This machine was made with Krea 2 Large, prioritizing mechanical parts designed to move in different ways.
Then I used Krea Agent to study the machine, map the individual mechanisms, and split its animation into two separate Seedance prompts. Each pass owned different movements, with clear instructions not to overlap, so they could be masked and layered together afterward.
Both 15-second passes were generated in Seedance 2.5 at 720p.
Krea Agent then created the masks, composited the two motion layers in the correct areas, and mixed the audio.
Finally, the composite was upscaled to 4K with Topaz.
The whole workflow from still image to two-pass animation, final composite, and upscale happened inside Krea Agent.
Never had to open a video editor or leave the chat.
Insane.
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My favorite Krea 2 settings for my machines:
Intensity: +35
Complexity: −35
Movement: 0
Creativity: High