Dafne Keen pays tribute to Sir Patrick Stewart ♥️🕊️ “I heard of Patrick’s passing earlier today, which is funny in a kismet kind of way, considering I was drafting an email to send him late last night, something I hadn’t done in quite some time. He was such a kind, genuine, funny, unique, caring and charming man. I remember his endless jokes, nurturing nature and colourful reading glasses. Every single day spent working by his side was an honour and a privilege I can't quite believe I had. He was a walking master of his craft, and of life. One of the greatest of our time, on stage and on screen. I have always looked up to him, and always will. As an actor and as a man. He had a wonderful way of wrapping every ancient lesson he imparted in wonder, fun and excitement. I will always remember his warmth and the respect he showed to everyone around him. I will forever hold those months we spent together close to my heart, and will always think of him as a pivotal part of how I view the world around me. So rest in peace, you giant, you legend amongst men. The beautiful work, humanity and kindness you leave behind will live on forever.”

DIGGER (2026) feels like the kind of original, completely unhinged Hollywood movie that barely gets made anymore. Tom Cruise and Iñárritu making something this weird is exactly what cinema needs.

What movie completely changed your sympathies when you rewatched it as an adult? A character who seemed like the hero when you were younger suddenly makes less sense, while the person you thought was the villain turns out to have a point. MRS. DOUBTFIRE is a perfect example. As a kid, it’s easy to side with Robin Williams. As an adult, Miranda’s perspective hits very differently. Which movie gave you that realization?

The moment Howl takes Sophie’s hand in HOWL’S MOVING CASTLE (2004) and MERRY-GO-ROUND OF LIFE swells. Joe Hisaishi made falling in love sound like the most magical thing in the world. ✨

Leonardo DiCaprio deserves an Oscar just for that Mexican whistle in ONE BATTLE AFTER ANOTHER (2025). 😂 He revealed he learned to communicate that way during the pandemic while planting cacti with his Mexican gardeners.

In ROMAN HOLIDAY (1953), Gregory Peck deliberately startled Audrey Hepburn by pretending to hurt himself, capturing a genuine reaction from her. William Wyler loved the spontaneous moment so much that he kept it in the final film. ❤️

TARZAN (1999) turning the jungle into an extreme sports playground was genius. The tree-surfing sequences are ridiculously fluid, with Tarzan moving through the jungle like he’s surfing a giant green wave. Still one of Disney’s coolest animation flexes.

“MY BROTHER. MY CAPTAIN. MY KING.” Aragorn kneeling beside Boromir in THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING (2001) is one of the most powerful moments in the entire trilogy.

Recommend a movie that destroys you in the most beautiful way. A deeply human story about love, loss, loneliness, regret or the complicated mess of being alive. Not just something sad, but a film that makes you feel connected to its characters and leaves you sitting in silence long after the credits roll. The kind of movie that stays with you for days.

While THE SHINING (1980) was filming at Elstree Studios, Danny Lloyd got to visit the nearby MUPPET SHOW workshop and watch some of the puppets being brought to life. Imagine spending your days on one of horror’s most unsettling films and then getting to hang out with the Muppets.

LAWRENCE OF ARABIA (1962) makes the desert feel almost otherworldly. Freddie Young’s 70mm cinematography turns the shifting dunes, distant silhouettes and that legendary match cut into images that feel impossibly vast on the big screen.