textured graphite setting. Give the opposing block collisions sharp metallic clacks, short low thuds and small ricochet ticks. 7.5-10s, CREATE: Warm cream paper leaves with deep petrol-blue lettering, coral punctuation and a dark petrol backdrop. Fine paper fibers and grazing light reveal every connected crease. Preserve the opening, traveling refold and spring-back. Add crisp paper flicks, folding rustles and light percussive pops as the symbols leave the folds. 10-12.5s, PURE: Acid-yellow enamel backing strips with glossy black condensed letters and a restrained graphite surround. Preserve the three actual horizontal text slices, opposing slide directions, secondary register slip and clean realignment. Specular streaks slide across the enamel without hiding the seams. Use precise sliding swishes and satisfying mechanical clicks at each registration. 12.5-15s, MAGIC: A rich violet background, pearlescent letter faces with turquoise edge reflections, and luminous turquoise and violet punctuation. Keep the source's orbital slingshot and outward symbol recoil; subtle iridescence shifts with the existing motion. Add a rising spiral whoosh and bright crystalline ticks, ending with a short shimmering chime while MAGIC remains readable and the surrounding symbols continue their source motion. Create one continuous original instrumental electronic breakbeat across all six sections: punchy kick and snare, rapid hi-hats, syncopated synth bass and compact rising accents. Match strong musical accents to the existing word changes and impacts. Keep the mix energetic and clean, with distinct foreground effects and stereo movement following the symbols. Resolve the music with a decisive final accent and a short chime tail within the 15-second ending. No vocals, spoken words or subtitles. Add no extra words, logos or watermarks.

Testing Wan 3.0 Anime I hadn't had much luck with Wan 3.0 anime before but seeing the incredible work below made me want to give it another shot. I usually use a skill to turn my ideas into prompts but that approach hadn't worked too well for me with this model. This time, I just used the idea itself as the prompt. I'm happy with the result and might experiment with it some more. *Used a character reference. Prompt was: Start with the character from Image 1 performing a ritual-like dance on top of a tower. She raises her staff and sends a wave of energy into the clouds, not as a thin laser line but as something more fluid and undulating. In the clouds, a magic circle appears and expands. The surrounding clouds are pulled toward it and begin swirling around it. A portal opens at the center, and a giant spaceship emerges from it and descends to Earth.

Curiosity driven Character Vignette What if a single character image could become a story you actually want to keep watching? This prompt turns any character reference into a curiosity-driven vignette, using 10-15 connected moments that reveal the character and their world through visual cause and effect, building toward a satisfying payoff. You can use it with almost any video model and any character. I used MiniMax H3 for this example. You can try it with Seedance 2.5 too. Prompt: Create a curiosity-driven character vignette built from 10–15 short cuts around the character from Image1. Preserve the character’s identity, visual style and overall design. Infer its nature and world directly from Image1. Open with an immediately intriguing visual situation that creates a simple unanswered question. Build the following cuts around discovery, reaction, progression and small consequences. Each cut should introduce a new visual idea while clearly advancing the same underlying situation. Let the character reveal itself through behavior rather than exposition. Use its movement, instincts, habits, abilities, limitations, relationships and interaction with the surrounding world to make the sequence increasingly interesting. Keep the narrative simple enough to understand without dialogue. Create visual cause and effect between cuts. Allow details introduced early to gain meaning later. Build toward a clear reveal, reversal, transformation, emotional beat or satisfying visual payoff near the end. Avoid generic daily routines, disconnected montage imagery and repetitive actions. Do not force familiar human behavior onto the character or world. Let the situations emerge naturally from the reference. Make every few seconds visually distinct through changes in scale, framing, environment, movement, tension and information. Maintain strong continuity so the viewer wants to see what happens next. Use objective third-person cinematic observation with natural handheld imperfection and varied shot sizes. Keep the camera readable, responsive and visually motivated. Use only clean diegetic sound. No dialogue, narration, BGM, subtitles or title cards.

MiniMax H3 Use a first-frame image with a 1:2 aspect ratio to generate 1:2 videos. Prompt: Time is slowed. Only subtle, minimal movements are visible. Everything feels suspended in time. Static camera. No camera movement. No BGM.

MiniMax H3 - Prompt Share Give it a character reference and it turns it into a high-tech digital assembly sequence. You can use parts of the result in your music videos too. Prompt: Use the provided reference as the final character target. Create a short premium cinematic character creation video where the character is built step by step through a high-tech digital assembly process. The sequence should feel fast, intense and visually sophisticated. Show a clear staged progression. Begin with abstract digital fragments, prototype sketches, blueprint-style drawings, construction lines and technical concept sheets appearing in the background. Then gradually assemble the character from the inside out, with limbs, body parts, clothing and facial features forming through scanning passes, holographic layers, wireframes, segmented image fragments, luminous particles and sleek interface elements. Let the arms, legs and other body parts visibly generate in stages, as if engineered by an advanced system. Some moments should show unfinished digital anatomy, partial structures and evolving forms before they lock into the final design. Keep the background alive with passing prototype art, silhouette studies, detail callouts and design variations to reinforce the feeling of a real creation process. The pacing should be rapid and aggressive, with dense motion, layered depth, sharp transitions and constant visual activity, while keeping the character build clearly readable as the main focus. The overall style should feel futuristic, polished, luxurious and cinematic. End with the fully completed character, cleanly revealed and clearly matching the reference.

MiniMax H3 - Prompt Share This prompt turns any reference image into a video showing how the subject could be made by hand from scratch. I tried it with my profile picture. It should work with any subject. Prompt: A cinematic creation film follows one maker reconstructing the main subject shown in the referenced image completely from scratch. The referenced image defines the finished subject’s complete visible appearance, proportions, structure, materials, colors, clothing or surface details, and distinctive features; ignore its background, framing, lighting, and unrelated elements. Begin directly on an empty, clean virtual workbench. Use a stable front three-quarter overhead view that keeps the developing subject readable. There is one maker throughout, represented by the same consistent left and right hands and forearms. Show no more than two hands at once. From 0 to 14 seconds, the entire creation unfolds as a clearly accelerated timelapse with rapid, purposeful hand movement and restrained motion blur. Short jump cuts compress repetitive manual work only after each action has visibly completed. Every cut inherits the exact form and progress left by the previous action. 0-2 seconds: One hand enters already holding the first foundation material, armature, or base element appropriate to the referenced subject and places it at the center. The second hand steadies it as the maker establishes the initial supporting form. 2-8 seconds: The maker rapidly develops the subject’s major structure and volumes using one coherent creation method appropriate to what the referenced image depicts. A living subject is sculpted as one continuous, non-gory digital form from armature to anatomy; a vehicle or machine is built from chassis to functional structure; an object is formed or assembled from its supporting body outward. Each additional material or component enters from outside the frame while firmly held by one of the maker’s hands, is carried to its destination, and remains under hand control until attached or shaped. 8-12 seconds: The same hands develop the recognizable outer form and reference-specific features. The maker sculpts, fits, wraps, stitches, fastens, carves, or polishes only where appropriate to the subject. Facial features, hair, clothing, body panels, wheels, glass, surfaces, accessories, or equivalent defining elements emerge through visible hand and tool contact, never through spontaneous transformation. 12-14 seconds: The maker refines proportions, edges, joints, surface transitions, textures, colors, and distinctive details until the developing subject closely matches the referenced image. One hand stabilizes the form while the other performs each final adjustment with a hand-held tool. 14-15 seconds: The maker removes the last tool by hand and withdraws both hands. The timelapse returns to normal speed as the camera makes a restrained push toward the completed subject and holds on a clean final view. Materials and components do not need to be visible before use, but anything newly introduced must enter the frame already held by one of the maker’s hands. Nothing moves, assembles, appears, disappears, or changes material independently. Maintain one maker, one continuous subject, one creation position, and one category-appropriate construction method. No assistants, extra hands, detached anatomy, duplicated elements, magical morphing, drawing phase, software interface, cursor, menus, annotations, or text overlays.

🔥 If I tell you this is how I create my characters, don't believe me. With this prompt, you can turn your character reference into a 15 second creation process video. From rough sketch to final render, the whole build comes together on screen inside a drawing UI. MiniMax H3 - You can find the prompt below.

MiniMax H3 - Text to Video A city painted into existence. Change the city name and quote text and use it for any city. Prompt: [CITY_NAME] = EDINBURGH [QUOTE] = A city carved from stone and story. Create a fast, dense, cinematic 16:9 macro travel film where the entire identity of [CITY_NAME] is continuously painted into existence by living oil paint. Use a low grazing macro camera with extremely shallow depth of field. The world is a vast canvas covered in thick wet impasto paint, sculpted brushstroke ridges, carved grooves, glossy reflections and dense gold glitter. The paint must behave like an active force at all times. It flows like rivers, sweeps like brushwork, gathers like tides, curls at the edges, spills into new paths and physically constructs the city in real time. The film must feel fast, rich and uninterrupted. Use one continuous flowing camera move with no cuts. The camera races across the canvas, skimming over wet paint valleys, weaving between rising structures, accelerating through the city as new landmarks constantly appear ahead. Avoid slow drifting. Keep the visual progression energetic and tightly packed. Start with abstract moving pigment and rapidly transition into recognizable city formation. Show thick paint strokes being laid down, dragged, folded and pulled into shape by an invisible artistic force. Let streams of pigment split and merge like waterways, while dimensional brushstroke masses rise into streets, bridges, domes, towers, rooftops, plazas, canals and layered miniature architecture. Make the city feel as if it is being painted and built at the same time. Reveal many landmarks across the journey, not just one. Let the camera travel seamlessly through the whole city, with one landmark flowing directly into the next. As the camera advances, fresh paint forms arches, facades, bell towers, canal edges, stairways, statues, porticoes and skyline silhouettes associated with [CITY_NAME]. The transitions between landmarks should feel fluid and continuous, with brushstrokes extending forward to pull the viewer deeper into the city. Make the paint motion highly visible and expressive. Show pigment actively spreading across canvas, pouring into channels, stacking into forms, curving into structures and leaving wet textured trails behind. Gold glitter should move with the paint and collect along ridges and valleys, creating sparkling highlights that emphasize speed, direction and shape. Use warm golden key light from the lower left to ignite glossy paint and glitter. Add cool purple-blue ambient fill from the upper right to maintain a dreamy dusk atmosphere. Keep the distant background soft with haze and circular bokeh, but preserve strong clarity on the active foreground paint and newly formed landmarks. Toward the end, the camera rises and pulls back just enough to reveal a broader final view of the fully formed painted city, making it clear that the viewer has traveled through an entire living city built from moving paint. End on a striking travel-poster composition. Place elegant typography in the top left with generous breathing room. Show [CITY_NAME] in refined serif uppercase, with [QUOTE] beneath it in smaller delicate type. The overall feeling should be luxurious, poetic and visually intense, with continuous motion, dense landmark reveals and the clear impression that the whole city is being painted alive in real time.

MiniMax H3 - Tilt-Shift Burger Commerical - t2v Burger Under Construction A tilt-shift burger commercial where tiny construction crews build the burger from the ground up. You can easily adapt this prompt for other foods. Prompt: Create a high-end cinematic tilt-shift food commercial that shows the full construction of a hamburger from start to finish on a clean tabletop, staged like a miniature construction site. Use a strong tilt-shift look throughout: shallow selective focus, miniature diorama realism, soft focus falloff across the frame, and a low tabletop camera angle that makes the tiny vehicles feel large and heroic while the burger ingredients feel monumental. The entire video should follow one continuous build process. Begin with an empty build site: the bottom bun is placed at center as the foundation. Then, step by step, miniature construction vehicles bring in and install each ingredient in order. A dump truck delivers sesame seeds near the work zone. A forklift transports a thick tomato slice. A front loader carries shredded lettuce with some loose pieces spilling naturally. A yellow excavator grips and places pickle slices with its bucket. A mobile crane lifts a glossy cheddar slice with hook and sling, lowering it carefully onto the hot grilled beef patty. Onion rings wait to the side like construction coils. Sauce is applied like mortar. Finally, the top bun is lifted and guided into place as the final roof piece, completing the burger. Include several tiny workers in simple safety helmets directing the build. One signals with a baton, another points toward the stacking area, and others react to each installation step to sell the miniature worksite illusion. Camera language should feel premium and playful: cinematic push-ins, low-angle dolly moves, miniature-style lateral tracking shots, macro insert shots of vehicle actions, selective rack focus between machines and ingredients, and gentle orbiting hero passes around the burger. Keep the movement smooth and expensive, with the tilt-shift effect always helping the scene feel like a handcrafted miniature world. Lighting should be warm and polished like a luxury food commercial, with a strong key from upper left, a gentle rim from rear right, glossy highlights on sauce and cheese, and subtle reflections on the construction vehicles. Emphasize realistic textures: toasted bun crust, soft bun crumb, sesame seeds, grill marks on the beef patty, cheddar sheen, wet tomato surfaces, crisp lettuce edges, pickle gloss, and subtle machine wear and decals. Build the pacing so each ingredient placement feels satisfying and clear. The viewer should always understand that the burger is being assembled in sequence from beginning to end. Finish on a fully completed perfect burger, freshly built, as the vehicles pause around it like a proud construction crew. End with a polished hero shot of the completed hamburger in the center of the miniature worksite. Overall tone: premium, humorous, charming, visually satisfying, high-end commercial quality, with a strong tilt-shift miniature aesthetic and a clear beginning-to-end burger assembly story.