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John🇨🇦
@john87445528
aiartwork | virtualphotography | architecture | Midjourney phone wallpaper Chuyên gia sáng tạo nội dung và đào tạo về A | Các công cụ được tuyển chọn
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prompt: 30秒,16:9横屏,照片级写实欧洲哥特奇幻动作电影。故事发生在暴雨笼罩的欧洲旧港:一名白衣女子遭骑士操纵的装甲巨兽袭击,随后完成机械装甲化与巨化,变成十八米高的黑甲女武神。她识破骑士的指挥动作,借巨兽扑击的动量完成侧摔,再衔接双踝大回旋,将巨兽连同骑士掷向无人防波堤。最终骑士再次下令,巨兽却已无力执行。 采用实拍演员、实体机械装置与电影级生物特效融合的视觉语言。冷灰蓝夜色、炭黑阴影、旧银色金属、少量琥珀色窗光。细腻35毫米胶片颗粒,克制的镜头光晕,真实皮肤纹理、雨水、湿润织物、厚重装甲和风化石材。暗部保留细节,金属高光不溢出,不呈现塑料皮肤或游戏过场动画质感。 动作迅猛、沉重、连续,摄影机每秒都有由事件推动的发展。逐秒段落是动作节拍,不要求每秒切镜。关键变身、抓握、转髋、摔落和释放过程保持连续可见,不能用白闪、浓雾或剧烈摇晃隐藏动作。 参考图片与身份分配 美女#1# ——女主身份。 唯一成年女主。严格保持参考图的脸型、五官比例、眼睛、鼻部、嘴唇、下颌、肤色和人物辨识度。变身前保留黑色长发;变身后头盔露出的面部仍然是同一个人。只参考身份,不复制九宫格、白底、多个人像或参考图排版。 服装#2# 图片_20261102224636_128_537 ——变身前服装。 保留白色缠绕式上装、白色包裹短裙、白色毛绒长手套和腿部绑带,补充白色平底短靴用于行动。面料不透明,淋雨后仍保持遮盖。只继承服装,不继承图中人物身份、手提包和背景。 巨兽与骑士#3# u9762186265___--chaos_5_--ar_43_--stylize_150_--weird_8_--hd__21f92171-f39d-40f9-9951-97763bbe7635_0 ——敌方整体设计。 保留四足装甲巨兽的宽阔猫科头颅、琥珀色眼睛、黑灰层叠鳞甲、背部厚重尖刺、粗壮四肢、巨爪和长尾。它是生物与厚重矿物装甲结合的奇幻巨兽,不改成机器人。 保留背上成年男性骑士的束发、冷峻面容、深色金属铠甲、厚重灰黑毛领、兽首肩部装饰和暗色披风。骑士不下马、不变身,也不成为另一个巨人。 全片只有一名女主、一名骑士和一头巨兽。 变身战甲#4# hf_20261104_020813_cf8e2210-12f2-440a-803f-89dccb339618 ——女主完成变身后的外观。 严格保持图4的石墨黑与旧银色曲面装甲、贴合额头的尖弧头盔、露出眼鼻口的面罩结构、颈部纵向机械管线、肩肘膝圆形关节、细密连接件、装甲手指、背后成束垂落的机械辫缆,以及机械高跟靴轮廓。 战甲表面呈湿润冷硬的金属质感,窄而锐利的冷光沿曲面移动。保留参考图的装甲分区、机械结构和身体比例,不增加披风、翅膀、犄角、发光胸核或武器。图4控制战甲,露出的脸仍由图1控制,不替换成图4人物的另一张脸。 全部参考图仅用于设计,成片不出现设定页分格、正侧背排列、英文标注、比例尺、水印或影棚背景。 变身与尺度规则 女主初始约1.7米,随后同一具身体连续增长至18米,黑色装甲围绕身体组装并同步增长。白色衣物逐步被装甲完整包覆,不演脱衣,不出现裸露变身。 腿部机械支撑、脚部装甲、躯干甲片、肩甲、颈部管线依次形成,头盔最后闭合。原本黑发被后脑装甲收拢,其外侧形成图4的机械辫缆。辫缆是有重量的机械附件,随身体运动摆荡,不变成触手或攻击武器。 女主增长的是原本身体,不是身后出现巨型投影。地面不留下另一个白衣女主。变身完成后固定18米,不突然缩小或改变比例。 巨兽肩高约10米、全长约25米,体型全程不变。骑士保持正常成年人体型,依靠鞍座位置高于巨兽背部。用仓库门窗、系船柱、吊臂和钟楼提供稳定尺度参照。 女主力量足以抗衡巨兽,但发力必须通过脚掌支撑、屈膝、髋部转动和躯干传力表现。机械高跟靴保持图4设计,前脚掌与靴跟合理承重,脚踝稳定,不内翻折断,不凭细跟悬空支撑全部重量。 骑士控制与骑乘连续性 骑士坐在巨兽肩胛后方、背刺之间的固定鞍座。鞍座留出安全坐姿空间,背刺不能穿过骑士身体。宽皮革束带固定腰胯,双脚扣入脚蹬,前方有金属扶架。 两条深色缰索从骑士手中的控制柄连接到巨兽左右颈侧甲环,连接点全程一致。缰索随拉动绷紧、松开后自然下垂,不穿过身体,不凭空换位置。 控制方式为缰索方向、脚蹬压力、骑士身体姿态与短促口令: 向左拉缰后,巨兽先转耳、偏头,再转肩。骑士身体前倾、夹紧双腿并送缰,巨兽才压低前躯、后腿蓄力并扑出。突然收紧双缰时,巨兽先感到牵制,再以前爪撑地调整动作。 命令与执行之间有短暂、可见的反应时间。巨兽有自身重量和惯性,不能收到指令就瞬间反向。 骑士始终随鞍座和巨兽运动。受冲击时抓紧扶架、压低身体,护甲碰撞鞍座,束带实际承重。他不会像雕像一样固定不动,也不会在切镜后消失。快速运动中头发、毛领、披风与缰索有一致的惯性方向。 哥特港口与空间关系 虚构的欧洲十九世纪风貌旧港,深夜持续暴雨。 陆侧是尖拱石仓库、黑铁栅门、飞扶壁和远处高耸钟楼。石像鬼排水口倾泻雨水,狭长彩窗透出暗琥珀光。古老黑铁装卸吊臂、粗重铁链和系船柱分布在港边。海侧斜向连接一段无人旧防波堤,外侧是足以容纳巨兽的碎石浅滩。 主战场为宽阔、已撤空的重型石砌装卸平台,下方有厚实承重结构。表层石板破裂后露出混凝土加固层与钢筋。中央预留足够空间承接第一次侧摔,以及后续双踝回旋。 陆侧仓库、海岸线、防波堤与钟楼的方向始终一致。女主将巨兽甩向海侧无人区域,不投向旧城建筑。前面损坏的吊臂、护栏、地面沟槽和石板之后持续存在。 冷光来自厚云后的月光、港灯与偶发闪电;暖光来自仓库窗内。闪电短暂揭示轮廓,不连续频闪。雨水在逆光中可见,但不能遮住双方接触点。 逐秒动作与摄影 00—01秒 首帧巨兽前爪已经重重砸中码头,湿石板从爪下翘起,积水向镜头扑来。低机位沿地面急退,白衣女主在前景侧身避开碎石。巨兽、背上的骑士和女主同时可见,立刻建立敌我关系与尺度差。 01—02秒 切骑士侧面近景。他左手短拉缰索,左脚压紧脚蹬,低声命令:“左边。”手部、绷紧缰索和通向颈侧甲环的方向清楚可辨,雨水沿毛领和兽首肩甲流下。 02—03秒 切侧向宽景。巨兽先向左偏头,再转肩撞断黑铁吊臂。铁杆倒向女主所在方向。镜头沿撞击传力和铁杆落势横移,明确这是上一秒指令的结果。 03—04秒 女主扑向侧面,铁杆砸中她刚才的位置,石板破裂,铁链滑过前景。她撑地抬头,视线掠过骑士手中的缰索。镜头落到白色手套上,手腕下出现细密黑色机械接缝,远处响起一声沉钟。 04—05秒|开始五秒连续变身镜头 她站起,黑色机械指节逐节包覆双手,腕甲沿铰接向前臂展开。摄影机从侧前方后退,保持完整身体与附近仓库门框可见。白色衣物尚未被完全覆盖。 05—06秒 延续同镜。腿部支撑与机械靴围绕双腿闭合,身体增长至约5米。脚部从白色短靴外观转为图4机械高跟靴结构,前脚掌和靴跟共同落地。水沿承重处向外涌开。 06—07秒 延续同镜,增长至约11米。腹部、胸部和背部甲片沿机械铰链转动并扣合,将白衣完整包覆。摄影机升高拉宽,固定仓库与钟楼尺度,不用变焦伪造身体增长。 07—08秒 肩甲、圆形关节和颈部纵向管线锁定,身体继续增长至18米。后脑甲片收拢黑发,机械辫缆逐束垂下。头盔两侧向额头闭合,眼鼻口仍露出,面容始终对应图1。 08—09秒 延续同镜拉成完整宽景,展示图4黑甲轮廓与18米尺度。女主屈膝站稳,靴底压碎局部石面。骑士仰头注视她,神态由轻蔑转为戒备,收缰让巨兽后退半步。地面没有残留小体型女主。 09—10秒 切骑士三分之四近景。他压低上身,夹紧双腿,猛然向前送缰,喊:“冲!”镜头保持面孔、双手和前倾动作可见,鞍座随巨兽蓄力下降而震动。 10—11秒 侧面宽景,巨兽按指令后腿蹬地,向女主正面扑出。清楚展示起跳点、腾空身体与目标位置。骑士同步伏低,抓住控制柄,毛领和披风向后掀起。 11—12秒|开始连续侧摔镜头 女主预判扑击,向巨兽右侧跨步,右手扣住其右前腿腕部上方,左臂托住右肩下的胸侧。先展示双臂接触,再见她脚下短距离后滑。骑士急拉反向缰索,试图纠正扑击方向。 12—13秒 延续同镜。女主屈膝、转髋,将髋侧切入巨兽前半身下方,借它未消失的前冲动量向侧前方引导。巨兽右肩被压低,后腿离地;骑士的修正来得太晚,缰索已绷紧但身体仍沿原动量翻转。 13—14秒 保持侧面中远景,女主伸腿转身,完成借力侧摔。巨兽侧肩首先撞地,随后躯干和后腿落下;鞍座朝斜上方,不被压在巨兽背下。骑士被甩向外侧,腰胯束带拉紧,双手抱住扶架。先见触地,再见石板下陷、水浪与碎石外扩。 14—15秒 切骑士短近景。他被震得贴向鞍座,重新抓住缰索,咬牙喊:“起来!”巨兽抬头,前爪开始刮地,试图翻回腹部朝下的支撑姿势。口令、拉缰和起身尝试形成完整因果。 15—16秒 回到宽景。女主松开巨兽前肢,顺着其侧面跨向后腿,抢在它恢复站姿前换位。摄影机连续后退,交代她从肩侧到后肢的移动路线。机械辫缆随转身甩动,不缠入巨兽背刺。 16—17秒 她俯身,一手扣住一只后踝上方。两只后爪明确露在抓握点外,长尾位于腿后,不被误抓。女主下沉重心,以腿和背部共同发力,把巨兽后躯提起;其前爪刮出沟槽,尚未完全离地。 17—18秒 骑士急拉双缰,试图让巨兽扭头反咬。镜头在宽景内同时展示拉缰、颈部转动与受限躯干。女主继续提拉并后移一步,巨兽前爪脱离地面,扭身反击失败。 18—19秒|进入大回旋连续镜头 女主交替踏步开始第一圈回旋,双手始终抓住双后踝,巨兽身体向外伸展。摄影机在旋转范围外侧向跟拍,完整保留女主、握点、巨兽与鞍上骑士。骑士放低身体,抱住扶架,双脚仍扣在脚蹬内。 19—20秒 延续同镜,第一圈加速。巨兽从前景横扫而过,长尾和披风朝旋转后方拖曳,带起厚重雨雾。女主脚下石板依次碎裂,机械关节承受拉力。摄影机不跟着转圈,避免把镜头旋转误当成实际回旋。 20—21秒 切稳定高位宽景,第二圈的圆周关系清楚可见。女主位于旋转中心,巨兽、鞍座和骑士作为同一整体运动。骑士试图抬手发令,却被风压和惯性迫回扶架,指挥已失去效果。地面形成环形裂沟,仓库和海岸线固定。 21—22秒 回到旋转范围外的侧面极宽景。女主踏出更沉重的一步,将释放方向对准海侧防波堤。前脚掌与靴跟稳定承重,脚踝不扭折。骑士抬头看见落点,露出惊惧,随即缩回鞍座保护头颈。 22—23秒 同一宽景清楚展示女主同时张开双手,松开两个后踝。巨兽沿圆周切线飞出,骑士与鞍座一起离开,不独自在空中停留。短促甩镜跟随投掷,随后稳定,连接女主、飞行轨迹与防波堤。 23—24秒 平行追拍飞出的巨兽。它保持原体型,身体在惯性中恢复腹部朝下,前爪向落点伸出,长尾沿轨迹拖后。骑士伏低抱住扶架,束带绷紧。腹下风压推开海面雨水,影子掠过防波堤石顶。 24—25秒 巨兽前爪先抓上防波堤,随后侧肩重撞护面石,试图减速却仍撕开大片石料。摄影机侧向跟进,先见爪与肩的实际接触,再见结构崩裂。鞍座始终朝上,骑士在束带内剧烈颠簸。 25—26秒 巨兽沿破损斜坡滑入海侧碎石浅滩,腹部沉重落地,水浪向两侧爆开。极宽景先交代身体和浅滩位置,再让水墙升起。巨兽头部、背部和骑士鞍座始终高于水面,不出现落入深海后又突然回岸的跳变。 26—27秒 水雾下降,切骑士近景。他喘息着再次拉动缰索,低声命令:“起来……”巨兽只发出沉重呼吸,前爪微动,无法站起。缰索拉紧后没有带来有效动作,清楚证明其已失去继续作战的能力。 27—28秒 回到码头女主脚边低跟镜头。她松开紧握的手指,机械关节卸去负载,向岸边迈出一步。靴底踏过先前留下的碎石沟,雨水流入裂缝;所有损坏保持一致。 28—29秒 摄影机升向女主面部三分之四近景。头盔湿润冷硬,机械辫缆逐渐停止摆动。图1的眼睛、鼻部和嘴唇保持清楚,她平静确认远处骑士已无力继续指挥。反打浅滩,骑士缓缓松开缰索,巨兽低头喘息。 29—30秒 摄影机向后上方拉成极宽景:十八米黑甲女武神立于破碎码头,陆侧尖拱仓库与雾中钟楼提供尺度;海侧巨兽腹部伏在浅滩,骑士仍坐在鞍上,手中缰索已经松弛。断链从石沿滑落,撞上铁环,沉钟余音回应金属重响。暴雨、海浪和滴水持续运动,结束于明确胜负。 声音与配乐 低沉弦乐、克制的管风琴低音和远处钟声构成欧洲哥特电影配乐,无歌词、无持续合唱。 持续暴雨、海风、海浪拍岸、石像鬼排水与港口铁件振动。骑士口令短促、低沉、自然,配乐在口令出现时略微降低。缰索收紧的皮革声、甲环摩擦、脚蹬和鞍座碰撞与具体动作同步。 女主变身采用机械铰链、滑动甲片、锁扣、伺服与逐步加重的负载共振。摔技突出脚底承重、鳞甲摩擦、身体触地和石料断裂。第一次侧摔先听沉重撞击,再听碎石、水浪和结构下陷。 回旋期间风压逐渐升高;最终触堤前短暂压低音乐,依次释放前爪刮石、侧肩撞击、连续坍塌和浅水巨响。最后骑士的命令在雨中显得无力。结尾音乐退去,留下巨兽喘息、断链、钟声、风雨与海浪。无旁白,无额外对白。 关键连续性与排除项 保持女主身份、服装来源、图4战甲与巨兽骑士设计。女主没有分身或投影,巨化后不恢复人形、不更换面孔;机械辫缆不变成攻击触手。机械高跟靴保留设计,同时保持脚掌、靴跟和关节支撑合理。 骑士的鞍座、束带、扶架、脚蹬与两条缰索始终存在。骑士不会切镜消失,不会与巨兽分离悬浮,不会被背刺穿透。侧摔时鞍座朝斜上方,最后落点鞍座朝上;不把骑士压入地面,不出现血腥伤害。 指令必须先于巨兽反应。女主依靠观察、借力和连续摔技取胜,不新增魔法光束、瞬移或突然出现的武器。巨兽保持四足生物结构,不生成机械内脏、能量核或无来源爆炸。 完整展示前肢抓握、转髋侧摔、实体触地、松手换位、双后踝抓握、离地旋转、同时放手及切线飞行。背刺不穿模,长尾不凭空消失,双方身体不拉长成带状。 无长时间慢动作、无冻结摆姿势、无无目的摄影机旋转、无全屏白闪遮挡命中。保留积累的场景损坏,不自动修复吊臂、防波堤和地面。无字幕、标题卡、参考图文字、图板分格或新增水印。最终必须同时交代女主站稳、骑士松缰、巨兽无力起身。
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好吃吗?x友们敢试试吗? { "model": "gemini-omni-1.1-flash", "duration": 10, "aspect_ratio": "16:9", "resolution": "1080p", "shot": { "composition": "Extreme close-up, 85mm macro lens, shallow depth of field. Keep the character's lips, both mouth corners, and adjacent cheek clearly visible, with enough space to show the chopsticks and moving tentacles.", "camera_motion": "Nearly static camera with a subtle micro-pan following the contact between the tentacles and her cheek.", "structure": "Single continuous shot, no scene cuts, no jump cuts.", "frame_rate": "24fps" }, "subject": { "description": "Use preset @9fa117e4-d8a7-4b74-8d78-ccd77e7991d1 as the adult female character reference. Strictly preserve her facial identity, hairstyle, hair color, skin tone, and body proportions.", "wardrobe": "Dress the character in the complete outfit from preset #2#. Strictly preserve the clothing design, colors, materials, accessories, and fit.", "expression": "Calm and focused, with a slight smile and natural micro-expressions.", "reference_priority": "Preset #1# controls character identity and physical appearance. Preset #2# controls clothing and accessories only. Preserve these references throughout the entire shot." }, "scene": { "location": "Minimalist white studio with soft purple LED backlighting and a glass table.", "time_of_day": "Evening.", "environment": "Gentle purple neon glow reflecting off glass surfaces, tiny water droplets visible on the clear tray." }, "action": { "description": "The woman delicately picks up a small live octopus with clear glass chopsticks and slowly raises it toward her slightly parted lips. As the octopus reaches her mouth, its tentacles actively curl outward and press against her face, visibly resisting being drawn inward. Two tentacles briefly cling to her cheek and the corner of her mouth, while another curls beneath her lower lip. Individual suction cups make visible contact with her skin, holding momentarily before gradually releasing. She pauses briefly, maintaining a composed expression, then carefully adjusts the chopsticks to guide the curling tentacles into her mouth. The last visible tentacle stretches along her cheek, curls once, releases its grip, and disappears between her lips. She closes her mouth and finishes with gentle, closed-mouth chewing.", "timing": { "0–3s": "She lifts the small octopus from the clear tray and brings it toward her lips. Its wet tentacles curl and extend, with a tiny droplet falling back toward the tray.", "3–7s": "As she takes the octopus into her mouth, several tentacles remain outside, curling against her cheek and mouth corner. Their suction cups briefly attach, creating slight localized skin indentation. She pauses and carefully guides them inward with the chopsticks.", "7–10s": "The final tentacle briefly clings to her cheek, then gradually releases and slips completely into her mouth. She withdraws the chopsticks, closes her lips, and chews softly with subtle jaw movements." }, "physics": "Keep the octopus small enough for the action to remain physically plausible. Maintain consistent anatomy, body size, and tentacle continuity. All tentacles remain connected to the octopus body. Show believable muscular curling, localized suction-cup attachment, slight skin indentation, and sequential release. Tentacles disappear only by visibly moving into her mouth.", "visual_constraints": "No blood, wounds, torn tissue, exposed mouth interior, detached tentacles, duplicated limbs, exaggerated facial distortion, or graphic chewing." }, "props": [ "A binaural ASMR microphone positioned just below the frame", "Clear glass chopsticks", "A clear acrylic tray containing a shallow puddle of water" ], "cinematography": { "lighting": "Soft frontal beauty lighting with gentle overhead fill and faint purple rim lighting. Preserve natural skin texture and readable suction-cup contact.", "tone": "Serene, hypnotic, intimate.", "color_palette": "White studio surroundings, soft purple lighting, iridescent water reflections, and the original clothing colors from preset #2#.", "visual_style": "Minimalist cinematic realism, clean digital detail, soft pastel grading.", "focus": "Maintain readable focus across the lips, nearby cheek, and attached tentacles. Avoid depth of field so shallow that the key contact details become blurred." }, "audio": { "primary_sounds": "Delicate wet tentacle movements, faint suction-cup release sounds synchronized with detachment from her cheek, tiny water droplets, and soft closed-mouth chewing.", "ambient": "Quiet studio hum, subtle breathing, and a light glass-chopstick clink.", "music": "none", "dialogue": "none", "technical": "Binaural ASMR with amplified but restrained micro-sounds. Precisely synchronize each contact, suction release, and chewing sound with the visible action." }, "notes": "Strictly use preset #1# for the adult character and preset #2# for her complete outfit. Prioritize visible tentacle resistance through curling, cheek contact, suction-cup attachment, and gradual release. Preserve her facial identity, clothing, and composed demeanor throughout. The entire octopus must visibly enter her mouth before the final closed-mouth chewing. No cuts, abrupt action skips, or disappearing tentacles." }
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Elon Musk 埃隆·马斯克@elonmusk 什么时候能把火星建设成这样? midjourney prompt: the ceiling of a large underground symbiosis complex, in the style of matte painting, george lucas, light maroon and gold, terraced cityscapes, lively tableaus, movie still, columns and totems --chaos 5 --ar 9:16 --raw --hd --profile diz3fw2 --profile y62w15j --profile lvxpkqx
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“Asian Mom vs. the ‘Daughter-in-Law’ 😂”
Beautiful works: Western illustrations and Eastern illustrations have different styles, but the emotional impact they deliver is the same. It’s just like how humans define good and evil.
They said dragons disappeared centuries ago. They were wrong.
seedance prompt: Realistic Video Narration (15-Second Full Version - Pure First-Person POV): Presented in the style of unprocessed, handheld, unstable iPhone video footage. All camera settings are automatic, with no post-processing color grading or special effects. The footage captures the realistic breathing of the operator and slight, irregular hand shake. Autofocus frequently exhibits intense searching, brief out-of-focus periods, and delayed recovery. Auto white balance naturally shifts between warm and cool tones as it blends with the library lights and natural light from distant windows. The overall image is flat and slightly washed out, retaining realistic lens flare, edge purple-green iridescence, and slight overexposure or underexposure. Faint fingerprint artifacts occasionally appear at the bottom of the frame. Only natural ambient sound effects are used (the sound of turning pages, very light footsteps in the distance, the low hum of an air conditioner, suppressed breathing, and the subtle rustling of stockings against a cheongsam). All sounds are extremely suppressed, with slight microphone distortion at louder frequencies. The entire video employs a pure first-person POV perspective (student's subjective viewpoint), with camera movements completely following natural head rotations and gaze movements. The composition is occasionally imperfect, showing realistic breathing tremors and slight shaking during moments of tension. From 0-4 seconds, the camera, in a first-person perspective, rests on a desk in a secluded corner of the library, with noticeable breathing tremors. You can clearly see your legs in black trousers. A female teacher approaches from behind and sits directly opposite you, wearing a white, glossy cheongsam-style dress (high slit design, keyhole cutout at the chest, pink floral lace shoulder embellishments), paired with white suspender stockings and white garter belts. She suddenly leans forward, one hand reaching out to cover your mouth, the other pressing on the inside of your black trousers, whispering, "Don't make a sound... be good, sit still." Her voice is extremely low, yet carries a powerful seduction. The autofocus searches for the high slit of the white cheongsam and the white suspender stockings. Between 4 and 9 seconds, the teacher leans forward more proactively, the high slit of her glossy white cheongsam sliding upwards, revealing a large expanse of her fair thigh and white stockings. She whispers in your ear, "Watch closely... this is what you want to see." The camera instinctively lowers its focus, locking onto a close-up of your black trousers and the teacher's white stockings—the glossy cheongsam fabric taut, the stockings subtly reflective. Your breathing noticeably becomes heavier. Between 9 and 15 seconds, footsteps approach in the distance, and the teacher presses you down more aggressively, whispering a warning, "Someone's coming... but you can't move or make a sound." The high slit of the white cheongsam and the stockings are pressed tightly together, the image shakes violently, the tension reaching its peak. The footsteps grow closer, and the image freezes in an extremely oppressive atmosphere. The footage presents a realistic, unprocessed handheld video quality, a natural, imperfect feel reminiscent of a documentary, without any post-production color grading or special effects. All camera actions are consistent with the physical characteristics of iPhone automatic shooting.
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Angel of the Gym, seedance prompt: Presented in the style of raw, handheld iPhone video footage, with all camera settings set to automatic, no post-processing color grading or special effects. The footage features slight hand-held shake and the operator's breathing sensation, occasional autofocus searching, delay, and brief loss of focus, automatic white balance switching between gym lighting and natural light. The image is flat overall, preserving real edge color fringing, slight overexposure, motion blur, and other optical imperfections. Only in-camera natural ambient sounds are used, including gym equipment sounds and faint air conditioning noise. Shot from a first-person handheld perspective, with natural reactive camera movements, occasionally slight swaying due to walking or adjusting angles. Medium and close-up compositions alternate, clearly showing the full body and action details of a plus-size Asian woman. Wearing the reference image of an elegant gold-embroidered long dress, she is exercising in the gym. She is wearing this formal dress, using cable machines and seated machines. At 0 seconds, the camera focuses on the woman from a medium shot, she is standing in front of the cable machine, hands gripping the handles ready to pull, the dress naturally flowing down. She slightly bows her head, quickly glancing at the camera with a hint of shyness. At 1 second, she starts pulling the cable with force, her body swaying back and forth, the sheer shoulder cape and skirt fluttering slightly with the movement. She frowns slightly as she exerts effort, occasionally looking up at the camera with a shy gaze. At 2 seconds, the woman continues pulling the machine, her movements accelerating, the dress fluttering with her body's sway. She looks up with a faint smile on her lips as she gazes at the camera. At 3 seconds, she stops pulling and walks to the nearby seated machine, sitting down, the dress swaying significantly with the movement. She lowers her head to adjust the hem and collar of the dress, her face showing a shy expression. At 4 seconds, she sits on the machine, leaning slightly forward, hands placed on her legs adjusting her posture. As she lowers her head to adjust her clothes, she looks at the camera with a shy gaze. At 5 seconds, she gently places her hands on her chest, slightly tilting her head up as she looks at the camera, a natural, slightly shy smile on her lips. At 6 seconds, she remains seated on the machine, looking at the camera with a soft gaze, a shy yet happy smile on her face, slightly adjusting her sitting posture. At 7 seconds, she stands up from the machine, the camera follows her movement, the dress fluttering slightly as she walks. She looks back at the camera with a shy and gentle smile. The footage presents a genuine, raw, handheld video quality with a documentary-level sense of natural imperfection, without any post-processing color grading or special effects. All camera behaviors conform to the physical characteristics of an iPhone being used in a gym.
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SEEDANCE prompt: 以未经处理的iPhone手持拍摄的真实视频素材风格呈现,所有相机设置均为自动,无任何后期调色或特效。画面带有真实的手持轻微抖动和操作者呼吸感,自动对焦偶尔出现搜索、延迟和短暂失焦,自动白平衡随教室窗户自然光与日光灯混合而在冷暖色调间自然切换。图像整体平坦,保留真实的边缘色差(紫绿 fringes)、轻微过曝或欠曝、运动模糊等光学瑕疵。仅使用画内自然环境音效,无背景音乐,麦克风在强声时可能出现轻微失真。采用学生坐在前排课桌后偷偷第一人称POV中近景仰拍视角,镜头运动为自然反应式而非专业平滑运镜,偶尔因紧张而出现明显抖动和快速调整。中近景构图,女教师上半身在画面中占比极大,胸部以上占据画面大部分空间,脸部和手势细节清晰可见。 接 延长15秒,一位女教师 穿着 hf_20260512_140658_485f11b2-38b1-4076-a9a3-9d38e71616ad 站在讲台上讲心理学课程。她身材丰满,胸部较为丰满突出,气质温和专业,按照用户提供的参考图的发型和服装,无眼镜。表情专注而温和,偶尔微笑,手势自然。她身后是白板和投影屏幕,屏幕上显示着“心理学导论 - 认知偏差”相关内容。教室为普通大学阶梯教室,前排座位上坐着2-3位同学(一位女生低头认真记笔记,一位男生偶尔抬头看老师),他们的头顶和肩膀仅在画面最下方边缘微微可见,形成自然的前景层次。 0秒时,镜头已从中近景位置抬起,女教师胸部以上清晰占据画面大部分空间,按照参考图的发型和服装线条明显,自动对焦稳定在她脸上但仍有轻微手持呼吸抖动,前排同学的头顶仅在画面最下方边缘可见。1秒时,女教师开始讲解,声音清晰富有节奏,镜头因学生轻微调整姿势而出现小幅度晃动,自动对焦在她脸部和手势之间自然切换。2秒时,女教师用手势比划“confirmation bias”,中近景构图让她按照参考图的胸部线条和手部动作都非常清晰,镜头跟随手势轻微上移,带有自然呼吸感。3秒时,女教师转身走向白板写关键词,行走时胸部随着步伐有明显而持续的弹跳,按照参考图的发型和服装在转身后依然自然,镜头反应略慢。4秒时,女教师转回面向学生继续讲解,按照参考图的服装线条在转身后依然明显,镜头保持中近景稳定构图但仍有轻微抖动。5秒时,女教师笑着举例说明,镜头中她的笑容、眼神和按照参考图的丰满胸部线条都非常清晰,自动对焦偶尔因旁边同学轻微移动而短暂失焦又快速恢复。6秒时,女教师的目光突然扫到第一人称的手机镜头,表情从温和转为惊讶,随即浮现出玩味的微笑,镜头因学生紧张而出现明显抖动和快速下沉。7秒时,女教师停止讲解,眼神锁定镜头,带着一丝笑意慢慢走向第一人称,行走时胸部弹跳明显且持续,路过前排同学时,她用眼神淡淡扫过他们,前排同学立刻僵住身体、迅速低下头不敢看她,一位同学手中的笔轻轻掉落,镜头随着她靠近而逐渐拉近,学生紧张的呼吸声明显传入麦克风。8秒时,女教师已经走到第一人称面前,身体微微前倾,近景构图下她的脸和丰满胸部线条清晰可见,她低头用低沉的声音对着镜头说道:“你在拍我?小帅哥,课后到我办公室来一下。”镜头因学生紧张而出现明显抖动,自动对焦短暂失焦后重新拉回。9秒时,女教师保持眼神看着第一人称镜头,嘴角带着一丝玩味的微笑,学生紧张的呼吸声清晰可闻,镜头出现轻微晃动。10秒时,女教师直起身子,嘴角带着一丝笑意看着镜头,镜头仍保持近景。11秒时,女教师转过身慢慢走回讲台,路过前排同学时,他们全部低着头不敢抬头,行走时胸部弹跳依然明显,镜头随着她离开而略微后移,自动对焦跟随她的背影。12秒时,女教师回到讲台继续之前的讲解,表情恢复温和,但嘴角仍带着一丝不易察觉的笑意,镜头保持中近景,学生紧张的呼吸声逐渐平复,自动对焦稳定在她身上。 画面呈现出真实的未经处理手持视频质感,纪录片级别的自然不完美感,无任何后期调色或特效。所有相机行为均符合iPhone自动拍摄的物理特性,带有偷偷拍摄被发现后的紧张感和中近景逐渐拉近的真实比例。
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Created a SKILLS based on a realistic standard. Examples are as follows, if many people reply asking for them, they will be published. Prompt: Presented in the style of raw, handheld iPhone video footage, with all camera settings set to automatic, no post-processing color grading or special effects. The 画面 features slight hand-held shake and the operator's breathing sensation, with autofocus occasionally showing search, delay, and brief loss of focus. Auto white balance naturally switches between warm and cool tones according to the mixed natural light from classroom windows and fluorescent lights. The image is generally flat, preserving realistic edge color fringing (purple-green fringes), slight overexposure or underexposure, motion blur, and other optical imperfections. Only in-scene natural ambient sounds are used, no background music, and the microphone may show slight distortion during loud sounds. Adopting a first-person POV medium close-up shot from a student sitting behind a desk in the front row, secretly looking up. The camera movement is natural reactive rather than professionally smooth, occasionally showing small 幅度 quick adjustments or brief dips due to nervousness. Medium close-up composition, with the female teacher's upper body occupying a large portion of the frame, most of the space taken up by her chest and above, with clear details of her face and gestures. A female teacher in her late 20s to early 30s of Asian descent. hf_2026 hf_2 Created a SKILLS based on a realistic standard. Examples are as follows, if many people reply asking for them, they will be published. Prompt: Presented in the style of raw, handheld iPhone video footage, with all camera settings set to automatic, no post-processing color grading or special effects. The 画面 features slight hand-held shake and the operator's breathing sensation, with autofocus occasionally showing search, delay, and brief loss of focus. Auto white balance naturally switches between warm and cool tones according to the mixed natural light from classroom windows and fluorescent lights. The image is generally flat, preserving realistic edge color fringing (purple-green fringes), slight overexposure or underexposure, motion blur, and other optical imperfections. Only in-scene natural ambient sounds are used, no background music, and the microphone may show slight distortion during loud sounds. Adopting a first-person POV medium close-up shot from a student sitting behind a desk in the front row, secretly looking up. The camera movement is natural reactive rather than professionally smooth, occasionally showing small 幅度 quick adjustments or brief dips due to nervousness. Medium close-up composition, with the female teacher's upper body occupying a large portion of the frame, most of the space taken up by her chest and above, with clear details of her face and gestures. A female teacher in her late 20s to early 30s of Asian descent. hf_2026 hf_2 Standing at the podium, she teaches a psychology course. She has a full figure with prominent breasts, exudes a gentle and professional demeanor, and matches the hairstyle and clothing in the reference image, without glasses. Her expression is focused yet mild, with occasional smiles and natural gestures. Behind her are a whiteboard and a projection screen displaying content related to "Introduction to Psychology - Cognitive Biases." The classroom is an ordinary university lecture hall. In the front row, 2-3 students are seated (one girl 低头认真记笔记, one boy occasionally looks up at the teacher, and one student leans against the chair back, slightly swaying). Their heads and shoulders are barely visible at the bottom edge of the frame, creating a natural foreground layer. At 0 seconds, the camera has already lifted from a medium close-up position, clearly occupying most of the frame above the female teacher's chest. Her hairstyle and clothing lines are distinct according to the reference image. The autofocus is stable on her face but still shows slight hand-held breathing tremors, with the tops of the front-row students' heads barely visible at the bottom edge of the frame. At 1 second, the female teacher begins teaching, her voice clear and rhythmic. The camera slightly 晃动 due to the students' minor posture adjustments, and the autofocus naturally switches between her face and gestures. At 2 seconds, the female teacher gestures to explain "confirmation bias." The medium close-up composition makes her chest lines and hand movements clear according to the reference image. The camera slightly follows her gestures upward, with a natural breathing feel, and the tops of the front-row students' heads form a stable layer at the bottom of the frame. At 3 seconds, the female teacher turns to walk to the whiteboard to write keywords. As she walks, her chest visibly bounces with her steps. Her hairstyle and clothing remain natural according to the reference image after the turn. The camera reacts slightly slowly, the autofocus searching from her side profile to the whiteboard text. Natural window light makes the frame slightly warm, and someone in the front row looks up. At 4 seconds, the female teacher turns back to face the students and continues teaching. Her clothing lines remain clear according to the reference image after the turn. The camera maintains a stable medium close-up composition but still shows slight 抖动. The autofocus shifts slightly cooler due to dominant fluorescent lighting, and the rustling sound of flipping pages from the front row is clearly captured by the microphone. At 5 seconds, the female teacher explains with a smile, her smile, eyes, and chest lines according to the reference image are all clearly visible. The autofocus occasionally loses focus briefly due to nearby students' minor movements but quickly recovers, and someone in the front row nods. At 6 seconds, a student secretly adjusts their phone angle, causing the frame to tilt slightly and the composition to become imperfect. The female teacher glances over at the front row, and the camera quickly sinks half a second before rising, with the tops of the front-row students' heads forming a natural obstruction at the bottom of the frame. At 7 seconds, the female teacher walks to the edge of the podium to continue teaching. Her chest bounces noticeably and continuously as she walks. The hairstyle and clothing details according to the reference image are prominent. The medium close-up low-angle shot makes her upper body and chest appear larger, with clear facial expressions and gesture details. The camera follows her movement with slight 抖动, and the microphone clearly records her teaching voice and classroom reverberation. At 8 seconds, the female teacher flips through her notes. The camera briefly focuses on the notes in her hand before quickly pulling back to her face and chest lines according to the reference image. Someone in the front row coughs softly. At 9 seconds, the female teacher poses a question for the students to think about. The camera maintains a relatively stable medium close-up composition but still shows a breathing feel, and someone in the front row lowers their head to think. At 10 seconds, the female teacher smiles while waiting for an answer. The camera slightly sinks and returns to normal due to the students' minor movements, with a natural but imperfect composition, and the tops of the front-row students' heads form a realistic layer at the bottom of the frame. At 11 seconds, the camera slowly returns to normal, and the female teacher continues teaching. The autofocus makes a final slight search before stabilizing on her face and chest lines according to the reference image, and the front-row students continue to listen quietly. The frame presents a genuine, untreated hand-held video quality with a natural, imperfect documentary feel, without any post-processing color adjustment or effects.All camera actions comply with the physical characteristics of iPhone's auto-shooting, featuring a tense sense of stealth shooting and the realistic ratio of medium-to-close-up high-angle shots.hf_2026irmation bias." The medium close-up composition makes her chest lines and hand movements clear according to the reference image. The camera slightly follows her gestures upward, with a natural breathing feel, and the tops of the front-row students' heads form a stable layer at the bottom of the frame. At 3 seconds, the female teacher turns to walk to the whiteboard to write keywords. As she walks, her chest visibly bounces with her steps. Her hairstyle and clothing remain natural according to the reference image after the turn. The camera reacts slightly slowly, the autofocus searching from her side profile to the whiteboard text. Natural window light makes the frame slightly warm, and someone in the front row looks up. At 4 seconds, the female teacher turns back to face the students and continues teaching. Her clothing lines remain clear according to the reference image after the turn. The camera maintains a stable medium close-up composition but still shows slight 抖动. The autofocus shifts slightly cooler due to dominant fluorescent lighting, and the rustling sound of flipping pages from the front row is clearly captured by the microphone. At 5 seconds, the female teacher explains with a smile, her smile, eyes, and chest lines according to the reference image are all clearly visible. The autofocus occasionally loses focus briefly due to nearby students' minor movements but quickly recovers, and someone in the front row nods. At 6 seconds, a student secretly adjusts their phone angle, causing the frame to tilt slightly and the composition to become imperfect. The female teacher glances over at the front row, and the camera quickly sinks half a second before rising, with the tops of the front-row students' heads forming a natural obstruction at the bottom of the frame. At 7 seconds, the female teacher walks to the edge of the podium to continue teaching. Her chest bounces noticeably and continuously as she walks. The hairstyle and clothing details according to the reference image are prominent. The medium close-up low-angle shot makes her upper body and chest appear larger, with clear facial expressions and gesture details. The camera follows her movement with slight 抖动, and the microphone clearly records her teaching voice and classroom reverberation. At 8 seconds, the female teacher flips through her notes. The camera briefly focuses on the notes in her hand before quickly pulling back to her face and chest lines according to the reference image. Someone in the front row coughs softly. At 9 seconds, the female teacher poses a question for the students to think about. The camera maintains a relatively stable medium close-up composition but still shows a breathing feel, and someone in the front row lowers their head to think. At 10 seconds, the female teacher smiles while waiting for an answer. The camera slightly sinks and returns to normal due to the students' minor movements, with a natural but imperfect composition, and the tops of the front-row students' heads form a realistic layer at the bottom of the frame. At 11 seconds, the camera slowly returns to normal, and the female teacher continues teaching. The autofocus makes a final slight search before stabilizing on her face and chest lines according to the reference image, and the front-row students continue to listen quietly. The frame presents a genuine, untreated hand-held video quality with a natural, imperfect documentary feel, without any post-processing color adjustment or effects.All camera actions comply with the physical characteristics of iPhone's auto-shooting, featuring a tense sense of stealth shooting and the realistic ratio of medium-to-close-up high-angle shots.
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A cinematic fantasy wuxia scene set in an ancient misty forest temple at night, a young Chinese woman in ornate hanfu crouching beside a shallow stream, gently holding a thin red thread that trails into the water. She wears layered translucent purple and deep crimson silk robes with delicate gold embroidery, pearl ankle ornaments, dangling hairpins, floral jewelry, and long black hair partly tied in an elaborate traditional updo. Her expression is sorrowful, focused, and vulnerable, looking downward toward the water. The foreground features a large moss-covered stone lantern with a warm candle glowing inside, wet stone, lush green moss, and blurred red ribbons crossing the frame. Behind her, an old wooden Buddhist temple pavilion with monks seated inside, soft candlelight, carved architecture, and hanging red fabric. In the far background, a lone robed figure stands in the blue fog among tall dark trees. Rain-soaked ground, reflective puddles, thin mist, cold moonlit atmosphere, warm lantern light contrasting with cool blue forest light. Ultra-detailed cinematic composition, shallow depth of field, dramatic chiaroscuro lighting, volumetric fog, wet reflective surfaces, realistic fabric texture, intricate costume details, fantasy historical Chinese drama aesthetic, emotional storytelling, 35mm cinematic photography, low angle, soft bokeh, high realism, masterpiece, 8k detail.
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For the sake of traffic, the author also fought hard. Unfortunately, there is a lack of paving the plot display, and there should be more space for in-depth exploration. I think there is a little tendency to explode video information now. There are too many idears, but few people calm down and make a good work.
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A polar bear has finally found its own world. For twelve years, it was confined in an iron cage at a Russian circus. Surrounded by cold iron bars and hard concrete, it had never seen real snow. Later, a rescue organization took it in. Its new home boasts twenty acres of open space, a lake where it can swim freely, and real earth and wind. But what surprised everyone was that what it cherished most was a blue rubber ball. Staff said that when it first arrived, it was wary of everything, cowering in a corner at the slightest sound. Only when it held the ball would its breathing gradually calm down. It would clutch the ball tightly to its chest with its two large paws, rest its chin gently on it, and close its eyes. Twelve years in an iron cage, twenty acres of freedom, and a red ball. The ball is worthless. But for it, it may be the first thing in its life that truly belonged to it.
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做旧风格的vcd 封面---prompt:ancient Chinese court lady portrait as a character, roadside video-rental B-movie still, vintage VHS cover atmosphere, theatrical red and cyan lighting, ornate hanfu, pearl hairpin, dramatic gaze, muted old film colors, grainy analog texture, slightly exaggerated cinematic pose, clear face, strong silhouette, strong visual identity, high detail, 1-2 key accessories only Negative prompt: avoid generic modern minimalism, avoid random extra text, avoid messy symbols, avoid distorted hands/faces, avoid losing subject identity, avoid modern casual clothing, avoid plastic cosplay look, avoid overdesigned accessories
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