ROLLING LOUD: THE MOVIE (2026) hits theaters October 2. Owen Wilson plays a dad who sneaks his 13-year-old sons into Rolling Loud Miami, only to lose them in the crowd. Travis Scott, Sexyy Red, Ty Dolla $ign and Ski Mask the Slump God also star. Stay till the end for the Rizzler #RollingLoudTheMoviePartner#

THE BEAST IN ME is worth watching if you’re a Matthew Rhys fan. What makes this one fun is seeing Rhys play so far outside the kind of roles he usually gets. Nile Jarvis is charming, wealthy and incredibly easy to talk to, then suddenly there’s something deeply unsettling underneath it. His chemistry with Claire Danes is what really makes the show work, especially as their strange friendship keeps shifting between fascination, trust and danger. If THE AMERICANS made you a Rhys fan, and you’ve been watching him in WIDOW’S BAY, this is a completely different side of him. He won the Emmy for this role this year too, which feels like a pretty good reason to finally check it out.

If THE ODYSSEY wins Best Picture, Christopher Nolan will become the first director to win Best Picture with back-to-back films since the Academy’s Best Picture win for OPPENHEIMER in 2024. He would also have consecutive Best Picture wins as a producer, following OPPENHEIMER.

Don’t think people realize how insane Tom Cruise and Will Smith’s box office runs were. At one point, both of these guys were putting together ridiculous streaks of movies making $100M+ worldwide, and the crazy part is how many of them were completely original movies or one-off projects. Cruise had an 11 movie worldwide streak from COCKTAIL (1988) through EYES WIDE SHUT (1999). COCKTAIL. RAIN MAN. BORN ON THE FOURTH OF JULY. DAYS OF THUNDER. FAR AND AWAY. A FEW GOOD MEN. THE FIRM. INTERVIEW WITH THE VAMPIRE. MISSION: IMPOSSIBLE. JERRY MAGUIRE. EYES WIDE SHUT. That is absolutely ridiculous. And then from 2000 to 2006 he had another insane run with MISSION: IMPOSSIBLE II, VANILLA SKY, MINORITY REPORT, THE LAST SAMURAI, COLLATERAL, WAR OF THE WORLDS and MISSION: IMPOSSIBLE III. Will Smith had his own monster stretch starting with BAD BOYS II in 2003. BAD BOYS II. I, ROBOT. SHARK TALE. HITCH. THE PURSUIT OF HAPPYNESS. I AM LEGEND. HANCOCK. SEVEN POUNDS. MEN IN BLACK 3. AFTER EARTH. FOCUS. Eleven straight movies making more than $100M worldwide. And look at how many different kinds of movies are in there. A Michael Bay action sequel, animated shark movie, romantic comedy, drama, zombie apocalypse movie, superhero movie, sci-fi, heist movie. No Marvel Cinematic Universe. No Star Wars. No Harry Potter. Just two movie stars whose names alone could get people into theaters. That’s the part that feels almost impossible now. The modern box office is so dominated by established IP that it’s easy to forget there was a time when Tom Cruise could open COLLATERAL or THE LAST SAMURAI, Will Smith could open HITCH or THE PURSUIT OF HAPPYNESS, and audiences would simply show up. The level of star power these two had was ridiculous.

Genuinely believe Matthew McConaughey’s four year run from 2011 to 2014 is the greatest career rebrand an actor has ever pulled off. Early in his career, McConaughey became Hollywood’s go-to rom-com guy. THE WEDDING PLANNER, HOW TO LOSE A GUY IN 10 DAYS, FAILURE TO LAUNCH, FOOL’S GOLD. Add the shirtless action movies and it felt like his entire career had been reduced to one very specific version of Matthew McConaughey. Then after GHOSTS OF GIRLFRIENDS PAST, he basically said enough. McConaughey has talked openly about telling his agent he wasn’t doing rom-coms anymore. He spent roughly two years turning down roles he knew he could easily get, even while the offers kept coming. Eventually there was nothing. He had to sit there and wait for Hollywood to figure out what to do with him. (CBS News) And then look at what happened. 2011: THE LINCOLN LAWYER, BERNIE, KILLER JOE 2012: MUD, MAGIC MIKE, THE PAPERBOY 2013: DALLAS BUYERS CLUB, THE WOLF OF WALL STREET 2014: INTERSTELLAR, TRUE DETECTIVE That’s an absurd four year run. He went from romantic comedy leading man to playing a sleazy killer in KILLER JOE, a bizarre small-town undertaker in BERNIE, a fugitive in MUD, a stripper’s boss in MAGIC MIKE, Ron Woodroof in DALLAS BUYERS CLUB and one of the most memorable small supporting characters in THE WOLF OF WALL STREET. Then he comes back as the lead of Christopher Nolan’s INTERSTELLAR and stars in TRUE DETECTIVE. And the crazy part is that he didn’t just become “the serious Matthew McConaughey.” He completely changed what people thought he could do. DALLAS BUYERS CLUB won him the Oscar. MAGIC MIKE became a huge hit. TRUE DETECTIVE became a phenomenon. INTERSTELLAR proved he could carry a massive studio movie. Even at the time, critics were calling it an astonishing turnaround. (Roger Ebert’s Reviews) So now I’m genuinely curious. Who else pulled off a career rebrand this dramatic? Charlize Theron? Robert Pattinson? Jim Carrey? Robin Williams? Adam Sandler? Even Ben Affleck? Who actually did it better than McConaughey?

I got tired of tab-hopping between sportsbooks, so I hooked @OpticOdds straight into Claude. Now from just one prompt it will... - pull live odds - catch line movement - flag when a book's off the sharp number 3 examples of what that actually looks like 📷