It still seems surreal to me that this can be done with Opus 5.5 and a connected MCP.
Compositions, layers, keyframes, shadows…
Everything has been reduced to investing conversational time in developing and projecting my idea.
I need a minute to process the result of this animation made with Opus 5.5
And I asked it to explain how it pulled it off, and my mind got blown all over again.
I'll leave you the prompt too 👇
I need a minute to process the result of this animation made with Opus 5.5
And I asked it to explain how it pulled it off, and my mind got blown all over again.
I'll leave you the prompt too 👇
I need a minute to process the result of this animation made with Opus 5.5
And I asked it to explain how it pulled it off, and my mind got blown all over again.
I'll leave you the prompt too 👇
A distress call pulled her out of her routine.
By the time she got there, it was too late.
Her life had changed forever.
Full 10-episode season coming very soon on @fableshowrunner 🔥
One of the reasons I do this professionally is thanks to Cartoon Hero.
It's honestly been a real before-and-after for me.
It's not about hitting a button and seeing what happens, it's about understanding how AI actually works and how to get the most out of your ideas quickly and efficiently.
Eternally grateful for things like this ✨
I used the work generated with GPT-6 Astra to build out a set, a story.
Now I'm bringing it to life with @Hailuo_AI Minimax H3.
Here's a tip that's worked well for me 👇